The first book-length literary analysis of the WPA’s Federal Writers’ Project (FWP)—a massive New Deal program that put thousands to work documenting the country during the Depression. Drawing on critical histories, archival documents, and select works of fiction, the book examines the nature and history of the FWP’s documentary method and its literary imprint, particularly on three key black American writers: Ralph Ellison, Dorothy West, and Margaret Walker. By aiming their documentary lenses so precisely on individual voices, folklore, and cultural communities, FWP writers would ultimately eschew the social realism of thirties culture in favor of themes surrounding personal and cultural identities in the postwar era. This concise volume demonstrates how the FWP served as a repository from which many of the most treasured 20th century writers drew material, techniques, and philosophical direction in ways that would help steer the course of American writing.
Historian Sara Eskridge examines television’s rural comedy boom in the 1960s and the political, social, and economic factors that made these shows a perfect fit for CBS. The network, nicknamed the Communist Broadcasting System during the Red Scare of the 1940s, saw its image hurt again in the 1950s with the quiz show scandals and a campaign against violence in westerns. When a rival network introduced rural-themed programs to cater to the growing southern market, CBS latched onto the trend and soon reestablished itself as the Country Broadcasting System. Its rural comedies dominated the ratings throughout the decade, attracting viewers from all parts of the country. With fascinating discussions of The Andy Griffith Show, The Beverly Hillbillies, Petticoat Junction, and other shows, Eskridge reveals how the southern image was used to both entertain and reassure Americans in the turbulent 1960s.
Travel to virtually any African country and you are likely to find a Coca-Cola, often a cold one at that. Bottled asks how this carbonated drink became ubiquitous across the continent, and what this reveals about the realities of globalisation, development and capitalism. Bottled is the first assessment of the social, commercial and environmental impact of one of the planet's biggest brands and largest corporations, in Africa. Sara Byala charts the company's century-long involvement in everything from recycling and education to the anti-apartheid struggle, showing that Africans have harnessed Coca-Cola in varied expressions of modernity and self-determination: this is not a story of American capitalism running amok, but rather of a company becoming African, bending to consumer power in ways big and small. In late capitalism, everyone's fates are bound together. A beverage in Atlanta and a beverage in Johannesburg pull us all towards the same end narrative. This story matters for more than just the local reasons, enhancing our understanding of our globalised, integrated world. Drawing on fieldwork and research in company archives, Byala asks a question for our time: does Coca-Cola's generative work offset the human and planetary costs associated with its growth in the twenty-first century?
Essential Dermatopathology is designed to assist pathology trainees, general pathologists, dermatology trainees, and dermatologists in understanding the basics of dermatopathology. It illustrates and defines common dermatopathology terms and descriptions, basic inflammatory patterns and their major differential diagnoses in the introductory chapters. The final chapters consist of a systematic overview of common dermatological conditions/lesions, logically described in separate chapters based on site of predominant involvement. The aim of the layout is to closely mimic the systematic method by which pathology slides are reported.
A comprehensive full-colour handbook for growing fruit in cold climates that is aimed at the home gardener. Includes a detailed map and reference guide to zones, hardiness, planting time, and best practices to ensure growth and survival. From pincherries to haskaps, tree fruits to vine fruits, and everything in between, renowned horticulturalist Dr. Bob Bors and master gardener Sara Williams delve into the science of growing and maintaining fruit plants for northern gardeners. Each specific fruit plant is given its own chapter in this beautifully designed reference guide, complete with charts and colour photographs, outlining and describing the plant and its history, planting, care, and any problems (such as insects and disease) that are typically associated with growing it. Gardeners will be able to decide which plants would work best in their own gardens, and harvest the fruits of their success.
The first book-length literary analysis of the WPA’s Federal Writers’ Project (FWP)—a massive New Deal program that put thousands to work documenting the country during the Depression. Drawing on critical histories, archival documents, and select works of fiction, the book examines the nature and history of the FWP’s documentary method and its literary imprint, particularly on three key black American writers: Ralph Ellison, Dorothy West, and Margaret Walker. By aiming their documentary lenses so precisely on individual voices, folklore, and cultural communities, FWP writers would ultimately eschew the social realism of thirties culture in favor of themes surrounding personal and cultural identities in the postwar era. This concise volume demonstrates how the FWP served as a repository from which many of the most treasured 20th century writers drew material, techniques, and philosophical direction in ways that would help steer the course of American writing.
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