Bringing together physical and metaphysical, elegy and celebration, Judgment Day is rich with grace and insight. In this rapacious world, we eat or are eaten—so poet-critic Sandra M. Gilbert suggests throughout Judgment Day, her tenth collection of poems. Tracing this theme through the range of histories that make us who we are—private, public, religious, artistic, even culinary—Gilbert meditates on recent events as well as the sacred turnings of time, great works of graphic art, and the personal crises that continually reshape our lives.
In the Preface to this second edition of her first book, Sandra M. Gilbert addresses the inevitable question: "How can you be a feminist and a Lawrentian?" The answer is intellectually satisfying and historically revealing as she traces an array of early twentieth-century women of letters, some of them proto-feminists, who revered Lawrence despite his countless statements that would today be condemned as "sexist." H.D. regarded him as one of her "initiators" whose words "flamed alive, blue serpents on the page." Anais Nin insisted that he "had a complete realization of the feelings of women." By focusing on Lawrence’s own definition of a poem as an "act of attention," Gilbert demonstrates how he developed the mature style of Birds, Beasts and Flowers, his finest collection of poetry. She discusses this volume at length, examines many of his later poems in detail, including the hymns from The Plumed Serpent, Pansies, Nettles, and More Pansies, and ends with a close look at Last Poems. Her detailed examination provides a clearer image of Lawrence as an artist—an artist whose poetry complements his novels and whose fiction enriches but does not outshine his poetry.
From the recipe novel to the celebrity chef, renowned scholar Sandra M. Gilbert explores the poetics and politics of food. In this stunning and important work, the prominent critic, poet, and memoirist Sandra M. Gilbert explores our relationship with food and eating through discussions of literature, art, and popular culture. Focusing on contemporary practices, The Culinary Imagination traces the social, aesthetic, and political history of food from myth to modernity, from ancient sources to our current wave of food mania. What does it mean to transform raw stuff into cooked dishes, which then become part of our own bodies; to savor festive meals yet resolve to renounce gluttony; to act as predators where in another life we might have become prey? Do the rituals of the kitchen have different meanings for men and women, for professional chefs and home cooks? Why, today, do so many of us turn so passionately toward table topics, on the page, online, and on screen? What are the philosophical implications of the food chain on which we all find ourselves? In The Culinary Imagination, Gilbert addresses these powerful questions through meditations on myths and memoirs, children’s books, novels, poems, food blogs, paintings, TV shows, and movies. Discussing figures from Rex Stout to Julia Child and Andy Warhol, from M. F. K. Fisher and Sylvia Plath to Alice Waters and Peter Singer, she analyzes the politics and poetics of our daily bread, investigating our complex self-definitions as producers, consumers, and connoisseurs of food. The result is an ambitious, lively, and learned examination of the ways in which our culture’s artists have represented food across a range of genres.
Encompassing three decades of distinguished work, a remarkable anthology presents a selection of poetry from The Fourth World, Emily's Bread, Blood Pressure, and Ghost Volcano, as well as an array of recent works exploring the themes of grief, survival, and regeneration.
An ambitious, intricately wrought corona of sonnets ponders the nature of belonging in every sense of the word. Belongings as possessions, as the history and furnishings of a life, and as the places in which life itself happens are the preoccupations at the heart of this affecting collection. Moving from memories of a childhood apartment to mourning for the poet's mother, Belongings explores the question: "Where, how, and to what do you belong?
The range of this new collection is exciting. Gilbert travels along the shifting boundaries of past and present with wonderful deftness, making Jackson Heights into a magic kingdom. I love this rich ethnic mix."--Maxine Kumin
A collection of essays that reexamine literature through a feminist gaze from "one of our most versatile and gifted writers" (Joyce Carol Oates). "We think back through our mothers if we are women," wrote Virginia Woolf. In this groundbreaking series of essays, Sandra M. Gilbert explores how our literary mothers have influenced us in our writing and in life. She considers the effects of these literary mothers by examining her own history and the work of such luminaries as Charlotte Brontë, Emily Dickinson, and Sylvia Plath. In the course of the book, she charts her own development as a feminist, demonstrates ways of understanding the dynamics of gender and genre, and traces the redefinitions of maternity reflected in texts by authors such as Elizabeth Barrett Browning and George Eliot. Throughout, Gilbert asks major questions about feminism in the twentieth century: Why and how did its ideas become so necessary to women in the sixties and seventies? What have those feminist concepts come to mean in the new century? And above all, how have our intellectual mothers shaped our thoughts today?
