Before the word “foodie” ever entered the lexicon, Sara Jane Parker was ahead of the curve, crafting dishes like avocado toast and putting curry into seafood salad. The Petite Palate Collection: Memoir and Recipes from the Kitchen of S. Jane Parker preserves these favorite recipes that were created and served in her tea shop in Lancaster, Pennsylvania, which she and her husband ran in the 1990s. The beloved tea shop didn’t just lure people satisfying a sweet tooth with its famous cookies or bringing home comforting chicken salad from the deli case, packed with made-from-scratch dishes. The Petite Palate was a community gathering place that opened the world of gourmet cuisine to locals eager to indulge in afternoon tea (formal or informal) and sample unconventional items like spinach pâté, which demonstrate Parker’s passion for pioneering recipes. The Petite Palate Collection is also a charming memoir that takes the reader behind the scenes, with anecdotes detailing Parker’s life and the everyday goings on in the busy tea shop. What shines through, perhaps brightest of all, is Parker’s distinctive philosophy and passion for the recipes she has spent a life time honing.
This book analyzes the cinematic superhero as social practice. The study’s critical context brings together psychoanalysis and restorative and reflective nostalgia as a way of understanding the ideological function of superhero fantasy. It explores the origins of cinematic superhero fantasy from antecedents in myth and religion, to twentieth-century comic book, to the cinematic breakthrough with Superman (1978). The authors then focus on Spider-Man as reflective response to Superman’s restorative nostalgia, and read MCU’s overarching narrative from Iron Man to End Game in terms of the concurrent social, political, and environmental conditions as a world in crisis. Zornado and Reilly take up Wonder Woman and Black Panther as self-conscious attempts to reflect on gender and race in restorative superhero fantasy, and explore Christopher Nolan’s Dark Knight trilogy as a meditation on the need for authoritarian fascism. The book concludes with Logan, Wonder Woman 1984, and Amazon Prime’s The Boys as distinctly reflective fantasy narratives critical of the superhero fantasy phenomenon.
An exclusive behind-the-scenes look at the making of Jane Austen's Sanditon television series. Sanditon, the final novel Austen was working on before her death, has been given an exciting conclusion, and will be brought to a primetime television audience on PBS/Masterpiece for the very first time by Emmy and BAFTA Award winning screenwriter Andrew Davies (War & Peace, Mr. Selfridge, Les Misérables, Pride and Prejudice). This, the official companion to the Masterpiece series, contains everything a fan could want to know. It explores the world Austen created, along with fascinating insights about the period and the real-life heartbreak behind her final story. And it offers location guides, behind the scenes details, and interviews with the cast, alongside beautiful illustrations and set photography.
People tend to think of us as shadows. Blurred black mist. Often, it’s “out of the corner of my eye.” People sense the cold. I’ve heard of ghost hunters who use a tape measure, laying it on the ground to mark our boundaries. I don’t want to be measured. In 1983, deep in New Mexico’s Gila National Forest, the bodies of a young woman and two children were found. Who were they? How did they get there? Thirty years later, two women find themselves drawn to the cold case. Librarian Laura MacDonald begins her own investigation as a way to distract herself from breast cancer treatments and becomes consumed by her search for answers. Jean Martinez is a veteran detective determined to keep working cold cases for the Sierra County police force even as her family begs her to retire. With only fragments from dusty case files and a witness who doesn’t want to remember, this unlikely duo is determined—no matter the cost—to uncover the truth behind the murders. And with their help, the woman in the woods is finally able to tell her story on her own terms and summon the power to be found. The Night Flowers—a haunting debut thriller written with pulse-pounding precision and a deep understanding of the psychology of violence and the tenacity of those who combat it—announces the arrival of Sara Herchenroether as an exciting new voice.
