Jaltarang is a love story in the context of Indian Classical Music and its genesis. Underlying this predominant theme is a delicate narrative of emotional relationships. The five chapters have been categorized as Indian Ragas namely: Aalap, Jod, Vilambit, Drut, and Jhala. The storyline of the novel is pertaining to these musical structures, slowing down and picking up pace as is done in the rendition of a Raga. The lead characters Devashish and Smriti play Jaltarang and Sitar respectively, their mutual love and understanding always reflect in their music. The narration is illuminated with rare musical information, chronicles and stories from the History of Indian Classical Music weaved into an engaging story. Towards the end, it also deals with disruption of a musical symphony by ever-increasing noise and sound pollution of modern urban life and how the couple reinstates their belief, values, and faith among all these.
This book lays out the nuances of all those stories of ‘Sangh and Sarkar’ layer by layer. Since the year 2014, there has been a wonderful example of coordination between the Sangh and BJP. Then there are many such examples like reservation, UP CM, BHU Vice Chancellor where there were possibilities of confrontation, but the matters were resolved in a few hours through dialogue. Social harmony for the penetration among Dalits, the campaign to create an intellectual movement after the JNU scandal, Pranab Mukherjee’s visit to the Sangh headquarters, the vision of ‘Future India’ from Vigyan Bhavan and finally, direct contact with three and a half lakh villages regarding the issues of the Modi government within the context of nationality not only increased the base of both the Sangh and the BJP, but the Vichar Pariwar also played an important role in preparing the ground for a bigger victory than in the year 2014. After the 2019 victory, ideological issues such as Article 370, Ram Mandir, etc. were swiftly dealt with so that commitment of those inclined towards the ideology of Sangh-BJP could be sealed. This book discusses how to take steps towards building new India by ending the gap of six decades in six years.
Karpoori Thakur often called Jannayak was a legendary leader from Bihar who had a significant impact on India’s politics. In early 2024 he was posthumously honoured with the Bharat Ratna in recognition of his extraordinary contributions to society. Commemorating his birth centenary this gripping biography brings to light the life legacy and enduring relevance of Thakur. It focuses on Karpoori Thakur’s politics which introduced ‘quota within quota’ and opens a window to his role in bifurcating reservation among the backward classes and women in 1978. Deeply researched anecdotal and unputdownable The Jannayak promises to be a beacon for readers seeking to understand the complex landscape of Indian politics and society.
Jaltarang is a love story in the context of Indian Classical Music and its genesis. Underlying this predominant theme is a delicate narrative of emotional relationships. The five chapters have been categorized as Indian Ragas namely: Aalap, Jod, Vilambit, Drut, and Jhala. The storyline of the novel is pertaining to these musical structures, slowing down and picking up pace as is done in the rendition of a Raga. The lead characters Devashish and Smriti play Jaltarang and Sitar respectively, their mutual love and understanding always reflect in their music. The narration is illuminated with rare musical information, chronicles and stories from the History of Indian Classical Music weaved into an engaging story. Towards the end, it also deals with disruption of a musical symphony by ever-increasing noise and sound pollution of modern urban life and how the couple reinstates their belief, values, and faith among all these.
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