African American history in Clearwater dates back to the early 1500s when the first blacks arrived as part of Panfilo de Narvaez's exploration party. Since that time, the community has grown and made indelible marks on this city as well as Florida state history. Rare images coupled with informative text highlight the people, places, events, and accomplishments at the very heart of this community for residents, visitors, and future generations to enjoy.
From plantation performances to minstrel shows of the late nineteenth century, the roots of black theatre in Texas reflect the history of a state where black Texans have continually created powerful cultural emblems that defy the clichés of horses, cattle, and bravado. Drawing on troves of archival materials from numerous statewide sources, Stages of Struggle and Celebration captures the important legacies of the dramatic arts in a historical field that has paid most of its attention to black musicians. Setting the stage, the authors retrace the path of the cakewalk and African-inspired dance as forerunners to formalized productions at theaters in the major metropolitan areas. From Houston’s Ensemble and Encore Theaters to the Jubilee in Fort Worth, gospel stage plays of the Black Academy of Arts and Letters in Dallas, as well as San Antonio’s Hornsby Entertainment Theater Company and Renaissance Guild, concluding with ProArts Collective in Austin, Stages of Struggle and Celebration features founding narratives, descriptions of key players and memorable productions, and enlightening discussions of community reception and the business challenges faced by each theatre. The role of drama departments in historically black colleges in training the companies’ founding members is also explored, as is the role the support of national figures such as Tyler Perry plays in ensuring viability. A canon of Texas playwrights completes the tour. The result is a diverse tribute to the artistic legacies that continue to inspire new generations of producers and audiences.
In August 1914 the GWR was plunged into war, the like of which this country had never experienced before. Over the years that followed life changed beyond measure, both for the men sent away to fight and the women who took on new roles at home. Not since 1922 has the history of the GWR in the First World War been recorded in a single volume. Using modern data-bases and enjoying greater access to archives, Sandra Gittins has been able to produce a complete history which traces the GWR from the early, optimistic days through the subsequent difficult years of the Great War, including Government demands for war manufacture, increased traffic and the tragic loss of staff. From GWR ships and ambulance trains to the employment of women, every part of the story is told, including the saddest of all, which is represented by a Roll of Honour.
A comprehensive examination of different forms of identity theft and its economic impact, including profiles of perpetrators and victims and coverage of current trends, security implications, prevention efforts, and legislative actions. What are the common forms of identity theft? Who are the most likely targets? What is law enforcement doing to counter a crime perpetrated not only by petty thieves and sophisticated con artists, but by terrorists, money-launderers, and those involved in human trafficking, drug trafficking, and illegal immigration? Identity Theft: A Reference Handbook examines these questions and more. With the 1998 Identity Theft and Assumption Deterrence Act as its starting point, this informative volume begins by explaining the federal, state, and global definitions of identity theft and how the lack of a standardized approach masks the true pervasiveness of the problem. In addition to addressing the crime's perpetrators, methods, and victims, the book also looks at what individuals, businesses, and the government are doing—and should consider doing—to curb the growth of this crime.
No One Was Turned Away is a book about the importance of public hospitals to New York City. At a time when less and less value seems to be placed on public institutions, argues author Sandra Opdycke, it is both useful and prudent to consider what this particular set of public institutions has meant to this particular city over the last hundred years, and to ponder what its loss might mean as well. Opdycke suggests that if these public hospitals close or convert to private management--as is currently being discussed--then a vital element of the civic life of New York City will be irretrievably lost. The story is told primarily through the history of Bellevue Hospital, the largest public hospital in the city and the oldest in the nation. Following Bellevue through the twentieth century, Opdycke meticulously charts the fluctuating fortunes of the city's public hospital system. Readers will learn how medical technology, urban politics, changing immigration patterns, economic booms and busts, labor unions, health insurance, Medicaid, and managed care have interacted to shape both the social and professional environments of New York's public hospitals. Having entered the twentieth century with high hopes for a grand expansion, Bellevue now faces financial and political pressures so acute that its very future is in doubt. In order to give context to the Bellevue experience, Opdycke also tracks the history of a private facility over the same century: New York Hospital. By noting the points at which the paths of these two mighty institutions have overlapped--as well as the ways in which they have diverged--this book clearly and persuasively highlights the significance of public hospitals to the city. No One Was Turned Away shows that private facilities like New York Hospital have generally provided superb care for their patients, but that in every era they have also excluded certain groups. This exclusion has occurred for various reasons, such as patients' diagnoses, their social characteristics, behavior, or financial status--or simply because of a lack of unoccupied beds. Fortunately, however, year in and year out, Bellevue and its fellow public facilities have acted as the city's medical safety net. Opdycke's book maintains that public hospitals will be as essential in the future as they have been in the past. This is a thoughtful and well-written study that will appeal to anyone interested in the history of medicine, public policy, urban affairs, or the City of New York.
