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The Aesthetics of Hate

Far-Right Intellectuals, Antisemitism, and Gender in 1930s France

By: Sandrine Sanos

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The Aesthetics of Hate

Far-Right Intellectuals, Antisemitism, and Gender in 1930s France

By: Sandrine Sanos

The Aesthetics of Hate examines the writings of a motley collection of interwar far-right intellectuals, showing that they defined Frenchness in racial, gendered, and sexual terms. A broad, ambitious cultural and intellectual history, the book offers a provocative reinterpretation of a topic that has long been the subject of controversy. In works infused with rhetorics of abjection, disgust, and dissolution, such writers as Maulnier, Brasillach, Céline, and Blanchot imagined the nation through figures deemed illegitimate or inferior—Jews, colonial subjects, homosexuals, women. Sanos argues that these intellectuals offered an "aesthetics of hate," reinventing a language of far-right nationalism by appealing to the realm of beauty and the sublime for political solutions. By acknowledging the constitutive relationship of antisemitism and colonial racism at the heart of these canonical writers' nationalism, this book makes us rethink how aesthetics and politics function, how race is imagined and defined, how gender structured far-right thought, and how we conceive of French intellectualism and fascism.

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Page Count

385

Publisher

Stanford University Press

Published Date

ISBN 10

0804782830

ISBN 13

9780804782838

The Aesthetics of Hate

Far-Right Intellectuals, Antisemitism, and Gender in 1930s France

By: Sandrine Sanos

Write a review Read reviews Take a Quiz Solve Book Puzzle

The Aesthetics of Hate

Far-Right Intellectuals, Antisemitism, and Gender in 1930s France

By: Sandrine Sanos

The Aesthetics of Hate examines the writings of a motley collection of interwar far-right intellectuals, showing that they defined Frenchness in racial, gendered, and sexual terms. A broad, ambitious cultural and intellectual history, the book offers a provocative reinterpretation of a topic that has long been the subject of controversy. In works infused with rhetorics of abjection, disgust, and dissolution, such writers as Maulnier, Brasillach, Céline, and Blanchot imagined the nation through figures deemed illegitimate or inferior—Jews, colonial subjects, homosexuals, women. Sanos argues that these intellectuals offered an "aesthetics of hate," reinventing a language of far-right nationalism by appealing to the realm of beauty and the sublime for political solutions. By acknowledging the constitutive relationship of antisemitism and colonial racism at the heart of these canonical writers' nationalism, this book makes us rethink how aesthetics and politics function, how race is imagined and defined, how gender structured far-right thought, and how we conceive of French intellectualism and fascism.

Average ratings

N/A

5

0%

4

0%

3

0%

2

0%

1

0%

Solve jigsaw puzzle

Age

Page Count

385

Publisher

Stanford University Press

Published Date

ISBN 10

0804782830

ISBN 13

9780804782838