With stunning subtlety and precision, these eleven stories embrace contradiction and transport us to in-between realms: between tenderness and violence, between the dreamlike and the excruciatingly real, between childlike wonder and ancient wisdom. A young woman becomes obsessed with her psychoanalyst's daughter. A police officer's mistress clandestinely cares for his dying wife. A boy goes missing from the Swedish town of Huskvarna after he was last seen walking with a wolf. From the inside of a dead whale's belly, to an industrial town emptied out after its factory's closure, to a Texan prison where a young man visits his sister's murderer on death row, Stridsberg approaches both the strange and the mundane with a fairy-tale sensibility that lights our world anew. Time runs through this collection like water, variously ebbing, flowing and rippling beneath the shimmering surface of Stridsberg's prose. These genre-spanning stories are held together by a sense of longing: for escape from the narrow margins of a prescribed life, for a past which promises an undiscovered future, for a place or a person that feels like home. Translated from the Swedish by Deborah Bragan-Turner
The international star Sara Stridsberg returns with The Antarctica of Love, an unnamed woman's tale of her murder, her brief life, and the world that moves on after she left it They say you die three times. The first time for me was when my heart stopped beating beneath his hands by the lake, and the second was when what was left of me was lowered into the ground in front of Ivan and Raksha at Bromma Church. The third time will be the last time my name is spoken on earth. She was a neglected child, an unreliable mother, a sex worker, a drug user—and then, like so many, a nameless victim of a violent crime. But first she was a human being, a full, complicated person, and she insists that we know her fully as she tells her story from beyond the grave. We witness her short life, the harrowing murder that ended it, and her grief over the loved ones she has left behind. We see her parents struggle with guilt and loss. We watch her children grow up in adopted families and patch together imperfect lives. We feel her dreams, fears, and passions. And still we will never know her name. A heartrending novel of life after death, Sara Stridsberg’s The Antarctica of Love is an unflinching testament of a woman on the margins, a tale of family lost and found, a report of a murder in the voice of the victim, and a story that brims with unexpected tenderness and hope.
We Go to the Park is a beautiful, lyrical meditation on going to the park to play—which extends into a reflection on life itself—from Booker Prize-longlisted author Sara Stridsberg, and the inimitable, award-winning illustrator Beatrice Alemagna! Translated from Swedish by B.J. Woodstein The park beckons us to leave our daily routines behind and enter its zone of endless possibility. In the park, the usual rules don’t apply. In the park, what matters most is the moment, and losing track of time to the timelessness of imagination, invention, observation, and chance. In the park, there are risks, of course, but also the deepest rewards, to be found in the freedom experienced through play that is both embodied and participatory. It is not the lone “I,” but the “we” that goes to the park, where chance encounters might suddenly become moments of deep connection—however fleeting—with others, nature, and ourselves. Originally published in Sweden, this first English–language edition printed in Italy on thick cream paper offers an immersive experience of transformation, longing, and transcendence to readers of all ages, while reminding adult readers in particular of the everyday miracle contained in encountering another consciousness.
Happy Sally" er en fiktiv beretning om to kvinner som er besatt av prestasjoner og store ideer. Den ene er Sally Bauer, 1930-tallets store langdistanse- og kanalsvømmer og den første skandinav som svømte over Den engelske kanal. Den andre er Ellen som, femtito år senere, forsøker å gjenskape Bauers triumf. Ellen lager en avtale med mannen sin. Klarer hun å svømme over kanalen, får hun ubegrenset svømmetid, en loftsleilighet i Paradisgatan, svømmebasseng i hagen. Klarer hun det ikke, blir det Atlanterhavsreise med seilbåten og ubegrenset leketid med de to barna. Kanalens magiske tiltrekningskraft er ødeleggende. Fra det rent konkrete om hvor vanskelig det er å svømme når det er fullmåne, til Ellens avvisning av alle som står henne nær. For sønnen H får stadig tristere øyne, og datteren ønsker intenst at mamma ikke skal klare det. For Ellen finnes det ikke noe annet alternativ enn å lykkes. Konsekvensene blir fatale. Sara Stridsberg våger å ta opp vanskelige temaer. Kan barn stå i veien for en mammas lykke? Det handler om å satse alt - og med det - de ofrene det krever. For prisen er høy.
The award-winning and beautiful story of a child coping with her father's absence. The book tackles a difficult subject with great tenderness, validating a child's experience of a parent suffering from depression. "This poignant, gentle book . . . will be immensely helpful to anyone caring for the child of someone with major depression. It fills an important gap in literature for young children."—Andrew Solomon, author of The Noonday Demon (winner of the National Book Award) and Far From the Tree Zoe’s dad isn’t home. She still sees him in photographs, laughing and playing tennis, but for now she can only visit him in a building where everyone looks sad and the walls are an ugly pink color. Some days Zoe’s dad is too sad to see her, but she goes to the hospital anyway. While waiting she meets Sabina who invites her to swim across the world. Zoe’s not sure it’s possible, but Sabina tells her, “A girl can do everything she wants.” Even though Sabina sometimes dives deep into her own thoughts, the two of them swim around the world many times that summer, until eventually Zoe’s dad is ready to come home. The Summer of Diving is a book full of imagination and hope with a tender child’s-eye understanding of the world. Stridsberg’s story and Lundberg’s lush and colorful paintings reflect and validate a child’s feelings of loss and longing for closeness when a parent’s joy for living temporarily fades.