Presents more than four hundred lists on various information on cats, including cat breeds, training, and behavior, as well as such topics as famous cats in history, cat food recipes, and gifts for pampered cats.
During periods of close collaboration, championed by figures like John Ruskin and William Morris, architecture and craft were referred to as "the allied arts." By the mid-twentieth century, however, it was more common for the two disciplines to be considered distinct professional fields, with architecture having little to do with studio craft. The Allied Arts investigates the history of the complex relationship between craft and architecture by examining the intersection of these two areas in Canadian public buildings. Sandra Alfoldy explains the challenges facing the development of the field of public craft and documents the largely ignored public craft commissions of the post-war era in Canada. The book highlights the global concerns of material, scale, form, ornament, and identity shared by architects and craftspeople. It also examines the ways in which the allied arts are mediated by institutions and the fragility of craft commissions once considered an integral part of the built environment. Considering a wide range of craftspeople, materials, and forms - from the ceramics of Jack Sures and Jordi Bonnet to the textile work of Mariette Rousseau Vermette and Carole Sabiston - Alfoldy celebrates the successes of architectural craftsmanship. The first work of its kind, The Allied Arts develops ideas about the complex relationship between architecture and craft that reach well beyond national boundaries.
Fascinating…one of history’s most important poisons—and most important murders." —Deborah Blum, author of The Poisoner’s Handbook Available at any corner shop for little money and, because tasteless, difficult to detect in food or drink, arsenic was so frequently used by potential beneficiaries of wills in the first half of the nineteenth century that it was nicknamed “the inheritor’s powder.” But after wealthy George Bodle died under suspicious circumstances, leaving behind several heirs, the chemist James Marsh was brought in to see if he could create an accurate test pinpointing the presence of arsenic and put this Victorian scourge to rest. Incisive and wryly entertaining, science writer Sandra Hempel brings to life a gripping story of domestic infighting, wayward police behavior, other true-crime poisonings, and an unforgettable foray into the origins of forensic science. She also solves this almost two-hundred year-old crime.
#1 New York Times bestselling author Sandra Brown delivers a riveting thriller in which a conflict of conscience for a former football star and an ambitious state prosecutor swiftly intensifies into a fight for their lives. Former Super Bowl MVP quarterback Zach Bridger hasn’t seen his ex-wife, Rebecca Pratt, for some time—not since their volatile marriage imploded—so he’s shocked to receive a life-altering call about her. Rebecca has been placed on life support after a violent assault, and he—despite their divorce—has medical power-of-attorney. Zach is asked to make an impossible choice: keep her on life support or take her off of it. Buckling under the weight of the responsibility and the glare of public scrutiny, Zach ultimately walks away, letting Rebecca's parents have the final say. Four years later, Rebecca's attacker, Eban—the scion of a wealthy family in Atlanta—gets an early release from prison. The ludicrous miscarriage of justice reeks of favoritism, and Kate Lennon, a brilliant state prosecutor, is determined to put him back behind bars. Rebecca’s parents have kept her alive all these years, but if her condition were to change—if she were to die—Eban could be retried on a new charge: murder. It isn’t lost on Zach that in order for Eban to be charged with Rebecca’s murder, Zach must actually be the one to kill her. He rejects Kate’s legal standpoint but can’t resist their ill-timed attraction to each other. Eban, having realized the jeopardy he’s in, plots to make certain that neither Zach nor Kate lives to see the death of Rebecca—and the end of his freedom. Includes a reading group guide.
