In 1970, a group of women in Ann Arbor launched a crusade with an objective that seemed beyond reach at the time—force the University of Michigan to treat women the same as men. Sex discrimination was then rampant at U-M. The school’s admissions officials sought to maintain a ratio of 55:45 between male and female undergraduate entrants, turning away more qualified female applicants and arguing, among other things, that men needed help because they were less mature and posted lower grades. Women comprised less than seven percent of the University’s faculty members and their salaries trailed their male peers by substantial amounts. As one administrator put it when pressed about the disparity, “Men have better use for the extra money.” Galvanized by their shared experiences with sex discrimination, the Ann Arbor women organized a group called FOCUS on Equal Employment for Women, led by activist Jean Ledwith King. Working with Bernice Sandler of the Women’s Equity Action League, they developed a strategy to unleash the power of another powerful institution—the federal government—to demand change at U-M and, they hoped, across the world of higher education. Prompted by a complaint filed by FOCUS, the U.S. Department of Health, Education, and Welfare soon documented egregious examples of discrimination in Michigan’s practices toward women and threatened to withhold millions of dollars in contracts unless the school adopted remedies. Among the hundreds of similar complaints filed against U.S. colleges in 1970–1971, the one brought by the Michigan women achieved the breakthrough that provided the historic template for settlements with other institutions. Drawing on oral histories from archives as well as new interviews with living participants, Conquering Heroines chronicles this pivotal period in the histories of the University of Michigan and the women’s movement. An incredible story of grassroots activism and courageous women, the book highlights the kind of relentless effort that has helped make inclusivity an ongoing goal at U-M.
The first full-length biography of the longtime secret love of the celebrated poet T. S. Eliot, Emily Hale, called "heartbreaking" by Publishers Weekly. In January 2020, the T. S. Eliot estate finally opened the largest and most eagerly awaited cache of new materials written by the Nobel-Prize-winning poet: the 1,131 letters he sent Emily Hale, his little-known American love. But even as Eliot scholars explore Hale’s impact on Eliot’s work, a tantalizing question has not been fully answered: who was Emily Hale? Sara Fitzgerald’s The Silenced Muse: Emily Hale, T. S. Eliot, and the Role of a Lifetime is the first full-length biography devoted to Hale, telling her side of a complicated relationship. Based on the embargoed letters and Fitzgerald’s extensive research into Hale’s life and times, this book brings to light that Hale was much more than just a muse to a literary celebrity. Hale overcame personal hardship to pursue a career as a professor of speech and drama at prominent American women’s colleges and schools. She was a talented amateur actress and director, sharing the stage with others who went on to notable professional careers. Behind the scenes, she also guided Eliot as he began to explore playwriting with works such as Murder in the Cathedral. Hale’s story is challenging to wholly uncover because the Boston clergyman’s daughter was by nature reticent and humble. More critically, Eliot arranged for nearly all of her letters to be destroyed. The Silenced Muse finally reveals that Hale’s story is not that of a lover scorned, but rather a woman who was herself gifted and celebrated by her students and peers.
A dazzling biography for readers of The Great Gatsby and other Lost Generation authors Gifted artist Gerald Murphy and his elegant wife, Sara, were icons of the most enchanting period of our time; handsome, talented, and wealthy expatriate Americans, they were at the very center of the literary scene in Paris in the 1920s. In Everybody Was So Young Amanda Vaill brilliantly portrays both the times in which the Murphys lived and the fascinating friends who flocked around them. Whether summering with Picasso on the French Riviera or watching bullfights with Hemingway in Pamplona, Gerald and Sara inspired kindred creative spirits like Dorothy Parker, Cole Porter, and F. Scott Fitzgerald. Fitzgerald even modeled his main characters in Tender is the Night after the couple. Their story is both glittering and tragic, and in this sweeping and richly anecdotal portrait of a marriage and an era, Amanda Vaill "has brought them to life as never before" (Chicago Tribune).
