All Things Herriot is the first full-length book about this best-selling author, whose work, adapted for television, has swept through the world in one of the most popular and enduring series of all times: All Creatures Great and Small. Sternlicht offers a comprehensive, up-to-the-moment evaluation of the Herriot achievements, and it offers the most detailed biography of the real Herriot, James Alfred Wight, in print to date. He explores how this good-natured veterinarian came into existence and how he developed over the course of the series of books. How and why Herriot made the transition to television is examined as well as the effect the shows had on audiences. This is the story of the "creating" of James Herriot, how he captured the imagination of popular culture. This simple man, with his profound love for all creatures in his peaceable kingdom, has earned for himself a secure and enduring place in the hearts and minds of readers and viewers alike.
Sternlicht includes little-known facts about Forester's background, his days in Hollywood as a screenwriter, and the genesis of the models for the major characters in the Saga-many of whom were friends and acquaintances of Forester's. Sternlicht discusses extensively the research and writing techniques Forester used in his. depiction of naval warfare and specific campaigns and actions of the Napoleonic period with actual procedures, events, and outcomes. In addition, Sternlicht offers readings and historical background to Forester's two other great historical novels, The African Queen and The General.
Modern British and Irish dramatic works are among the plays most widely read by students. This volume conveniently introduces 10 major plays by British and Irish dramatists. Each chapter is devoted to a particular play and includes a brief biography, a plot synopsis, a discussion of major themes and characters, an overview of the play's historical background, an analysis of the work's dramatic style, an overview of the play's critical reception, and a list of works for further reading. Modern British and Irish dramatic works are widely enjoyed by general readers and high school students. But because they are rooted in literary Modernism and generally reflect particular historical and cultural concerns, they can also be difficult for students to understand. This volume concisely and conveniently introduces 10 masterpieces of British and Irish drama in an accessible manner.
This book reveals the influences of modern history and psychology on British drama; the all-important influence of Irish dramatists like Wilde, Shaw, O’Casey, and Beckett; the significance of the Independent Theatre of J. T. Grein and the early Royal Court Theatre; the gay community’s contribution to the British theater; the powerful new feminist drama; and the British festival theater. Auseful tool for readers wishing to know more about Britain’s great dramatic tradition and vital contemporary theater, for students pursuing drama studies, and for libraries in need of an accessible reference work.
Modern Irish Drama: W. B. Yeats to Marina Carr presents a thorough introduction to the recent history of one of the greatest dramatic and theatrical traditions in Western culture. Originally published in 1988, this updated edition provides extensive new material, charting the path of modern and contemporary Irish drama from its roots in the Celtic Revival to its flowering in world theater. The lives and careers of more than fifty modern Irish playwrights are discussed along with summaries of their major plays and recommendations for further reading.
Jewish Americans have produced some of the most imaginative, provocative, and widely read literary works of the twentieth century. This book gives students and general readers an introduction to ten of the most significant works of Jewish American literarure. An introductory chapter discusses the historical, cultural, social, and political backgrounds of Jewish American literature. This is followed by chapters on ten major works by Abraham Cahan, Anzia Yezierska, Michael Gold, Henry Roth, Meyer Levin, Saul Bellow, Bernard Malamud, Chiam Potok, Philip Roth, and Cynthia Ozick. Each chapter provides a biography, a plot summary, a discussion of character development, an analysis of themes, an examination of narrative style, an exploration of historical context, and suggestions for further reading. The volume closes with a selected, general bibliography. These works reflect the hopes and dreams of Jewish Americans, as well as their challenges and troubles. These works help students understand the cultural and historical events central to Jewish Americans in the twentieth century. This book gives students and general readers an introduction to ten masterpieces of Jewish American literature.
Sanford Sternlicht presents a comprehensive survey of modern American drama beginning with its antecedents in Victorian melodrama through the present. He discusses the work and achievement of more than seventy playwrights, from Eugene O’Neill to Suzan-Lori Parks—from the golden era of Broadway to the rise of Off-Broadway and regional theater. Stern-licht shows how world theater influenced the American stage, and how the views of American dramatists reflected the great American social movements of their times. In addition, he describes the contributions of early experimental theater, the Federal Theater of the 1930s, African American, feminist, and gay and lesbian drama—and the joyous trends and triumphs of American musical theater.
Since it was written nearly 50 years ago, Night (1958) has changed world perception of the Holocaust experience. Wiesel's oeuvre, including Holocaust narratives such as Dawn (1961), novels, essays, tales, and plays, has also altered the critical and aesthetic landscape through which we view literature, placing themes of religious identity, hope, survival, devotion to family, and humanity ahead of distinctions of fiction and nonfiction. This volume offers critical analysis of all of Wiesel's major writings, with full chapters on Night, Dawn, The Oath, and four other full-length works. His most recent five novels, including The Testament (1980) and Twilight (1987), are also covered. Plot, character development, thematic concerns, and style are discussed, as are historical contexts and alternate critical perspectives. This volume is an indispensable tool for students, whether they are encountering Night for the first time, revisiting Wiesel's literary contributions, or discovering the author's recent works, such as The Judges (1999). A biographical section relates the tragic events of Wiesel's life to his inspirational writings. A literary heritage chapter offers an overview of his achievements and situates his works within the Western literary tradition and the historical and religious frameworks. A separate chapter covers Wiesel's nonfiction writings, including his most important essays, tales, and studies. A bibliography of selected sources is included.