Born in Ponca City, Oklahoma, Bob Camblin (1928-2010) was an artist, first and foremost. He earned his BFA and MFA degrees from the Kansas City Art Institute. His studies were followed by a Fulbright Fellowship that allowed him a year’s stay in Italy. Returning to the USA, he held teaching positions at the Ringling Museum, the University of Illinois, Detroit Mercy, and the University of Utah before moving to Houston in 1967 to teach at Rice’s new art department. He was active in Houston during the late 1960s through the 1980s, collaborating with Earl Staley and Joe Tate on many projects, including “happenings” on the beach in Galveston. His career led him to creative undertakings all over the world. Throughout his lifetime he constantly experimented with various art media. He remained open to new ideas and new techniques until his death in Louisiana in 2010. Camblin was a central figure in the period of artistic fermentation in Houston that is now beginning to receive increasing critical attention. He chose Rowland to be his historian while still at Rice, and her insights into him are based on many personal letters and conversations. In addition, she is a trained art historian and brings to bear professional expertise about his place in regional and American art. Her work includes a useful timeline of Camblin’s exhibitions and major artworks.
Love Inspired Suspense brings you four new titles for one great price, available now! Enjoy these contemporary heart-pounding tales of suspense, romance, hope and faith. This Love Inspired Suspense bundle includes Top Secret Identity by Sharon Dunn, Wrongly Accused by Laura Scott, Perilous Waters by Sandra Orchard and Lancaster County Target by Kit Wilkinson. Look for four new inspirational suspense stories every month from Love Inspired Suspense!
Turner Publishing is proud to present a new edition of Sandra Hochman's, Playing Tahoe First published by Wyndham Books in 1981, Hochman's fifth novel is an unsparing and no-holds-barred look at the music business through the eyes of a woman who bets it all. From the Wyndham edition: At age forty she was Americas greatest pop lyricist. From rock and roll through new wave, Sylvia Lundholm and her composer-partner Nick Dimani made millions while creating the platinum records in which millions found the sound of their own longing and joy. Set against the background of the rock and roll music business in New York City and the casinos and hotels and ski lifts of Lake Tahoe, Playing Tahoe captures that specific moment in Sylvia Lundholm's life when she recognized that love was the one song she could not write, and that only by breaking with the superhype celebrity of her career might she learn in the hands of her new lover. Revson Cranwell was the male courtesan every woman wanted. He was cold, well-bred, indifferent. But he made her hot. She had everything else that money could buy. Now she wanted him. He was her song, her lover, her best friend. She would kill for him. But he would make that unnecessary. In Tahoe, at Harrah’s, where Dimani is performing, Sylvia and Dimani meet to create a last great album that will cover the world with his music. But as the tendrils of Dimani's music threaten to clutch Sylvia back into the world she is so desperate to leave, the clash between her passion for Revson and Dimani's desperation for Sylvia’s poetry erupts into cold-blooded violence. Playing Tahoe will give you insight into the world of rock and roll and big casinos. But above all it will teach you the games of a woman who, gambling for love, desperately wants to hold on to the richness of her own life. Sandra Hochman has created a novel that explores the guts of a woman in the midst of a change, who will overturn the American Dream to follow a stranger, Revson, who is a new antihero of modern fiction.
This illuminating volume examines how the 1963 bombing of the Sixteenth Street Baptist Church in Birmingham, Alabama developed as a trauma of culture. Throughout the book, Gill asks why the “four little girls” killed in the bombing became part of the nation’s collective memory, while two black boys killed by whites on the same day were all but forgotten. Conducting interviews with classmates who attended a white school a few blocks from some of the most memorable events of the Civil Rights Movement, Gill discovers that the bombing of the church is central to interviewees’ memories. Even the boy killed by Gill’s own classmates often escapes recollection. She then considers these findings within the framework of the reception of memory and analyzes how white southerners reconstruct a difficult past.
