This Element studies eighteenth- and early nineteenth-century instances of transmediation, concentrating on how the same illustrations were adapted for new media and how they generated novel media constellations and meanings for these images. Focusing on the 'content' of the illustrations and its adaptation within the framework of a new medium, case studies examine the use across different media of illustrations (comprehending both the designs for book illustrations and furniture prints) of three eighteenth-century works: Defoe's Robinson Crusoe (1719), Thomson's The Seasons (1730) and Richardson's Pamela (1740). These case studies reveal how visually enhanced material culture not only makes present the literary work, including its characters and story-world. But they also demonstrate how, through processes of transmediation, changes are introduced to the illustration that affect comprehension of that work. This title is also available as Open Access on Cambridge Core.
Drawing on the methods of textual and reception studies, book history, print culture research, and visual culture, this interdisciplinary study of James Thomson’s The Seasons (1730) understands the text as marketable commodity and symbolic capital which throughout its extended affective presence in the marketplace for printed literary editions shaped reading habits. At the same time, through the addition of paratexts such as memoirs of Thomson, notes, and illustrations, it was recast by changing readerships, consumer fashions, and ideologies of culture. The book investigates the poem’s cultural afterlife by charting the prominent place it occupied in the visual cultures of eighteenth- and early nineteenth-century Britain. While the emphasis of the chapters is on printed visual culture in the form of book illustrations, the book also features discussions of paintings and other visual media such as furniture prints. Reading illustrations of iconographic moments from The Seasons as paratextual, interpretive commentaries that reflect multifarious reading practices as well as mentalities, the chapters contextualise the editions in light of their production and interpretive inscription. They introduce these editions’ publishers and designers who conceived visual translations of the text, as well as the engravers who rendered these designs in the form of the engraving plate from which the illustration could then be printed. Where relevant, the chapters introduce non-British illustrated editions to demonstrate in which ways foreign booksellers were conscious of British editions of The Seasons and negotiated their illustrative models in the sets of engraved plates they commissioned for their volumes.
A ground-breaking contribution to the economic and cultural history of the eighteenth- and early nineteenth-century publishing of illustrated belles lettres in Scotland, the book offers detailed accounts of numerous agents of prints (booksellers, printers, designers, engravers) and their involvement in the making and marketing of illustrated editions. It examines the ways in which the makers of books not only produced printed visual culture artefacts but also contributed to the ideological inscription of these illustrations to engender patriotic concerns and issues of national identity. The book differs fundamentally from existing interventions in book illustration studies: Examinations of eighteenth- and early nineteenth-century British literary book illustrations have, as a rule, been selective rather than broad in scope or systematic in outlook; they have focused on English examples of book illustrations. By contrast, The Publishing and Marketing of Illustrated Literature in Scotland, 1760-1820 studies a large body of illustrated editions andadopts a systematic and decentered (non-London-centered) approach. It focuses on the examination of the production of literary book illustrations in eighteenth- and early nineteenth-century Scotland, while at the same time bearing in mind that developments in the marketing of illustrated books need to be understood as part of the cultural and book-historical dynamics of exchange that existed between Scotland and England. Not only does the monograph offer the first large-scale study of the subject, contextualizing literary book illustrations in terms of the ideologically defined ventures as part of which they were issued, but it also draws a map of illustrated works that has not been imagined yet by scholars of the history of the eighteenth- and early nineteenth-century book. In doing so, the book provides an account of the publishing of belles lettres and the various strategies that bookseller-publishers deployed to market their editions competitively in both Scotland and England.
For the first time, this study considers manuscript materials from a range of depositories to reconstruct Mallet's complex personality and to oppose this "character" to the one that Johnson published in the Lives of the Poets. This study reads Mallet as an important voice within the eighteenth-century literary scene and the milieu of Opposition writers, a man whose friendship Aaron Hill, Pope, and Lord Bolingbroke valued, a prolific writer who - owing to his conflicting interests and allegiances - frequently involved himself in controversy."--BOOK JACKET.
Among the chemical and physical processes involved in the transformation of pollutants between their sources and their ultimate deposition, those associated with clouds, aerosols and precipitation must be rated as the most difficult both to study and to understand. This book presents a variety of recent advances in this field, including the properties and composition of aerosol particles, chemical transformation and scavenging processes, the relationship between liquid-phase chemistry and cloud micro-physics, entrainment, evaporation and deposition, trends in high Alpine pollution, transport processes, and developments in instrumentation. This book is Volume 5 in the ten-volume series on Transport and Chemical Transformation of Pollutants in the Troposphere.
The application of CMOS circuits and ASIC VLSI systems to problems in medicine and system biology has led to the emergence of Bio/CMOS Interfaces and Co-Design as an exciting and rapidly growing area of research. The mutual inter-relationships between VLSI-CMOS design and the biophysics of molecules interfacing with silicon and/or onto metals has led to the emergence of the interdisciplinary engineering approach to Bio/CMOS interfaces. This new approach, facilitated by 3D circuit design and nanotechnology, has resulted in new concepts and applications for VLSI systems in the bio-world. This book offers an invaluable reference to the state-of-the-art in Bio/CMOS interfaces. It describes leading-edge research in the field of CMOS design and VLSI development for applications requiring integration of biological molecules onto the chip. It provides multidisciplinary content ranging from biochemistry to CMOS design in order to address Bio/CMOS interface co-design in bio-sensing applications.