Exploring the Lives of Women, 1558-1837' is an engaging and lively collection of original, thought-provoking essays. Its route from Lady Jane Greys nine-day reign to Queen Victorias accession provides ample opportunities to examine complex interactions between gender, rank, and power. Yet the books scope extends far beyond queens: its female cast includes servants, aristocrats, literary women, opera singers, actresses, fallen women, athletes and mine workers.The collection explores themes relating to female power and physical strength; infertility, motherhood, sexuality and exploitation; creativity and celebrity; marriage and female friendship. It draws upon a wide range of primary materials to explore diverse representations of women: illuminating accounts of real womens lives appear alongside fictional portrayals and ideological constructions of femininity. In exploring womens negotiations with patriarchal control, this book demonstrates how the lived experience of women did not always correspond to prescribed social and gendered norms, revealing the rich complexity of their lives.This volume has been published to commemorate the 30th anniversary of the Womens Studies Group 1558-1837. The group was formed to promote research into any aspect of womens lives as experienced or depicted within this period. The depth, range and creativity of the essays in this book reflect the myriad interests of its members.
A transformative look at colonial women's pivotal roles as lenders and debtors in shaping the economic and legal systems of Newport and Boston. Winner of the Berkshire Women Historians Book Prize by the Berkshire Conference of Women Historians In colonial Boston and Newport, personal credit relationships were a cornerstone of economic networks. During the eighteenth century, the pace of market exchange quickened and debt cases swelled the dockets of county courts, institutions that became ever more central to enforcing financial obligations. At the same time, seafaring and military service drew men away from home, some never to return. The absences of male household heads during this era of economic transition forced New Englanders to evaluate a pressing question: Who would establish and manage consequential financial relationships? In To Her Credit, Sara T. Damiano uncovers free women's centrality to the interrelated worlds of eighteenth-century finance and law. Focusing on everyday life in Boston, Massachusetts, and Newport, Rhode Island—two of the busiest port cities of this period—Damiano argues that colonial women's skilled labor actively facilitated the growth of Atlantic ports and their legal systems. Mining vast troves of court records, Damiano reveals that married and unmarried women of all social classes forged new paths through the complexities of credit and debt, stabilizing credit networks amid demographic and economic turmoil. In turn, urban women mobilized sophisticated skills and strategies as borrowers, lenders, litigants, and witnesses. Highlighting the often-unrecognized malleability of early American social hierarchies, the book shows how indebtedness intensified women's vulnerability, while acting as creditors, clients, or witnesses enabled women to exercise significant power over men. Yet by the late eighteenth century, class differentiation began to mark finance and the law as masculine realms, obscuring women's contributions to the very institutions they helped to create. The first book to systematically reconstruct the centrality of women's labor to eighteenth-century personal credit relationships, To Her Credit will be an eye-opening work for economic historians, legal historians, and anyone interested in the early history of New England.
Justice as Improvisation: The Law of the Extempore theorises the relationship between justice and improvisation through the case of the New York City cabaret laws. Discourses around improvisation often imprison it in a quasi-ethical relationship with the authentic, singular 'other'. The same can be said of justice. This book interrogates this relationship by highlighting the parallels between the aporetic conception of justice advanced by the late French philosopher Jacques Derrida and the nuanced approach to improvisation pursued by musicians and theorists alike in the new and emerging interdisciplinary field of Critical Studies in Improvisation (CSI). Justice as Improvisation re-imagines justice as a species of improvisation through the formal structure of the most basic of legal mechanisms, judicial decision-making, offering law and legal theory a richer, more concrete, understanding of justice. Not further mystery or mystique, but a negotiation between abstract notions of justice and the everyday practice of judging. Improvisation in judgment calls for ongoing, practical decision-making as the constant negotiation between the freedom of the judge to take account of the otherness or singularity of the case and the existing laws or rules that both allow for and constrain that freedom. Yes, it is necessary to judge, yes, it is necessary to decide, but to judge well, to decide justly, that is a music lesson perhaps best taught by critical improvisation scholars.
For Generation Y, born after 1982, relationships happen over the Internet and music marks their territory. How does this generation think about the world? What does their spirituality look like? And what implications does this have for the Church? This book addresses the need for the Church to reconnect and communicate with young people.
For Generation Y, born after 1982, relationships happen over the Internet and music marks their territory. How does this generation think about the world? What does their spirituality look like? And what implications does this have for the Church? This book addresses the need for the Church to reconnect and communicate with young people.