Prominent critic, poet and memoirist Sandra M Gilert -- author of The Madwoman in the Attic explores our relationship to death though literature, history, poetry and societal practices.
Sandra Gilbert and Susan Gubar offer a bold new interpretation of the great 19th century women novelists, and in doing so they present the first persuasive case for the existence of a distinctly female imagination. Like gnostic heretics who claim to have found the secret code that unlocks the mysteries in old texts, the authors force us to take anew look at the grandes dames of English literature, and the result is that they will never seem quite the same again.' -Le Anne Schreiber, The New York Times Book Review
Published in 1979, Gilbert and Gubar's The Madwoman in the Atticwas hailed as a pathbreaking work of criticism. This thirtieth-anniversary collection adds both valuable reassessments and new readings and analyses. The authors take as their subjects specific nineteenth- and twentieth-century women writers, the state of feminist theory and pedagogy, genre studies, film, race, and postcolonialism, with approaches ranging from ecofeminism to psychoanalysis.
A selection of poetry written in memory of her late husband, especially the central work, "Widow's Walk," captures the poet's journey through the stages of grief as she tries to understand his death and celebrate his life. Reprint.
From the recipe novel to the celebrity chef, renowned scholar Sandra M. Gilbert explores the poetics and politics of food. In this stunning and important work, the prominent critic, poet, and memoirist Sandra M. Gilbert explores our relationship with food and eating through discussions of literature, art, and popular culture. Focusing on contemporary practices, The Culinary Imagination traces the social, aesthetic, and political history of food from myth to modernity, from ancient sources to our current wave of food mania. What does it mean to transform raw stuff into cooked dishes, which then become part of our own bodies; to savor festive meals yet resolve to renounce gluttony; to act as predators where in another life we might have become prey? Do the rituals of the kitchen have different meanings for men and women, for professional chefs and home cooks? Why, today, do so many of us turn so passionately toward table topics, on the page, online, and on screen? What are the philosophical implications of the food chain on which we all find ourselves? In The Culinary Imagination, Gilbert addresses these powerful questions through meditations on myths and memoirs, children’s books, novels, poems, food blogs, paintings, TV shows, and movies. Discussing figures from Rex Stout to Julia Child and Andy Warhol, from M. F. K. Fisher and Sylvia Plath to Alice Waters and Peter Singer, she analyzes the politics and poetics of our daily bread, investigating our complex self-definitions as producers, consumers, and connoisseurs of food. The result is an ambitious, lively, and learned examination of the ways in which our culture’s artists have represented food across a range of genres.
My husband and I were just laying in bed talking. I noticed a shadow on the ceiling. We have a big fan on the bedroom plus we also have a night light that our eldest daughter bought us. Well both together cast a shadow on the ceiling. We looked one way and then another. I yelled out, it looks like a turtle. So Dudley was born. We went to Oklahoma around 10 years ago, I got a small Indian Chief head dress and I hung it on the wall. The shadow of Jefferee was born. The front of this book shows the shadows as they appear on the ceiling. -Sandra Colby-
In the Preface to this second edition of her first book, Sandra M. Gilbert addresses the inevitable question: "How can you be a feminist and a Lawrentian?" The answer is intellectually satisfying and historically revealing as she traces an array of early twentieth-century women of letters, some of them proto-feminists, who revered Lawrence despite his countless statements that would today be condemned as "sexist." H.D. regarded him as one of her "initiators" whose words "flamed alive, blue serpents on the page." Anais Nin insisted that he "had a complete realization of the feelings of women." By focusing on Lawrence’s own definition of a poem as an "act of attention," Gilbert demonstrates how he developed the mature style of Birds, Beasts and Flowers, his finest collection of poetry. She discusses this volume at length, examines many of his later poems in detail, including the hymns from The Plumed Serpent, Pansies, Nettles, and More Pansies, and ends with a close look at Last Poems. Her detailed examination provides a clearer image of Lawrence as an artist—an artist whose poetry complements his novels and whose fiction enriches but does not outshine his poetry.
