This book is a unique first-hand account – by Jana Sanskriti’s artistic director Sanjoy Ganguly - of the group’s growth and development since its founding in 1985. Jana Sanskriti's work has resulted in an Indian Forum Theatre network considered by Augusto Boal to be the chief exponent of his methodology outside of its native Brazil.
Jana Sanskriti is internationally recognised as the most iconic post-Boalian Theatre of the Oppressed operation in the world today. This fully illustrated book by the Bengali company's founder and artistic director Sanjoy Ganguly, edited by Ralph Yarrow, collects and explains their programme of workshop exercises, placing them in the context of their social and activist work. A set of interviews with Ganguly complements these practical sequences, drawing in topics such as the role of the joker, the nature of development, participation and agency, aesthetics as transformation, and Theatre of the Oppressed in the context of a market economy.
Jana Sanskriti Centre for the Theatre of the Oppressed, based in West Bengal, is probably the largest and longest lasting Forum Theatre operation in the world. It was considered by Augusto Boal to be the chief exponent of his methodology outside of its native Brazil. This book is a unique first-hand account - by the group's artistic director Sanjoy Ganguly - of Jana Sanskriti's growth and development since its founding in 1985, which has resulted in a national Forum Theatre network throughout India. Ganguly describes the plays, people and places that have formed this unique operation and discusses its contribution to the wider themes espoused by Forum Theatre. Ganguly charts and reflects on the practice of theatre as politics, developing an intriguing and persuasive case for Forum Theatre and its role in provoking responsible action. His combination of anecdotal insight and lucid discussion of Boal’s practice offers a vision of far-reaching transformation in politics and civil society.
Jana Sanskriti is internationally recognised as the most iconic post-Boalian Theatre of the Oppressed operation in the world today. This fully illustrated book by the Bengali company's founder and artistic director Sanjoy Ganguly, edited by Ralph Yarrow, collects and explains their programme of workshop exercises, placing them in the context of their social and activist work. A set of interviews with Ganguly complements these practical sequences, drawing in topics such as the role of the joker, the nature of development, participation and agency, aesthetics as transformation, and Theatre of the Oppressed in the context of a market economy.
This is a study of the social, political, economic and public health aspects of the Second World War in South Asia, with particular attention being accorded to colonial Eastern India, which was treated as a single administrative unit during the course of the conflict for strategic purposes. The conclusion deals with the long term effects of the war: its effects on political formations, bureaucratic re-negotiation and the de-colonisation of the British Indian empire.
As A Crucial Component Of The Global Smallpox Eradication Programme, Which Has Been Widely Hailed As One Of The Greatest Public Health Successes In The Twentieth Century, The Indian Experience Has Some Important Stories To Tell. Expunging Variola Reveals These As It Chronicles The Last Three Decades Of The Anti-Smallpox Campaigns In India.This Wide-Ranging Study, Based On Extensive Archival Research In India, Britain, Switzerland And The United States Of America, Assesses The Many Complexities In The Formulation And Implementation Of The Smallpox Eradication Programme In The Subcontinent. Rather Than Merely Cataloguing The Developments Of This Extremely Complex Exercise Within The World Health Organisation Headquarters In Geneva And The Indian Central Government In New Delhi, This Book Adopts A Much Broader Perspective: It Makes A Conscious Effort To Provide A Detailed View By Including The Accounts Of Who, Governmental And Nongovernmental Personnel On The Ground. In This Manner, Nuanced Descriptions Of Important And Often Controversial Situations Are Provided. Thus, Apart From Acknowledging The Influence Of National-, State- And District-Level Political, Economic And Social Structures In Continually Reshaping The Contours Of The Smallpox Campaigns, This Work Also Emphasises The Crucial Role Played By Field Workers In Implementing And Often Reinterpreting Health Strategies Proposed By Geneva And New Delhi.Original Not Only In Perspective But In Material, Based As It Is On A Wide Range Of Sources Which Have Never Been Exploited By Academics Before, Expunging Variola Breaks New Ground In The Historiography Of Smallpox Eradication In The Subcontinent. The Book Serves As A Companion Volume To Fractured States Which Covers The Period 1800-1947.
One of the most remarkable stories of immigration in the last half century is that of Indians to the United States. People of Indian origin make up a little over one percent of the American population now, up from barely half a percent at the turn of the millennium. Not only has its recent growth been extraordinary, but this population from a developing nation with low human capital is now the most-educated and highest-income group in the world's most advanced nation. The Other One Percent is a careful, data-driven, and comprehensive account of the three core processes-selection, assimilation, and entrepreneurship-that have led to this rapid rise. This unique phenomenon is driven by-and, in turn, has influenced-wide-ranging changes, especially the on-going revolution in information technology and its impact on economic globalization, immigration policies in the U.S., higher education policies in India, and foreign policies of both nations. If the overall picture is one of economic success, the details reveal the critical issues faced by Indian immigrants stemming from the social, linguistic, and class structure in India, their professional and geographic distribution in the U.S., their pan-Indian and regional identities, their strong presence in both high-skill industries (like computers and medicine) and low-skill industries (like hospitality and retail trade), and the multi-generational challenges of a diverse group from the world's largest democracy fitting into its oldest.
Of Reels, Romance and Retakes carries the reader on a fascinating journey into the genesis, evolution and reception of Odia cinema. Telling the story of its quiet emergence in 1936, the book goes on to chronicle its unexpected triumphs in the coming decades when cinema arose as an undisputed cultural form of both the middle class and the masses. The account the book gives of how Odia cinema, aesthetically intertwined with the indigenous folk and literary tradition, carried forward both the project of modernity and Odia cultural identity is particularly illuminating and instructive. At the same time it takes an introspective look at the crisis Odia cinema faces now, sandwiched as it is between two competing social trends - one following the route to Hindi as the chief language of entertainment and the other that is focused on regional cultural assertion as a key to commercial success. On the whole, it is a timely and much awaited book that seeks to construct the hitherto uncharted ‘social narratives’ of cinema in Odisha.
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