According to Sara Crosby, the new popular ‘power of horror’—in writings by Poe and many others—gave American authors a new way of moving beyond beauty through the ‘poisonous muse.’ This new power corresponds to the vitalizing changes in Jacksonian America and brings with it a major change in US literary history. Her study of these changes in the US cultural scene is an incredibly engaging, vibrant narrative.
Tracing the emergence of the domestic kitchen from the 17th to the middle of the 19th century, Sara Pennell explores how the English kitchen became a space of specialised activity, sociability and strife. Drawing upon texts, images, surviving structures and objects, The Birth of the English Kitchen, 1600-1850 opens up the early modern English kitchen as an important historical site in the construction of domestic relations between husband and wife, masters, mistresses and servants and householders and outsiders; and as a crucial resource in contemporary heritage landscapes.
More than fifty successful women share their secrets of how they got where they are and describe their choices, mentors, opportunities, challenges, and other steps that they encountered on the road to fulfillment.
A magnificent proliferation of new Christ-centered devotional practices—including affective meditation, imitative suffering, crusade, Eucharistic cults and miracles, passion drama, and liturgical performance—reveals profound changes in the Western Christian temperament of the twelfth century and beyond. This change has often been attributed by scholars to an increasing emphasis on God's embodiment in the incarnation and crucifixion of Christ. In Holy Matter, Sara Ritchey offers a fresh narrative explaining theological and devotional change by journeying beyond the human body to ask how religious men and women understood the effects of God’s incarnation on the natural, material world. She finds a remarkable willingness on the part of medieval Christians to embrace the material world—its trees, flowers, vines, its worms and wolves—as a locus for divine encounter.Early signs that perceptions of the material world were shifting can be seen in reformed communities of religious women in the twelfth-century Rhineland. Here Ritchey finds that, in response to the constraints of gendered regulations and spiritual ideals, women created new identities as virgins who, like the mother of Christ, impelled the world’s re-creation—their notion of the world’s re-creation held that God created the world a second time when Christ was born. In this second act of creation God was seen to be present in the physical world, thus making matter holy. Ritchey then traces the diffusion of this new religious doctrine beyond the Rhineland, showing the profound impact it had on both women and men in professed religious life, especially Franciscans in Italy and Carthusians in England. Drawing on a wide range of sources including art, liturgy, prayer, poetry, meditative guides, and treatises of spiritual instruction, Holy Matter reveals an important transformation in late medieval devotional practice, a shift from metaphor to material, from gazing on images of a God made visible in the splendor of natural beauty to looking at the natural world itself, and finding there God’s presence and promise of salvation.
Georgia's Remarkable Women: Daughters, Wives, Sisters, and Mothers Who Shaped History recognizes the women who helped to shape the Peach State. Female teachers, writers, entrepreneurs, and artists from across the state are illuminated through short biographies and archival photographs and paintings. Setting their own standards and following their passions, they continue to inspire new generations with their achievements. Meet Rebecca Latimer Felton, the first woman to sit as a U.S. senator; Juliette Gordon Low, the resilient founder of the Girl Scouts; Sarah Freeman Clarke, a painter who dared to pursue art and literature as a career; Gertrude "Ma" Rainey, the "Mother of the Blues," whose voice transcended race and class; and Margaret Mitchell, author of the enduring tale of survival, Gone with the Wind.
Forty years later, Sara Murphy, a key member of the WEC, recounts the rarely told story of these courageous women who formed a resistance movement. With passion and sensitivity, she reconstructs the challenges and triumphs of that battle, which issued from the mutual link Southern white women shared with disfranchised African Americans in their common goal for full citizenship.