Mysterious assailant has tied a nameless Text to a railroad track ... untenured English professor ... enlists a group of odd and oddly rivalrous academicians to help her identify and save the Text"--Back cover.
A brilliant, sweeping history of the contemporary women’s movement told through the lives and works of the literary women who shaped it. Forty years after their first groundbreaking work of feminist literary theory, The Madwoman in the Attic, award-winning collaborators Sandra M. Gilbert and Susan Gubar map the literary history of feminism’s second wave. From its stirrings in the midcentury—when Sylvia Plath, Betty Friedan, and Joan Didion found their voices and Diane di Prima, Lorraine Hansberry, and Audre Lorde discovered community in rebellion—to a resurgence in the new millennium in the writings of Alison Bechdel, Claudia Rankine, and N. K. Jemisin, Gilbert and Gubar trace the evolution of feminist literature. They offer lucid, compassionate, and piercing readings of major works by these writers and others, including Adrienne Rich, Ursula K. Le Guin, Maxine Hong Kingston, Susan Sontag, Gloria Anzaldúa, and Toni Morrison. Activists and theorists like Nina Simone, Gloria Steinem, Andrea Dworkin, Eve Kosofsky Sedgwick, and Judith Butler also populate these pages as Gilbert and Gubar examine the overlapping terrain of literature and politics in a comprehensive portrait of an expanding movement. As Gilbert and Gubar chart feminist gains—including creative new forms of protests and changing attitudes toward gender and sexuality—they show how the legacies of second wave feminists, and the misogynistic culture they fought, extend to the present. In doing so, they celebrate the diversity and urgency of women who have turned passionate rage into powerful writing.
Sandra Gilbert's poems are beautifully situated at the intersection of craft and feeling."—Billy Collins The title of this collection—at times mournful, sardonic, and joyous—refers to the grief in the wake of loss. Yet these poems aren't just about the consequences of loss but also about the complex experiences of endurance, acquiescence, and rebirth that, with luck, mark the aftermath of sorrow. from "Aftermath: Kite" But the thought is only paper after all, a soul that clings to a stick, tears open, shreds as if it's flung to the ground in a final shiny fall, and at last the line goes limp, the climbing ends. Beyond the rush & sweep, an arc of silence— though a mind imagined this flight, & proved it once.
A feminist classic."—Judith Shulevitz, New York Times Book Review “A pivotal book, one of those after which we will never think the same again.”—Carolyn G. Heilbrun, Washington Post Book World A pathbreaking book of literary criticism is now reissued with a new introduction by Lisa Appignanesi that speaks to how The Madwoman in the Attic set the groundwork for subsequent generations of scholars writing about women writers, and why the book still feels fresh some four decades later.
A collection of essays that reexamine literature through a feminist gaze from "one of our most versatile and gifted writers" (Joyce Carol Oates). "We think back through our mothers if we are women," wrote Virginia Woolf. In this groundbreaking series of essays, Sandra M. Gilbert explores how our literary mothers have influenced us in our writing and in life. She considers the effects of these literary mothers by examining her own history and the work of such luminaries as Charlotte Brontë, Emily Dickinson, and Sylvia Plath. In the course of the book, she charts her own development as a feminist, demonstrates ways of understanding the dynamics of gender and genre, and traces the redefinitions of maternity reflected in texts by authors such as Elizabeth Barrett Browning and George Eliot. Throughout, Gilbert asks major questions about feminism in the twentieth century: Why and how did its ideas become so necessary to women in the sixties and seventies? What have those feminist concepts come to mean in the new century? And above all, how have our intellectual mothers shaped our thoughts today?