Magazine editor Lilly Martin, packing up the vacation cabin she and her ex-husband owned in Cleary, North Carolina, where he now works as chief of police, becomes trapped in a snowstorm with Ben Tierney, who she struck with her car while trying to drive down the mountain, and the situation becomes critical when she uncovers evidence that Tierney may be the serial killer who has been operating in the area for over two years.
The sandhills stretch across the West Texas plains for 60 miles. As much as ten miles wide in places, they are a gleaming, sugary whiteness. The winds keep a trickle of sand moving on their peaks; in high winds the sand shifts so fast they say the dunes walk. So, too, can a handsome young man’s intellect and sensibility belie his unreliable character; so, too, can his sense of identity shift as he is buffeted by the storm of circumstance a single fateful year brings. Eighteen year old David Puckett is torn between his desire for and his fear of intimacy—between his yearning for two very different definitions of success. Artistry and passion are embodied in one girl, the avoidance of intimacy and the path to power in another. His story is set in the late 1950s, an era that has become mythologized as an age of carefree innocence and conservative consensus. Walking Dunes gives us another glimpse of life as it lay on the lip of the ’60s, life as beset by poverty, violence, and misery as it was buoyed by rock and roll, television, and the explosion of the suburbs. There is, too, in David’s story the poignancy of a failed family, the sweet awkwardness of young love, the fierceness of early ambition, the bitterness of loss. The lives of teenagers, so often perceived as trivial and commonplace, surprise and ultimately shock the reader, as a boy sets the course on which he will become a man.
Imagine. Flo Perlstein is found D.O.D.-Dead on Desk-the night of Pine View Elementary School's Science Fair. Who had a motive to strangle the fifth grade teacher? Everyone who knew her. Flo Perlstein was narcissistic, hypochondriacal and rude. She talked incessantly. She drove people crazy. Barbara Lawson was Flo's closest colleague-and not by choice. Intrigued by the role of amateur sleuth, Barbara gets drawn into the investigation of Flo's murder. She finds herself drawn to the handsome detective who leads the investigation. Her involvement causes conflict by challenging her image of herself and the boundaries of her marriage. Her involvement exposes her to a very different kind of show and tell. This particular game is far from innocent. It puts her life in danger. Dead Silent is contemporary fiction with a diverse and unique cast of characters. Humor and a hint of romance balance the tension created by a very unusual murder investigation.
Now a Denver Post bestseller "Addictive. Highly recommended!"—Paulette Jiles, New York Times bestselling author of News of the World Beautifully rendered, Where Coyotes Howl is a vivid and deeply affecting ode to the early twentieth century West, from master storyteller Sandra Dallas. Except for the way they loved each other, they were just ordinary, everyday folks. Just ordinary. 1916. The two-street town of Wallace is not exactly what Ellen Webster had in mind when she accepted a teaching position in Wyoming, but within a year’s time she’s fallen in love—both with the High Plains and with a handsome cowboy named Charlie Bacon. Life is not easy in the flat, brown corner of the state where winter blizzards are unforgiving and the summer heat relentless. But Ellen and Charlie face it all together, their relationship growing stronger with each shared success, and each deeply felt tragedy. Ellen finds purpose in her work as a rancher’s wife and in her bonds with other women settled on the prairie. Not all of them are so lucky as to have loving husbands, not all came to Wallace willingly, and not all of them can survive the cruel seasons. But they look out for each other, share their secrets, and help one another in times of need. And the needs are great and constant. The only city to speak of, Cheyenne, is miles away, making it akin to the Wild West in rural Wallace. In the end, it is not the trials Ellen and Charlie face together that make them remarkable, but their love for one another that endures through it all.