This is the first modern critical study of Thomas Hood, the popular and influential nineteenth-century poet, editor, cartoonist and voice of social protest. Acclaimed by Dickens, the Brownings and the Rossettis, Hood’s quirky, diverse output bridges the years between 1820 and 1845 and offers fascinating insights for Romanticists and Victorianists alike. Lodge’s timely book explores the relationship between Hood’s playfulness, his liberal politics, and contemporary cultural debate about labour and recreation, literary materiality and urban consumption. Each chapter examines something distinctive of interdisciplinary interest, including the early nineteenth-century print culture into which Hood was born; the traditional, urban and political ramifications of the grotesque art and literature aesthetic; the cultural politics of Hood’s trademark puns; theatre, leisure and the ‘labour question’. Lively and accessible, this book will appeal to scholars of nineteenth-century English Literature, Visual Arts and Cultural Studies.
Lonely Planet: The world's leading travel guide publisher Lonely Planet Northern California is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Hike subalpine valleys in Yosemite National Park, take in views of the iconic Golden Gate Bridge in San Francisco, sample America's best wines in the Napa and Sonoma Valleys; all with your trusted travel companion. Get to the heart of Northern California and begin your journey now! Inside Lonely Planet Northern California: Color maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sight-seeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - history, customs, film, television, music, arts, literature, landscapes, wildlife Over 18 color maps Covers San Francisco, the Bay Area, Napa Valley, Sonoma Valley, Coastal Highway 1, Redding, Gold Country, Lake Tahoe, Yosemite, the Sierra Nevada, Sacramento and more eBook Features: (Best viewed on tablet devices and smartphones) Downloadable PDF and offline maps prevent roaming and data charges Effortlessly navigate and jump between maps and reviews Add notes to personalise your guidebook experience Seamlessly flip between pages Bookmarks and speedy search capabilities get you to key pages in a flash Embedded links to recommendations' websites Zoom-in maps and images Inbuilt dictionary for quick referencing The Perfect Choice: Lonely Planet Northern California, our most comprehensive guide to Northern California, is perfect for both exploring top sights and taking roads less traveled. Looking for more extensive coverage? Check out Lonely Planet California for a comprehensive look at all the state has to offer. About Lonely Planet: Since 1973, Lonely Planet has become the world's leading travel media company with guidebooks to every destination, an award-winning website, mobile and digital travel products, and a dedicated traveller community. Lonely Planet covers must-see spots but also enables curious travellers to get off beaten paths to understand more of the culture of the places in which they find themselves. The world awaits! Lonely Planet guides have won the TripAdvisor Traveler's Choice Award in 2012, 2013, 2014, 2015, and 2016. 'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' -- Fairfax Media 'Lonely Planet guides are, quite simply, like no other.' - New York Times Important Notice: The digital edition of this book may not contain all of the images found in the physical edition.
The women most crucial to the feminist movement that emerged in the 1960's arrived at their commitment and consciousness in response to the unexpected and often shattering experience of having their work minimized, even disregarded, by the men they considered to be their colleagues and fellow crusaders in the civil rights and radical New Left movements. On the basis of years of research, interviews with dozens of the central figures, and her own personal experience, Evans explores how the political stance of these women was catalyzed and shaped by their sharp disillusionment at a time when their skills as political activists were newly and highly developed, enabling them to join forces to support their own cause.
Originally published in 1994, this important book traces the rise of film propaganda in the 20th Century, discussing specifically how film can be used to manipulate public perception and opinions. Two distinct areas are covered: war propaganda, including feature and documentary films regarding warfare; and civilian propaganda, including films that address a variety of political subjects. Although the focus is American film and American politics, this book offers insights for all those interested in the affect of film on the minds of citizens of any country or state.