Nearly two million Jewish men, women, and children emigrated from Eastern Europe between 1882 and 1924 and settled in, or passed through, the Lower East Side of New York City. Sanford Sternlicht tells the story of his own childhood in this vibrant neighborhood and puts it within the context of fourteen early twentieth-century East Side writers. Anzia Yezierska, Abraham Cahan, Michael Gold, and Henry Roth, and others defined this new "Jewish homeland" and paved the way for the later great Jewish American novelists. Sternlicht discusses the role of women, the Yiddish Theater, secular values, the struggle between generations, street crime, politics, labor unions, and the importance of newspapers and periodicals. He documents the decline of Yiddish culture as these immigrants blended into what they called "The Golden Land.
Sanford Sternlicht presents a comprehensive survey of modern American drama beginning with its antecedents in Victorian melodrama through the present. He discusses the work and achievement of more than seventy playwrights, from Eugene O’Neill to Suzan-Lori Parks—from the golden era of Broadway to the rise of Off-Broadway and regional theater. Stern-licht shows how world theater influenced the American stage, and how the views of American dramatists reflected the great American social movements of their times. In addition, he describes the contributions of early experimental theater, the Federal Theater of the 1930s, African American, feminist, and gay and lesbian drama—and the joyous trends and triumphs of American musical theater.
Jewish Americans have produced some of the most imaginative, provocative, and widely read literary works of the twentieth century. This book gives students and general readers an introduction to ten of the most significant works of Jewish American literarure. An introductory chapter discusses the historical, cultural, social, and political backgrounds of Jewish American literature. This is followed by chapters on ten major works by Abraham Cahan, Anzia Yezierska, Michael Gold, Henry Roth, Meyer Levin, Saul Bellow, Bernard Malamud, Chiam Potok, Philip Roth, and Cynthia Ozick. Each chapter provides a biography, a plot summary, a discussion of character development, an analysis of themes, an examination of narrative style, an exploration of historical context, and suggestions for further reading. The volume closes with a selected, general bibliography. These works reflect the hopes and dreams of Jewish Americans, as well as their challenges and troubles. These works help students understand the cultural and historical events central to Jewish Americans in the twentieth century. This book gives students and general readers an introduction to ten masterpieces of Jewish American literature.
Modern Irish Drama: W. B. Yeats to Marina Carr presents a thorough introduction to the recent history of one of the greatest dramatic and theatrical traditions in Western culture. Originally published in 1988, this updated edition provides extensive new material, charting the path of modern and contemporary Irish drama from its roots in the Celtic Revival to its flowering in world theater. The lives and careers of more than fifty modern Irish playwrights are discussed along with summaries of their major plays and recommendations for further reading.
Nearly two million Jewish men, women, and children emigrated from Eastern Europe between 1882 and 1924 and settled in, or passed through, the Lower East Side of New York City. Sanford Sternlicht tells the story of his own childhood in this vibrant neighborhood and puts it within the context of fourteen early twentieth-century East Side writers. Anzia Yezierska, Abraham Cahan, Michael Gold, and Henry Roth, and others defined this new "Jewish homeland" and paved the way for the later great Jewish American novelists. Sternlicht discusses the role of women, the Yiddish Theater, secular values, the struggle between generations, street crime, politics, labor unions, and the importance of newspapers and periodicals. He documents the decline of Yiddish culture as these immigrants blended into what they called "The Golden Land.
Sternlicht includes little-known facts about Forester's background, his days in Hollywood as a screenwriter, and the genesis of the models for the major characters in the Saga-many of whom were friends and acquaintances of Forester's. Sternlicht discusses extensively the research and writing techniques Forester used in his. depiction of naval warfare and specific campaigns and actions of the Napoleonic period with actual procedures, events, and outcomes. In addition, Sternlicht offers readings and historical background to Forester's two other great historical novels, The African Queen and The General.
This book reveals the influences of modern history and psychology on British drama; the all-important influence of Irish dramatists like Wilde, Shaw, O’Casey, and Beckett; the significance of the Independent Theatre of J. T. Grein and the early Royal Court Theatre; the gay community’s contribution to the British theater; the powerful new feminist drama; and the British festival theater. Auseful tool for readers wishing to know more about Britain’s great dramatic tradition and vital contemporary theater, for students pursuing drama studies, and for libraries in need of an accessible reference work.
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