A young artist in the midst of a breakdown escapes to the Irish countryside in this “cleareyed, beautiful rendering of a woman struggling against despair” (Kirkus). Shortlisted for the Goldsmiths Prize A twenty-something artist, Frankie is struggling to cope with urban life—and life in general. So she retreats to her family’s rural house on “turbine hill,” vacant since her grandmother’s death three years earlier. Surrounded by countryside and wild creatures, she can finally grapple with the chain of events that led her here—her shaky mental health, her difficult time in art school—and maybe even regain her footing in art and life. Reconsidering the relevance of art and closely examining the natural world around her, Frankie begins to pick up photography once more. With “prose that makes sure we look and listen,” Sara Baume has written an intimate and powerful novel that is also a meditation on wildness, community, the art world, and mental illness (Atlantic). “Fascinating, because of the cumulative power of the precise, pleasingly rhythmic sentences, and the unpredictable intelligence of the narrator’s mind.” —Guardian, UK
“One of the most beautiful novels I have ever read.” —New York Times Book Review A stunning, powerful novel about a couple that pushes against traditional expectations, moving with their dogs to the Irish countryside where they embed themselves in nature and make attempts to disappear from society. It is the winter following the summer they met. A couple, Bell and Sigh, move into a remote house in the Irish countryside with their dogs. Both solitary with misanthropic tendencies, they leave the conventional lives stretched out before them to build another—one embedded in ritual, and away from the friends and family from whom they’ve drifted. They arrive at their new home on a clear January day and look up to appraise the view. A mountain gently and unspectacularly ascends from the Atlantic, “as if it had accumulated stature over centuries. As if, over centuries, it had steadily flattened itself upwards.” They make a promise to climb the mountain, but—over the course of the next seven years—it remains unclimbed. We move through the seasons with Bell and Sigh as they come to understand more about the small world around them, and as their interest in the wider world recedes. Seven Steeples is a beautiful and profound meditation on the nature of love and the resilience of nature. Through Bell and Sigh, and the life they create for themselves, Sara Baume explores what it means to escape the traditional paths laid out before us—and what it means to evolve in devotion to another person, and to the landscape.
In this contemplative short narrative, the artist and writer charts the daily process of making and writing, exploring what it is to create and to live as an artist
In this contemplative short narrative, artist and acclaimed writer Sara Baume charts the daily process of making and writing, exploring what it is to create and to live as an artist.
An old loner and his misfit dog spend a year on the road in this acclaimed Irish novel of “singing prose [and] two unlikely Beckettian wanderers” (The Guardian, UK). It is springtime, and an isolated man shunned by his village has forged a connection with the one-eyed dog he’s taken into his tightly shuttered life. But as their friendship grows, their small seaside community becomes suspicious. And when an accident is misconstrued as menace, this pair of outcasts must take to the road. As they travel from town to town, sleeping in the car and subsisting on canned spaghetti, the man confides in One Eye the strange and melancholy story of his life. With its gorgeously poetic prose, Spill Simmer Falter Wither has garnered enthusiastic praise in its native Ireland, where the Irish Times pointed to Baume’s “astonishing power with language” and praised it as “a novel bursting with brio, braggadocio and bite.” “Baume has a rare ability to look afresh at muted scenes and ordinary objects… the book hums with its own distinctiveness.”—The Guardian, UK
This book is the story of a physical ordeal, a liver transplant, which was also a profound spiritual transformation. By welcoming information from unusual sourcesincluding dreams, visions, and synchronistic eventsand deepening all of this into a coherent whole through the study of psychology, astrology, and art, Sara awakened to the realization that spirit infuses matter. Sara sought out the many faces of the sacred feminine, going beyond her traditional Christian upbringing and marking herself as a heretic. What no one could have predicted is that Saras journey beyond Christianitya journey that took her to the remote Australian outback, a sweat lodge in an Arizona desert, soaring cathedrals in the south of France, and a sterile operating room at Cedars Sinai Medical Center in Los Angeleswould return her to a home she never knew. As she listened for the first time to the stories she had never been told, she would meet Mary Magdalene as a shaman and understand her undying devotion to her beloved Jesus. It was through the Magdalene that Sara fully realized His promise that the kingdom of heaven is within. Mary Magdalene knew this in every cell of her being, and this knowledge is her gift to Sara. This book, beautifully illustrated with Saras own paintings, offers a hopeful message to those facing life-threatening illness and traumatic loss and shows how physical ordeal is a spiritual opportunity. It speaks to heartbroken Christians who, like Sara, can find fresh inspiration in the original teachings of Jesus.
The series publishes monographs and edited volumes that showcase significant scholarly work at the various intersections that currently motivate interdisciplinary inquiry in German cultural studies. Topics span German-speaking lands and cultures from the 18th to the 21st century, with a special focus on demonstrating how various disciplines and new theoretical and methodological paradigms work across disciplinary boundaries to create knowledge and add to critical understanding in German studies. The series editor is a renowned professor of German studies in the United States who penned one of the foundational texts for understanding what interdisciplinary German cultural studies can be. All works are peer-reviewed and in English. Three new titles will be published annually. About the series editor: Irene Kacandes is the Dartmouth Professor of German Studies and Comparative Literature at Dartmouth College, Hanover, New Hampshire. She received three degrees from Harvard University and also studied at the Free University of Berlin and Aristotle University in Thessaloniki, Greece. She publishes on a wide range of interdisciplinary topics including secondary orality, rhetoric, aesthetics, trauma, witnessing, family and generational memory, experimental life writing, Holocaust testimony, and narrative theory. She has lectured widely in the United States and Europe and currently serves as President of the International Society for the Study of Narrative and Vice President of the German Studies Association.