Bringing together physical and metaphysical, elegy and celebration, Judgment Day is rich with grace and insight. In this rapacious world, we eat or are eaten—so poet-critic Sandra M. Gilbert suggests throughout Judgment Day, her tenth collection of poems. Tracing this theme through the range of histories that make us who we are—private, public, religious, artistic, even culinary—Gilbert meditates on recent events as well as the sacred turnings of time, great works of graphic art, and the personal crises that continually reshape our lives.
The highly esteemed literary critic and poet Sandra M. Gilbert is best known for her feminist literary collaborations with Susan Gubar, with whom she coauthored The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination, as well as the three-volume No Man's Land: The Place of the Woman Writer in the Twentieth Century. The essays assembled in On Burning Ground display Gilbert's astonishing range and explore poetics, personal identity, feminism, and modern and contemporary literature. Among the pieces gathered here are essays on D. H. Lawrence, Robert Lowell, Sylvia Plath, and Louise Glück, as well as reviews and previously unpublished articles. Sandra M. Gilbert is Distinguished Professor of English Emerita at the University of California, Davis. She is the recipient of Guggenheim, Rockefeller, NEH, and Soros Foundation fellowships and is the author of seven collections of poetry, including Kissing the Bread: New and Selected Poems 1969-1999 and, most recently, Belongings. Praise for Sandra M.Gilbert "Sandra Gilbert's poems are beautifully situated at the intersection of craft and feeling. Belongings is a stellar collection by a virtuoso with heart." ---Billy Collins ". . . brilliantly combines literary and cultural criticism with the intimacy of memoir." ---Joyce Carol Oates "An enduring contribution to the literature of grief." ---New York Times Book Review Poets on Poetry collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation.
Auditory hallucinations rank amongst the most treatment resistant symptoms of schizophrenia, with command hallucinations being the most distressing, high risk and treatment resistant of all. This new work provides clinicians with a detailed guide, illustrating in depth the techniques and strategies developed for working with command hallucinations. Woven throughout with key cases and clinical examples, Cognitive Therapy for Command Hallucinations clearly demonstrates how these techniques can be applied in a clinical setting. Strategies and solutions for overcoming therapeutic obstacles are shown alongside treatment successes and failures to provide the reader with an accurate understanding of the complexities of cognitive therapy. This helpful and practical guide with be of interest to clinical and forensic psychologists, cognitive behavioural therapists, nurses and psychiatrists.
Homogenization is a fairly new, yet deep field of mathematics which is used as a powerful tool for analysis of applied problems which involve multiple scales. Generally, homogenization is utilized as a modeling procedure to describe processes in complex structures. Applications of Homogenization Theory to the Study of Mineralized Tissue functions as an introduction to the theory of homogenization. At the same time, the book explains how to apply the theory to various application problems in biology, physics and engineering. The authors are experts in the field and collaborated to create this book which is a useful research monograph for applied mathematicians, engineers and geophysicists. As for students and instructors, this book is a well-rounded and comprehensive text on the topic of homogenization for graduate level courses or special mathematics classes. Features: Covers applications in both geophysics and biology. Includes recent results not found in classical books on the topic Focuses on evolutionary kinds of problems; there is little overlap with books dealing with variational methods and T-convergence Includes new results where the G-limits have different structures from the initial operators
My husband and I were just laying in bed talking. I noticed a shadow on the ceiling. We have a big fan on the bedroom plus we also have a night light that our eldest daughter bought us. Well both together cast a shadow on the ceiling. We looked one way and then another. I yelled out, it looks like a turtle. So Dudley was born. We went to Oklahoma around 10 years ago, I got a small Indian Chief head dress and I hung it on the wall. The shadow of Jefferee was born. The front of this book shows the shadows as they appear on the ceiling. -Sandra Colby-
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.