Wittgenstein's Account of Truth challenges the view that semantic antirealists attribute to Wittgenstein: that we cannot meaningfully call verification-transcendent statements "true." Ellenbogen argues that Wittgenstein would not have held that we should revise our practice of treating certain statements as true or false, but instead would have held that we should revise our view of what it means to call a statement true. According to the dictum "meaning is use," what makes it correct to call a statement "true" is not its correspondence with how things are, but our criterion for determining its truth. What it means for us to call a statement "true" is that we currently judge it true, knowing that we may some day revise the criteria whereby we do so.
A practical overview of clinical issues related to end-of-life care, including grief and bereavement The needs of individuals with life-limiting or terminal illness and those caring for them are well documented. However, meeting these needs can be challenging, particularly in the absence of a well-established evidence base about how best to help. In this informative guide, editors Sara Qualls and Julia Kasl-Godley have brought together a notable team of international contributors to produce a clear structure offering mental health professionals a framework for developing the competencies needed to work with end-of-life care issues, challenges, concerns, and opportunities. Part of the Wiley Series in Clinical Geropsychology, this thorough and up-to-date guide answers complex questions often asked by patients, their families and caregivers, and helping professionals as well, including: How does dying occur, and how does it vary across illnesses? What are the spiritual issues that are visible in end-of-life care? How are families engaged in end-of-life care, and what services and support can mental health clinicians provide them? How should providers address mental disorders that appear at the end of life? What are the tools and strategies involved in advanced care planning, and how do they play out during end-of-life care? Sensitively addressing the issues that arise in the clinical care of the actively dying, this timely book is filled with clinical illustrations, guidance, tips for practice, and encouragement. Written to equip mental health professionals with the information they need to guide families and others caring for the needs of individuals with life-threatening and terminal illnesses, End-of-Life Issues, Grief, and Bereavement presents a rich resource for caregivers for the psychological, sociocultural, interpersonal, and spiritual aspects of care at the end of life. Also in the Wiley Series in Clinical Geropsychology Psychotherapy for Depression in Older Adults Changes in Decision-Making Capacity in Older Adults: Assessment and Intervention Aging Families and Caregiving
Art + Archive provides an in-depth analysis of the connection between art and the archive at the turn of the twenty-first century. The book examines how the archive emerged in art writing in the mid-1990s and how its subsequent ubiquity can be understood in light of wider social, technological, philosophical and art-historical conditions and concerns. Deftly combining writing on archives from different disciplines with artistic practices, the book clarifies the function and meaning of one of the most persistent artworld buzzwords of recent years, shedding light on the conceptual and historical implications of the so-called archival turn in contemporary art.
Freda Kirchwey was a beacon for liberals and activists of her era. A journalist with The Nation from 1918 to 1955--owner, editor, and publisher after 1937--she was an advocate of advanced ideas about sexual freedom and a tireless foe of fascism. In this biography, Alpern weaves the strands of gender-related issues with larger social explorations.
• Features dozens of detailed interviews with directors, producers, F/X pros, and more • Horror movies get better distribution deals—so they’re great for independent filmmakers • Entertaining and informative, packed with insightful and sometimes hilarious anecdotes. Everyone who’s ever longed to make their very own horror movie needs a copy of Splatter Flicks, a comprehensive guide that shows aspiring filmmakers exactly how today’s most successful creators of horror finance, produce, and market their films. Interviews with the creative geniuses behind such low-budget moneymakers as Dead Serious, Till Death Do Us Part, Scarecrow, and many others reveal such dark secrets as how to make a movie for $ 2,000, how to get the best shrieks from scream queens, how to capture fear on film, how to make the perfect monster...the list goes on and on—it won’t stop—make it stop—aaaaaahhhhhhh!!!!!! Yes, Splatter Flicks is horrifying...in a good way. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Wittgenstein's Account of Truth challenges the view that semantic antirealists attribute to Wittgenstein: that we cannot meaningfully call verification-transcendent statements "true." Ellenbogen argues that Wittgenstein would not have held that we should revise our practice of treating certain statements as true or false, but instead would have held that we should revise our view of what it means to call a statement true. According to the dictum "meaning is use," what makes it correct to call a statement "true" is not its correspondence with how things are, but our criterion for determining its truth. What it means for us to call a statement "true" is that we currently judge it true, knowing that we may some day revise the criteria whereby we do so.
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