Beginning in late 1945, the United States, Britain, China, Australia, France, the Netherlands, and later the Philippines, the Soviet Union, and the People's Republic of China convened national courts to prosecute Japanese military personnel for war crimes. The defendants included ethnic Koreans and Taiwanese who had served with the armed forces as Japanese subjects. In Tokyo, the International Military Tribunal for the Far East tried Japanese leaders. While the fairness of these trials has been a focus for decades, Japanese War Criminals instead argues that the most important issues arose outside the courtroom. What was the legal basis for identifying and detaining subjects, determining who should be prosecuted, collecting evidence, and granting clemency after conviction? The answers to these questions helped set the norms for transitional justice in the postwar era and today contribute to strategies for addressing problematic areas of international law. Examining the complex moral, ethical, legal, and political issues surrounding the Allied prosecution project, from the first investigations during the war to the final release of prisoners in 1958, Japanese War Criminals shows how a simple effort to punish the guilty evolved into a multidimensional struggle that muddied the assignment of criminal responsibility for war crimes. Over time, indignation in Japan over Allied military actions, particularly the deployment of the atomic bombs, eclipsed anger over Japanese atrocities, and, among the Western powers, new Cold War imperatives took hold. This book makes a unique contribution to our understanding of the construction of the postwar international order in Asia and to our comprehension of the difficulties of implementing transitional justice.
The contributors to this fully revised volume, a team of international experts with both academic and professional experience in the field, provide a broad range of geographical and disciplinary perspectives. Covering theory, research and practice, they analyze the different types of conflict and offer a thorough examination of the influences on conflict - structural, situational, strategic and cultural. Exploring conflict management and resolution, they also discuss negotiation, mediation, peace-keeping and peace-building.
When heiress Polly Peach rushes off to Bath in pursuit of her furious brownie friend, Bodkin, she doesn’t anticipate the uproar that will ensue, or that she will find love. But is handsome Sir Dominic Fortune all that he seems? Can Polly and Bodkin trust him? Can they trust anybody? And will genteel Bath ever be the same again? Regency Romance Paranormal by Sandra Heath; originally published by Signet as The Magic Jack-o-Lantern
Relegated to the Crypt of the Capitol building for 76 years, the Portrait Monument has stood in the Rotunda since 1997. Often referred to as the Suffrage Statue, it memorializes pioneering feminists Lucretia Mott, Elizabeth Cady Stanton and Susan B. Anthony and is the sole sculptural representation of women in the Rotunda. From its conception by sculptor Adelaide Johnson as three separate busts to its laborious execution and celebrated placement in the Rotunda, the seven-ton sculpture has provoked frustration, jubilation and hullabaloo. Drawing on diaries, letters, newspapers and historic photographs, this first-ever history of the monument explores the controversy, myths and artistry behind this neoclassical yet unconventional work of art.
When the sister of Maggy Thorsen's coffeehouse business partner Sarah is hospitalised on the day of their mother's funeral, Maggy is drawn into uncovering the family's darkest secrets . . . The Kingston family has always been at odds, but Maggy Thorsen hopes that the passing of Edna Mayes Kingston, mother of Sarah Kingston, her Uncommon Grounds coffeehouse partner, might unite them. Alas, few tears are shed over the self-righteous Edna, and the wake is barely over when Edna's body is shuffled off unceremoniously for burial and Sarah's sister Ruth is found unconscious in the family home. Did Ruth suffer accidental carbon monoxide poisoning or something more sinister? And could there have been more to Ruth's haste to bury Edna than meets the eye? Determined to find out, Maggy and Sarah join forces with Sarah's niece, Arial. As questions mount and family tensions percolate, the presence of a mysterious stranger leads the trio into the past to uncover the darkest of family secrets.
AnnaLise’s philandering father’s attempt to ‘do right’ by his many heirs goes deadly wrong Journalist AnnaLise Griggs' return to her hometown in North Carolina's western mountains has led to some unexpected surprises – most notably the discovery that legendary womanizer Dickens Hart is her birth father, and she an heir to Hart's huge fortune. Founder of the White Tail Lodge – a High Country knock-off of the Playboy concept – Hart now claims he wants to ‘do right’ by any other children he may have fathered. To that end, he's invited all his former lovers and potential heirs, including AnnaLise and her own mother, Daisy, to what Hart envisions as a festive Thanksgiving weekend at the sprawling lakeside mansion. But not everybody is in a celebratory mood, and when a body is discovered dead in the bed, AnnaLise is left with the impossible task of identifying the killer.
