Of Reels, Romance and Retakes carries the reader on a fascinating journey into the genesis, evolution and reception of Odia cinema. Telling the story of its quiet emergence in 1936, the book goes on to chronicle its unexpected triumphs in the coming decades when cinema arose as an undisputed cultural form of both the middle class and the masses. The account the book gives of how Odia cinema, aesthetically intertwined with the indigenous folk and literary tradition, carried forward both the project of modernity and Odia cultural identity is particularly illuminating and instructive. At the same time it takes an introspective look at the crisis Odia cinema faces now, sandwiched as it is between two competing social trends - one following the route to Hindi as the chief language of entertainment and the other that is focused on regional cultural assertion as a key to commercial success. On the whole, it is a timely and much awaited book that seeks to construct the hitherto uncharted ‘social narratives’ of cinema in Odisha.
As A Crucial Component Of The Global Smallpox Eradication Programme, Which Has Been Widely Hailed As One Of The Greatest Public Health Successes In The Twentieth Century, The Indian Experience Has Some Important Stories To Tell. Expunging Variola Reveals These As It Chronicles The Last Three Decades Of The Anti-Smallpox Campaigns In India.This Wide-Ranging Study, Based On Extensive Archival Research In India, Britain, Switzerland And The United States Of America, Assesses The Many Complexities In The Formulation And Implementation Of The Smallpox Eradication Programme In The Subcontinent. Rather Than Merely Cataloguing The Developments Of This Extremely Complex Exercise Within The World Health Organisation Headquarters In Geneva And The Indian Central Government In New Delhi, This Book Adopts A Much Broader Perspective: It Makes A Conscious Effort To Provide A Detailed View By Including The Accounts Of Who, Governmental And Nongovernmental Personnel On The Ground. In This Manner, Nuanced Descriptions Of Important And Often Controversial Situations Are Provided. Thus, Apart From Acknowledging The Influence Of National-, State- And District-Level Political, Economic And Social Structures In Continually Reshaping The Contours Of The Smallpox Campaigns, This Work Also Emphasises The Crucial Role Played By Field Workers In Implementing And Often Reinterpreting Health Strategies Proposed By Geneva And New Delhi.Original Not Only In Perspective But In Material, Based As It Is On A Wide Range Of Sources Which Have Never Been Exploited By Academics Before, Expunging Variola Breaks New Ground In The Historiography Of Smallpox Eradication In The Subcontinent. The Book Serves As A Companion Volume To Fractured States Which Covers The Period 1800-1947.
Why does capitalist development give rise to political alliances between the state and certain economically dominant classes? Addressing this question, Professor Banerjee uses an evolutionary approach to social structure to develop a theory of the interaction within and among business and manufacturing firms--a theory that highlights those aspects of market processes that promote the formation of dominant economic classes. Structural-evolutionary conceptions of property relations and of state planning and regulation are developed and combined with the market model. According to Professor Banerjee, the market, property relations, and state administration form a self-sustaining structure that simultaneously develops the economy in an uneven and clustered fashion and gives rise to a "dominant alliance" between a segment of the state and the fastest-accumulating classes in the economy. He applies his model to India during the 1956-1975 period, examining the industrialization process of the Second and Third plans, the crisis of the mid-1960s, and the Green Revolution.
A piercing portrait of the injustices of the Indian prison system. For decades, the narratives around prisoners in India have perpetuated arbitrary notions of the ‘good’ and ‘bad’ citizen. Stories about Indian prisons rarely make it to public notice – from deplorable living conditions, lack of medical care and legal support to intense mistreatment, violence and all manner of horrific abuse. Despite the mounting evidence, any attempts to study the systemic frailties and chilling injustices that abound within a prison complex have been few and far between. In Hope Behind Bars, editors Sanjoy Hazarika and Madhurima Dhanuka draw upon extensive research, identifying prisoners and ex-prisoners, their families and associates and gathering first-person experiences about the Indian prison system. With ten essays contributed by subject specialists, including a former Supreme Court judge, lawyers, inmates, prison officials and activists, on a range of issues, such as the rights of prisoners, the journey to justice in the controversial Hashimpura killings case and life in a detention centre, this essential collection brings prisoners’ lives and liberties to the heart of public debate and policies, presenting accounts of how hope can flower in the most unlikely places. Searing and thought-provoking, it provides the reader with valuable insight into the vexed idea of incarceration and delivers a necessary human document of the true face of justice behind bars in our country
Northeast India comprises of seven states – Assam, Arunachal Pradesh, Manipur, Meghalaya, Mizoram, Nagaland and Tripura. This region has been the theatre of insurgency and ethnic-based armed conflicts for more than half a century making the region one of South Asia’s most disturbed areas. The instability in Northeast India is characterized by two distinct factors – ethnic clashes among the indigenous groups and political movement against the Union Government. The conflicting dynamics in the Northeast ranges from insurgency for secession to insurgency for autonomy, from terrorism to ethnic clashes, to problems of continuous inflow of migrants and the fight over resources. Moreover, vested interests and inter tribal and inter factional rivalry have led militant groups to continually clash among themselves, plunging the region in a vicious cycle of militancy, social violence and lack of economic growth. These armed conflicts have given impetus to small arms proliferation, narcotics trade and a parallel economy. The democratic deficits and how the Central Government and the states have addressed these concerns are of interest. The location of the region, politically and geographically, has a fundamental bearing on it and its people who aspire for different goals and how they try to reach these goals. The region shares borders with four countries: Myanmar, Bhutan, Bangladesh and Tibet/China and is connected to the Indian mainland by a narrow stretch of land. This adds to the trans – border ramifications to the conflicts. To address these issues CSA with the help of Centre for Northeast Studies and Policy Research, Guwahati engaged a few experts who have contributed papers which were presented at the Seminar in New Delhi in July 2010 and the same stand published through this book.
Of Reels, Romance and Retakes carries the reader on a fascinating journey into the genesis, evolution and reception of Odia cinema. Telling the story of its quiet emergence in 1936, the book goes on to chronicle its unexpected triumphs in the coming decades when cinema arose as an undisputed cultural form of both the middle class and the masses. The account the book gives of how Odia cinema, aesthetically intertwined with the indigenous folk and literary tradition, carried forward both the project of modernity and Odia cultural identity is particularly illuminating and instructive. At the same time it takes an introspective look at the crisis Odia cinema faces now, sandwiched as it is between two competing social trends - one following the route to Hindi as the chief language of entertainment and the other that is focused on regional cultural assertion as a key to commercial success. On the whole, it is a timely and much awaited book that seeks to construct the hitherto uncharted ‘social narratives’ of cinema in Odisha.
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