In April 1988, Valerie Solanas - the writer, radical feminist and would-be assassin of Andy Warhol - was discovered dead in her hotel room, in a grimy corner of San Francisco. She was only 52; alone, penniless and surrounded by the typed pages of her last writings. In The Faculty of Dreams, Sara Stridsberg revisits the hotel room where Solanas died, the courtroom where she was tried and convicted of attempting to murder Andy Warhol, the Georgia wastelands where she spent her childhood, where she was repeatedly raped by her father and beaten by her alcoholic grandfather, and the mental hospitals where she was interned. Through imagined conversations and monologues, reminisces and rantings, Stridsberg reconstructs this most intriguing and enigmatic of women, articulating the thoughts and fears that she struggled to express in life and giving a powerful, heartbreaking voice to the writer of the infamous SCUM Manifesto.
Stories by Stieg Larsson, Henning Mankell, and over a dozen other masters of Nordic noir: “A wonderful collection” (Camilla Lӓckberg). Ever since Stieg Larsson shone a light on Swedish crime writing with his Girl With the Dragon Tattoo trilogy, readers around the world have devoured fiction by Scandinavian masters of suspense. A Darker Shade of Sweden includes an assortment of outstanding crime fiction—never before published in English and in some cases brand-new to this volume—from Larsson and a wide range of other talents including Henning Mankell, the creator of Kurt Wallander; Åsa Larsson; Eva Gabrielsson; Inger Frimansson; Åke Edwardson; Sara Stridsberg; Maj Sjöwall and Per Wahlöö; and more. Also included is an introduction by Edgar nominee John-Henri Holmberg, exploring the history of these stellar authors and their contributions to crime writing. “Gripping. . . . These unsettlingly dark tales reaffirm the dominance of Swedish writers with original crime fiction.” —The Sun (UK)
Lolita ist die berühmteste Verführerin aus dem Roman des 20. Jahrhunderts. Sara Stridsberg hat eine neue Lolita geschaffen. Messerscharf seziert Stridsberg die Figur dieser rätselhaften Frau - Lolita als Kind, vom Vater misshandelt, Lolita als Männer verschlingender Vamp, als Mutter, Opfer und Täterin. Stridsberg erzählt präzise und gnadenlos die schmerzhaft schöne Geschichte aller Lolitas dieser Welt. Nie anklagend, sondern staunend, dass das Miteinander von Frau und Mann immer noch nicht so einfach ist. Entstanden ist ein fesselnder, sprachgewaltiger Roman.
The international star Sara Stridsberg returns with The Antarctica of Love, an unnamed woman's tale of her murder, her brief life, and the world that moves on after she left it They say you die three times. The first time for me was when my heart stopped beating beneath his hands by the lake, and the second was when what was left of me was lowered into the ground in front of Ivan and Raksha at Bromma Church. The third time will be the last time my name is spoken on earth. She was a neglected child, an unreliable mother, a sex worker, a drug user—and then, like so many, a nameless victim of a violent crime. But first she was a human being, a full, complicated person, and she insists that we know her fully as she tells her story from beyond the grave. We witness her short life, the harrowing murder that ended it, and her grief over the loved ones she has left behind. We see her parents struggle with guilt and loss. We watch her children grow up in adopted families and patch together imperfect lives. We feel her dreams, fears, and passions. And still we will never know her name. A heartrending novel of life after death, Sara Stridsberg’s The Antarctica of Love is an unflinching testament of a woman on the margins, a tale of family lost and found, a report of a murder in the voice of the victim, and a story that brims with unexpected tenderness and hope.
We Go to the Park is a beautiful, lyrical meditation on going to the park to play—which extends into a reflection on life itself—from Booker Prize-longlisted author Sara Stridsberg, and the inimitable, award-winning illustrator Beatrice Alemagna! Translated from Swedish by B.J. Woodstein The park beckons us to leave our daily routines behind and enter its zone of endless possibility. In the park, the usual rules don’t apply. In the park, what matters most is the moment, and losing track of time to the timelessness of imagination, invention, observation, and chance. In the park, there are risks, of course, but also the deepest rewards, to be found in the freedom experienced through play that is both embodied and participatory. It is not the lone “I,” but the “we” that goes to the park, where chance encounters might suddenly become moments of deep connection—however fleeting—with others, nature, and ourselves. Originally published in Sweden, this first English–language edition printed in Italy on thick cream paper offers an immersive experience of transformation, longing, and transcendence to readers of all ages, while reminding adult readers in particular of the everyday miracle contained in encountering another consciousness.
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