A magisterially written, well-researched, informative, and entertaining biography of a woman who helped throw open the doors to broader participation and power for women in the Republican Party and American politics." ---Dave Dempsey, author of William G. Milliken: Michigan's Passionate Moderate "Elly Peterson will be a text to which historians and researchers turn for insight into the yin and yang of mainstream politics in the mid-century." ---Patricia Sullivan, past president, Journalism and Women Symposium "This lively portrait of a leading woman in the Republican Party between 1952 and 1982 also charts the party's shift to the right after 1964, revealingly viewed through the eyes of liberal Republican women. Intensively researched with ethnographic attention to the subtleties of political culture, Fitzgerald's book is essential reading for anyone interested in how the Republican Party changed during the turbulent decades after 1960 and how women and women's issues shaped those changes." ---Kathryn Kish Sklar, Distinguished Professor of History, State University of New York, Binghamton "Sara Fitzgerald tells Peterson's story in this superb and timely biography. It carries a message that deserves the widest audience as the nation struggles to find needed consensus on critical issues amid poisonous political partisanship that has made it increasingly difficult for public officials to bridge their differences. I hope that every American reads it." ---Pulitzer Prize winner Haynes Johnson, from the Foreword "To understand the quest for equal rights in America you really need to meet those women who were active at the time of transition. In this gripping biography we meet one woman who entered a male dominated world and triumphed." ---Francis X. Blouin Jr., Director, Bentley Historical Library "Sara Fitzgerald's writing is as intelligent as it is entertaining." ---Best-selling novelist Diane Chamberlain Elly Peterson was one of the highest ranking women in the Republican Party. In 1964 she ran for a Michigan seat in the U.S. Senate and became the first woman to serve as chair of the Michigan Republican Party. During the 1960s she grew disenchanted with the increasing conservatism of her party, united with other feminists to push for the Equal Rights Amendment and reproductive choice, battled Phyllis Schlafly to prevent her from gaining control of the National Federation of Republican Women, and became an independent. Elly Peterson's story is a missing chapter in the political history of Michigan, as well as the United States. This new biography, written by Sara Fitzgerald (a Michigan native and former Washington Post editor), finally gives full credit to one of the first female political leaders in this country. When Peterson resigned in 1970 as assistant chairman of the Republican National Committee, David Broder of the Washington Post wrote that "her abilities would have earned her the national chairmanship, were it not for the unwritten sex barrier both parties have erected around that job.
Selena doesn't expect to be met at the airport by ruggedly handsome Special Agent Lambruzzi when she arrives in New Orleans to arrange for her murdered aunt's funeral. He wants to pose as her husband, stay with her in the apartment next to where the murder was committed, and lay a trap to catch her aunt's killer"--Cover, p.4.
Katherine Michaels is suicidal. She had never been happier, but now her world is crashing down around her and she finds herself in the hospital alone and terrified, not only for herself, but for her unborn child. Brant Michaels is chasing his dream job with the help of his boss’s attractive daughter, Elizabeth. Brant’s shocked to learn his wife has been taken to the hospital and the doctor thinks she has a mental illness that may require months of dedicated care. Brant can’t help believe Katherine’s illness will derail his career, and Elizabeth constantly on his mind isn’t helping either.Will Katherine’s and Brant’s sacred vows they took in the temple soon be shattered?
In this contemporary retelling of The Great Gatsby, by comedian Sara Benincasa, a teenage girl becomes entangled in the romance and drama of a Hamptons social circle and is implicated in a scandal that shakes the summer community. When Naomi Rye arrives in the Hamptons to spend the summer with her socialite mother, she fully expects to be miserable mingling with the sons and daughters of her mother's mega-rich friends. Yet Naomi finds herself unexpectedly drawn to her mysterious and beautiful next-door neighbor, Jacinta, a Hamptons "It" girl who throws wild, lavish parties that are the talk of the town. But Jacinta is hiding something big, and events unfold with tragic consequences.
Devan can't help but blame God for his wife's death, so the last thing he wants to do this holiday season is celebrate. But when his daughter, Savanna, makes a special Christmas wish, their little family will never be the same. Filled with faith and tenderness, this heartwarming story is sure to remind you of the real power behind the magic of Christmas.
Lillian has been kept in a cell all her life until she decided to change things. Now she travels with a group of kids running away from the government. Will she finally be able to live at peace without being discriminated, or will the government catch up with her and take matters into their own hands?
Wrongly deprived of her good name at a young age, Katherine Aurore Callahan is determined to seek sweet revenge, and her dynamic new lover seems determined to help her. Original.