The life of the legendary drummer and singer is explored through extensive research and personal interviews with family, friends, and fellow musicians. In the Arkansas Delta, a young Levon Helm witnessed “blues, country, and gospel hit in a head-on collision,” as he put it. The result was rock 'n' roll. As a teenager, he joined the raucous Ronnie Hawkins and the Hawks, then helped merge a hard-driving electric sound with Bob Dylan's folk roots, and revolutionized American rock with the Band. Helm not only provided perfect “in the pocket” rhythm and unforgettable vocals, he was the soul of The Band. Levon traces a rebellious life on the road, from being booed with Bob Dylan to the creative cauldron of Big Pink, the Woodstock Festival, world tours, The Last Waltz, and beyond with the man Dylan called “one of the last true great spirits of my or any other generation.” Author Sandra B. Tooze digs deep into what Helm saw as a devastating betrayal by his closest friend, Band guitarist Robbie Robertson—and Levon’s career collapse, his near bankruptcy, and the loss of his voice due to throat cancer in 1997. Yet Helm found success in an acting career that included roles in Coal Miner’s Daughter and The Right Stuff. Regaining his singing voice, he made his last decade a triumph, opening his barn to the Midnight Rambles and earning three Grammys.
Detective Sergeant Duncan Hatcher knows he must exercise discretion when investigating a fatal shooting at the home of Judge Cato Laird, but he is both suspicious of and attracted to the Judge's wife.
I’d had two murders since last spring, solved them both. The first one was prime and it got a lotta attention in the fish wrappers, so I had a bunch of clients for awhile. Just cause people saw my name in the paper they figured I was the best (which I might be). Not bad for a twenty-six-year-old gal from Newark, New Jersey. It’s the middle of World War II, but not all the killing is happening overseas. In a sweltering New York City summer, scrappy steno-turned-sleuth Faye Quick–kicked upstairs when her boss ships out–takes on a new case that would make even the most experienced P.I. sweat bullets. It all starts with a beautiful woman. Heartbroken Claire Turner turns on the waterworks in Faye’s office, begging for help in finding her beau, Private Charlie Ladd, gone missing while on leave from Uncle Sam’s army. But when Faye busts into Charlie’s hotel room, she doesn’t find anyone–anyone alive, that is. But where’s Charlie? Because the corpse in the hotel room might not be him. And that leads Faye to wonder if the unfortunate stiff was Charlie’s target practice. In a case with more twists, starts, and stops than the Third Avenue El, Faye learns that some shocking truths are hidden behind the fog of war–a personal war being fought on the home front. Brimming over with big band music, hairdos in snoods, and unfiltered smokes–the same irresistible 1940s detail that made This Dame for Hire such a treat–the second adventure of indefatigable Faye solidifies her status as one of Sandra Scoppettone’s most appealing characters. Too Darn Hot is sizzling fun readers are sure to make Quick work of.
This book explores the reactions to the Manchurian crisis of different sections of the state, and of a number of different groups in Japanese society, particularly rural groups, women's organizations and business associations. It thus seeks to avoid a generalized account of public relations to the military and diplomatic events of the early 1930s, offering instead a nuanced account of the shifts in public and popular opinion in this crucial period.
She doesn't remember that night. But she will never be the same. One moment, Dahlia is a successful Harvard student; the next, she wakes up from a party, the victim of a brutal assault. Her life veers into a tailspin, and what's worse — her memory of the attack has been ripped away, leaving a cold rage in its wayke. Now, years later, Dahlia is a tattooed paralegal suffering from PTSD and still haunted by that night. Until one day, a video surfaces online, and Dahlia sees her attack for the first time. Now she knows what happened to her. And she knows who is to blame. Her rage is no longer cold, but burning, red hot. And she is about to make everyone pay.
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