A young artist in the midst of a breakdown escapes to the Irish countryside in this “cleareyed, beautiful rendering of a woman struggling against despair” (Kirkus). Shortlisted for the Goldsmiths Prize A twenty-something artist, Frankie is struggling to cope with urban life—and life in general. So she retreats to her family’s rural house on “turbine hill,” vacant since her grandmother’s death three years earlier. Surrounded by countryside and wild creatures, she can finally grapple with the chain of events that led her here—her shaky mental health, her difficult time in art school—and maybe even regain her footing in art and life. Reconsidering the relevance of art and closely examining the natural world around her, Frankie begins to pick up photography once more. With “prose that makes sure we look and listen,” Sara Baume has written an intimate and powerful novel that is also a meditation on wildness, community, the art world, and mental illness (Atlantic). “Fascinating, because of the cumulative power of the precise, pleasingly rhythmic sentences, and the unpredictable intelligence of the narrator’s mind.” —Guardian, UK
Hans Kelsen is commonly associated with legal theory and philosophy of law. Democracy in Its Essence: Hans Kelsen as a Political Thinker instead investigates Kelsen’s democratic theory as it developed between the 1920s and 1950s, which challenged the existence of democracies in many different respects. Kelsen provided a critical reflection on the strengths and problems of living within a democratic system, while also defending it against a series of specific targets: from the Soviet regime and Bolshevism to European Fascisms, from religious-based conceptions of politics to those claiming a perfect identity between capitalism and classical liberal institutions, and chiefly against all those ideologies claiming to possess objective understanding of what true freedom and true democracy signify. By seeking what he defined as the “essence” and “value” of democracy, Kelsen elaborated a pluralist, relativist, constitutional, proceduralist, and liberal theory of representative democracy, characterized by a strong recall to the values of tolerance, responsibility, and respect toward “the other” as well as to the idea of politics as space for compromise. In this book, Sara Lagi reconstructs his political theory as a relevant contribution to the twentieth-century liberal-democratic tradition of thought, while representing a stimulating reflection on the meaning and implication of democracy both as a political system and as a form of co-existence.
This Companion provides a comprehensive account of health and medical geography and approaches the major themes and key topics from a variety of angles. Offers a unique breadth of topics relating to both health and medical geography Includes contributions from a range of scholars from rising stars to established, internationally renowned authors Provides an up-to-date review of the state of the sub-discipline Thematically organized sections offer detailed accounts of specific issues and combine general overviews of the current literature with case study material Chapters cover topics at the cutting edge of the sub-discipline, including emerging and re-emerging diseases, the politics of disease, mental and emotional health, landscapes of despair, and the geography of care
NEW YORK TIMES BESTSELLER • “A spectacular mystery—complex, fast-paced yet ruminative, and imbued with the grim awareness, shared by all intelligent hard-boiled novels, that the past always catches up with us . . . a thrilling and even moving mystery.”—The Washington Post Book World V.I.’s journey begins with a national conference in downtown Chicago, where angry protesters are calling for the recovery of Holocaust assets. Replayed on the evening news is the scene of a slight man who has stood up at the conference to tell an astonishing story of a childhood shattered by the Holocaust — a story that has devastating consequences for V.I.’s cherished friend and mentor, Lotty Herschel. Lotty was a girl of nine when she emigrated from Austria to England, one of a group of children wrenched from their parents and saved from the Nazi terror just before the war broke out. Now stunningly—impossibly—it appears that someone from that long-lost past may have returned. With the help of a recovered-memory therapist, Paul Radbuka has recently learned his true identity. But is he who he claims to be? Or is he a cunning impostor who has usurped someone else’s history . . . a history Lotty has tried to forget for over fifty years? As a frightened V.I. watches her friend unravel, she sets out to help in the only way she can: by investigating Radbuka’s past. Already working on a difficult case for a poor family cheated of their life insurance, she tries to balance Lotty’s needs with her client’s, only to find that both are spiraling into a whirlpool of international crime that stretches from Switzerland and Germany to Chicago’s South Side. As the atrocities of the past reach out to engulf the living, V.I. struggles to decide whose memories of a terrible war she can trust, and moves closer to a chilling realization of the truth—a truth that almost destroys her oldest friend.
An old loner and his misfit dog spend a year on the road in this acclaimed Irish novel of “singing prose [and] two unlikely Beckettian wanderers” (The Guardian, UK). It is springtime, and an isolated man shunned by his village has forged a connection with the one-eyed dog he’s taken into his tightly shuttered life. But as their friendship grows, their small seaside community becomes suspicious. And when an accident is misconstrued as menace, this pair of outcasts must take to the road. As they travel from town to town, sleeping in the car and subsisting on canned spaghetti, the man confides in One Eye the strange and melancholy story of his life. With its gorgeously poetic prose, Spill Simmer Falter Wither has garnered enthusiastic praise in its native Ireland, where the Irish Times pointed to Baume’s “astonishing power with language” and praised it as “a novel bursting with brio, braggadocio and bite.” “Baume has a rare ability to look afresh at muted scenes and ordinary objects… the book hums with its own distinctiveness.”—The Guardian, UK
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