A husband by arrangement, no way!" Maddy has been forced by her grandfather to marry Dexter Fitzgerald, the heir of a prominent family in Portugal. Little does her grandfather know, she has a plan of her own! If she trades her innocent nature for one of a party girl and acts like a gold digger, there is no way Dex will want her then...right? ?But what happens when Dexter's reaction is the exact opposite of what she expects? The new Maddy seems to be just his type!?
This volume draws on a trove of unpublished original material from the pre-1940s to the present to offer a unique historiographic study of twentieth-century Methodist missionary work and women’s active expression of faith, practised at the critical confluence of historical and global changes. The study focuses on two English Methodist missionary nursing Sisters and siblings, Audrey and Muriel Chalkely, whose words and experiences are captured in detail, foregrounding tumultuous socio-political changes of the end of Empire and post-Independence in twentieth century Kenya and South India. The work presents a timely revision to prevailing postcolonial critiques in placing the fundamental importance of human relationships centre stage. Offering a detailed (auto)biographical and reflective narrative, this ‘herstory’ pivots on three main thematic strands relating to people, place and passion, where socio-cultural details are vividly explored. The book will appeal to a wide range of readers, both the interested public and the academic alike, where a lively, entertaining, literary style introduces readers to the politics of women’s lives, and principle and professional service foreground ethno-class-caste oppression, emancipation, conflict, commitments and religious tensions. It reveals the human, vulnerable qualities of these women, illuminating their stories and courageous choices.
In the twenty-first century, a developmental phase of life is emerging as significant and distinct, capturing our interest, engaging our curiosity, and expanding our understanding of human potential and development. Demographers talk about this new chapter in life as characterized by people—between fifty and seventy-five—who are considered "neither young nor old." In our "third chapters" we are beginning to redefine our views about the casualties and opportunities of aging; we are challenging cultural definitions of strength, maturity, power, and sexiness. This is a chapter in life when the traditional norms, rules, and rituals of our careers seem less encompassing and restrictive; when many women and men seem to be embracing new challenges and searching for greater meaning in life. In The Third Chapter, the renowned sociologist Dr. Sara Lawrence-Lightfoot offers a strong counterpoint to the murky ambivalence that shrouds our clear view of people in their third chapters. She challenges the still prevailing and anachronistic images of aging by documenting and revealing the ways in which the years between fifty and seventy-five may, in fact, be the most transformative and generative time in our lives, tracing the ways in which wisdom, experience, and new learning inspire individual growth and cultural transformation. The women and men whose voices fill the pages of The Third Chapter tell passionate and poignant stories of risk and vulnerability, failure and resilience, challenge and mastery, experimentation and improvisation, and insight and new learning.
Bessie Scott, nearing the end of her first year at university in the spring of 1890, recorded in her diary: “Wore my gown for first time! It didn’t seem at all strange to do so.” Often deemed a cumbersome tradition by men, the cap and gown were dearly prized by women as an outward sign of their hard-won admission to the rank of undergraduates. For the first generations of university women, higher education was an exhilarating and transformative experience, but these opportunities would narrow in the decades that followed. In University Women Sara MacDonald explores the processes of integration and separation that marked women’s contested entrance into higher education. Examining the period between 1870 and 1930, this book is the first to provide a comparative study of women at universities across Canada. MacDonald concludes that women’s higher education cannot be seen as a progressive narrative, a triumphant story of trailblazers and firsts, of doors being thrown open and staying open. The early promise of equal education was not fulfilled in the longer term, as a backlash against the growing presence of women on campuses resulted in separate academic programs, closer moral regulation, and barriers that restricted their admission into the burgeoning fields of science, technology, engineering, and mathematics. The modernization of higher education ultimately marginalized women students, researchers, and faculty within the diversified universities of the twentieth century. University Women uncovers the systemic inequalities based on gender, race, and class that have shaped Canadian higher education. It is indispensable reading for those concerned with the underrepresentation of girls and women in STEM and current initiatives to address issues of access and equity within our academic institutions.
This book explores the ways in which Latin poets of the late Republic and the Augustan Age participate in a new cultural preoccupation with the dramatically expanding geographical space of empire.
This accessible, up-to-date account of the chronic issues plaguing child care reform offers viable solutions drawn from a model state child care system in the state of North Carolina. Original data illustrates the complex landscape of U.S. child care, as well as the ambiguous relationship society has with the statistic that 64% of women with children under six are employed and in need of reliable, high-quality care of their young children.
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