THE SECRET TO ATTRACT EVERYTHING "buy it you will change your life! A wonderful book to make all your wishes, the method to attract well-being in all areas of life, health, love, money, friendship. Buy now the secret to your success in this magical book. Our inner sphere is governed by the Mind. Discovering this world we will find the solution to every problem, my intention is to give you all the solutions.
A POLITICAL PROVOCATION FROM A PAIR OF PHYSICIANS WRITING OUTSIDE THEIR LANE In Pained, physicians Michael Stein and Sandro Galea push the conversation around American health where it belongs: toward matters of class, money, and culture. Across more than 50 essays and data illustrations, Pained casts a light on how the structural components of everyday life -- matters like school, housing, police, even cell phones -- ultimately determine who gets to be healthy in today's America. In doing so, it makes a case for reframing our political discourse in less myopic, more effectual terms.
Often WT systems employ the discrete wavelet transform, implemented on a digital signal processor. However, in ultra low-power applications such as biomedical implantable devices, it is not suitable to implement the WT by means of digital circuitry due to the relatively high power consumption associated with the required A/D converter. Low-power analog realization of the wavelet transform enables its application in vivo, e.g. in pacemakers, where the wavelet transform provides a means to extremely reliable cardiac signal detection. In Ultra Low-Power Biomedical Signal Processing we present a novel method for implementing signal processing based on WT in an analog way. The methodology presented focuses on the development of ultra low-power analog integrated circuits that implement the required signal processing, taking into account the limitations imposed by an implantable device.
This book reviews important advances that have made the field of assisted reproduction a dynamic subspecialty and provides insight into other exciting areas of research that will continue to revolutionize the field in the future. Assisted reproductive technology (ART) involves the use of medical techniques to tackle infertility. ART includes the usage of procedures such as ICSI (intracytoplasmic sperm injection), IVF (in vitro fertilization), cryopreservation of embryos or gametes, use of fertility medication and so on. This book aims to highlight the most recent advances in assisted conception and highlights ongoing and potential future of this field. This book consists of 42 chapters, which include individualized controlled ovarian stimulation, Luteal phase stimulation, role of adjuvants in controlled ovarian hyperstimulation, endometrial receptivity, procedure in assisted reproductive technology, genetic testing in male infertility, medical management of male infertility, color Doppler in infertility, fertility-enhancing surgeries in ART, recurrent pregnancy loss, regenerative medicine in infertility, oocyte quality, morphokinetics in ART, co-culture techniques in ART, triple parenting etc. The book is a comprehensive learning manual providing important information for both scientists and clinicians. Every chapter is focused on a specific topic and uses international scientific standards of evidence-based medicine.
Drawing on the methods of textual and reception studies, book history, print culture research, and visual culture, this interdisciplinary study of James Thomson’s The Seasons (1730) understands the text as marketable commodity and symbolic capital which throughout its extended affective presence in the marketplace for printed literary editions shaped reading habits. At the same time, through the addition of paratexts such as memoirs of Thomson, notes, and illustrations, it was recast by changing readerships, consumer fashions, and ideologies of culture. The book investigates the poem’s cultural afterlife by charting the prominent place it occupied in the visual cultures of eighteenth- and early nineteenth-century Britain. While the emphasis of the chapters is on printed visual culture in the form of book illustrations, the book also features discussions of paintings and other visual media such as furniture prints. Reading illustrations of iconographic moments from The Seasons as paratextual, interpretive commentaries that reflect multifarious reading practices as well as mentalities, the chapters contextualise the editions in light of their production and interpretive inscription. They introduce these editions’ publishers and designers who conceived visual translations of the text, as well as the engravers who rendered these designs in the form of the engraving plate from which the illustration could then be printed. Where relevant, the chapters introduce non-British illustrated editions to demonstrate in which ways foreign booksellers were conscious of British editions of The Seasons and negotiated their illustrative models in the sets of engraved plates they commissioned for their volumes.
This Element studies eighteenth- and early nineteenth-century instances of transmediation, concentrating on how the same illustrations were adapted for new media and how they generated novel media constellations and meanings for these images. Focusing on the 'content' of the illustrations and its adaptation within the framework of a new medium, case studies examine the use across different media of illustrations (comprehending both the designs for book illustrations and furniture prints) of three eighteenth-century works: Defoe's Robinson Crusoe (1719), Thomson's The Seasons (1730) and Richardson's Pamela (1740). These case studies reveal how visually enhanced material culture not only makes present the literary work, including its characters and story-world. But they also demonstrate how, through processes of transmediation, changes are introduced to the illustration that affect comprehension of that work. This title is also available as Open Access on Cambridge Core.
For the first time, this study considers manuscript materials from a range of depositories to reconstruct Mallet's complex personality and to oppose this "character" to the one that Johnson published in the Lives of the Poets. This study reads Mallet as an important voice within the eighteenth-century literary scene and the milieu of Opposition writers, a man whose friendship Aaron Hill, Pope, and Lord Bolingbroke valued, a prolific writer who - owing to his conflicting interests and allegiances - frequently involved himself in controversy."--BOOK JACKET.
Globalization is not a new phenomenon. Ideas have been circulating all over Europe (and the world) since ancient times, and intercultural dialog is a wide field offering a great variety of approaches.In such times as ours, when the world is swift to change and cultures are destined to meet (sometimes, alas, to clash), the place of literature, or broadly speaking: human and social sciences, within society is often questioned and needs redefining: From the reception studies of the 1970s and 1980s to the stress laid on intermedial and intercultural relations, not forgetting the work done on cultural transfers, this question opens up a wide field of theoretic, methodological, and aesthetic research, which is explored through this volume.
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