Remembering those we’ve lost, and empowering those of the future Stitching Stolen Lives is an in-depth look at the mission and work of the Social Justice Sewing Academy Remembrance Project. Together, we remember the lives lost due to racial injustices, with an in-depth sharing of their story. The SJSA compiled extraordinary portrait art quilts that memorialize the individuals and say their names, over and over. SJSA also works with young adults and teens to help find their voice through the art of fabric and quilting, shown through student gallery photography. By working with SJSA, students learn how to cut fabric and make quilt blocks, and along the way, find the strength to express the systemic problems that plague their everyday life through their artwork. This book shares stories and insight into the lives lost and the long overlooked, heartrending truths shared by teens and young adults. Personal stories of individuals and their families whose lives have been cut short by racially motivated crime Includes thought-provoking portrait art quilt blocks in the likeness of those whose lives were stolen Valuable resource section provides information on how to talk about racial equity, use art as a tool to aid self-expression, and get started on your own social justice initiative
The first full-length biography of the longtime secret love of the celebrated poet T. S. Eliot, Emily Hale, called "heartbreaking" by Publishers Weekly and The Washington Post calls "a meticulously researched book that reads like a novel.” In January 2020, the largest and most eagerly awaited cache of new materials written by the Nobel-Prize-winning poet T. S. Eliot was finally opened: the 1,131 letters he sent Emily Hale, his little-known American love. But even as Eliot scholars explore Hale’s impact on Eliot’s work, a tantalizing question has not been fully answered: who was Emily Hale? Sara Fitzgerald’s The Silenced Muse: Emily Hale, T. S. Eliot, and the Role of a Lifetime is the first full-length biography devoted to Hale, telling her side of a complicated relationship. Based on the embargoed letters and Fitzgerald’s extensive research into Hale’s life and times, this book brings to light that Hale was much more than just a muse to a literary celebrity. Hale overcame personal hardship to pursue a career as a professor of speech and drama at prominent American women’s colleges and schools. She was a talented amateur actress and director, sharing the stage with others who went on to notable professional careers. Behind the scenes, she also guided Eliot as he began to explore playwriting with works such as Murder in the Cathedral. Hale’s story is challenging to wholly uncover because the Boston clergyman’s daughter was by nature reticent and humble. More critically, Eliot arranged for nearly all of her letters to be destroyed. The Silenced Muse finally reveals that Hale’s story is not that of a lover scorned, but rather a woman who was herself gifted and celebrated by her students and peers.
Reflecting on his past, President John Adams mused that it was religion that had shaped his family's fortunes and young America's future. For the nineteenth century's first family, the Adamses of Massachusetts, the history of how they lived religion was dynamic and well-documented. Christianity supplied the language that Abigail used to interpret husband John's political setbacks. Scripture armed their son John Quincy to act as father, statesman, and antislavery advocate. Unitarianism gave Abigail's Victorian grandson, Charles Francis, the religious confidence to persevere in political battles on the Civil War homefront. By contrast, his son Henry found religion hollow and repellent compared to the purity of modern science. A renewal of faith led Abigail's great-grandson Brooks, a Gilded Age critic of capitalism, to prophesy two world wars. Globetrotters who chronicled their religious journeys extensively, the Adamses ultimately developed a cosmopolitan Christianity that blended discovery and criticism, faith and doubt. Drawing from their rich archive, Sara Georgini, series editor for The Papers of John Adams, demonstrates how pivotal Christianity--as the different generations understood it--was in shaping the family's decisions, great and small. Spanning three centuries of faith from Puritan New England to the Jazz Age, Household Gods tells a new story of American religion, as the Adams family lived it.
Art in England fills a void in the scholarship of both English and medieval art by offering the first single volume overview of artistic movements in Medieval and Early Renaissance England. Grounded in history and using the chronology of the reign of monarchs as a structure, it is contextual and comprehensive, revealing unobserved threads of continuity, patterns of intention and unique qualities that run through English art of the medieval millennium. By placing the English movement in a European context, this book brings to light many ingenious innovations that focused studies tend not to recognize and offers a fresh look at the movement as a whole. The media studied include architecture and related sculpture, both ecclesiastical and secular; tomb monuments; murals, panel paintings, altarpieces, and portraits; manuscript illuminations; textiles; and art by English artists and by foreign artists commissioned by English patrons.
First signed in 1886, the Berne Convention for the Protection of Literary and Artistic Works is still the cornerstone of international copyright law. Set against the backdrop of Canada’s development from a British colony into a middle power, this book reveals the deep roots of conflict in the international copyright system and argues that Canada’s signing of the convention can be viewed in the context of a former British colony’s efforts to find a place on the world stage. In this groundbreaking book, Sara Bannerman examines Canada’s struggle for copyright sovereignty and explores some of the problems rooted in imperial and international copyright that affect Canadians to this day.
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