When Friday Harbor, Washington, was incorporated in 1909, some wanted the town's name changed. In a misunderstanding, the British had named it in 1858 for a shepherd named "Friday," who thought they were making introductions, not asking the name of the sheltered bay where he minded sheep. But the name stuck. As with many of the young state's small port towns, timber, salmon fishing, and farming fueled Friday Harbor's early economy. However, by midcentury, the lumber mill was gone, the introduction of irrigation in Central Washington swamped fresh produce markets, and the fish and pea canneries were shut down. Life slowed and some left, but in being passed by--until tourism caught on in the late 1970s--the town (and island) developed a unique sense of community that survives to this day.
When Friday Harbor, Washington, was incorporated in 1909, some wanted the town's name changed. In a misunderstanding, the British had named it in 1858 for a shepherd named "Friday," who thought they were making introductions, not asking the name of the sheltered bay where he minded sheep. But the name stuck. As with many of the young state's small port towns, timber, salmon fishing, and farming fueled Friday Harbor's early economy. However, by midcentury, the lumber mill was gone, the introduction of irrigation in Central Washington swamped fresh produce markets, and the fish and pea canneries were shut down. Life slowed and some left, but in being passed by--until tourism caught on in the late 1970s--the town (and island) developed a unique sense of community that survives to this day.
The legendary swallows arent the only annual returnees to San Juan Capistrano. The great coastal mission draws more than 500,000 visitors a year into the southern reaches of Orange County. The most famous of all the missions in the California system established in the 18th century by Franciscan friar Junipero Serra, Mission San Juan Capistrano still contains the Serra Chapel, the oldest church in California, and the only building still standing where the good padre celebrated mass. But San Juan Capistrano is more than its well-known mission. Its epic story encompasses the rancho days and land barons, California statehood, the arrival of the San Diego Freeway in 1958, city incorporation in 1961, and recent growth from 10,000 residents in 1974 to 34,000 in 2004.
With sheltered harbors, open prairies, and secluded woodlands, San Juan Island has been a magnet for human habitation for thousands of years. Salmon runs and rich soil promised not only an abundant food source but also a good living for those willing to work hard. But it was not until the islands became the focus of an international boundary dispute between Great Britain and the United States in the late 1850s that San Juan Island drew the attention of Europeans and Americans. These newcomers watched how Coast Salish and Northwest Coast peoples harvested natural resources and adapted their techniques. Settlers and Indians sometimes intermarried, and many of their descendants remain to this day. San Juan Islanders of all generations have worked hard to preserve their home, thus maintaining a sense of place that is as evident today as it was when the first canoes came ashore.
Silverton is located in the heart of the San Juan Mountains, which have been described by H.H. Bancroft as "the wildest and most inaccessible region of Colorado, if not North America." The region has a long and colorful mining history, dating back to the Spanish exploration of the area in the 18th century. For the past 250 years, men have sought gold and silver in these mountains. However, full-scale mining did not begin until the 1870s, and for more than a century, mining was the lifeblood of Silverton and the surrounding area. The San Juan Mountains have been called one of the four great mining areas of Colorado, in a state known for its mining heritage. This is not only the story of the mines but also of the men and women who worked and lived in these rugged mountains.
San Juan County was established in 1880 following the famous winter trek and steep descent through the Hole-in-the-Rock Trail to Bluff, Utah. Behind the settlement of this community by the San Juan River is a story of tenacity, determination, and hardship. The Hole-in-the-Rock was a sandstone crevice discovered fortuitously by pioneers when a wild ram escaped its pursuers and descended to the river by that route. After blasting, building up the grade, and lowering by ropes, the wagon train finally emerged through the crevice to the river below and finished the last difficult miles into Bluff. Miner and photographer Charles Goodman documented the early days of San Juan County, from the production of bricks and molasses to the establishment of Bluff Oil Company, and many of his unique images, dating from 1892 to 1913, are included in this volume.
Though a relatively young city, San Ramon has history stretching back to California's founding. Ohlone Indians first inhabited the area before rancheros grazed the land more than a century ago. Drawn by the Gold Rush, pioneers and prospectors settled the place promoters labeled a "Garden of Eden." Diversified farming of the valley, full of orchards and plentiful fields, sustained the rural population. Sitting in the shadow of historic Mount Diablo, San Ramon is a growing city recognized for its extraordinary parks, schools and active citizenry. Local author Beverly Lane brings to life San Ramon's vibrant past.
The San Ramon Valley stretches for 20 beautiful miles under the shadow of Mount Diablo and includes the bustling communities of San Ramon, Alamo, and Danville. Some 113,000 people make their homes here in a scenic area of open spaces, gracious homes, and tree-lined streets. Also here are major business hubs and the winding Interstate 680 freeway. Of course, this valley wasnt always so populous. In the 1850s, while nearby San Francisco boomed and Oakland grew up, this valley remained rural. Mount Diablo became an important early survey marker during Californias gold rush, but only in recent decades have the early ranchos and small villages given way to the modern cities we know today.
Winner of the 2012 Outstanding Book Award in Cultural Studies, Association for Asian American Studies Puro Arte explores the emergence of Filipino American theater and performance from the early 20th century to the present. It stresses the Filipino performing body's location as it conjoins colonial histories of the Philippines with U.S. race relations and discourses of globalization. Puro arte, translated from Spanish into English, simply means “pure art.” In Filipino, puro arte however performs a much more ironic function, gesturing rather to the labor of over-acting, histrionics, playfulness, and purely over-the-top dramatics. In this book, puro arte functions as an episteme, a way of approaching the Filipino/a performing body at key moments in U.S.-Philippine imperial relations, from the 1904 St. Louis World’s Fair, early American plays about the Philippines, Filipino patrons in U.S. taxi dance halls to the phenomenon of Filipino/a actors in Miss Saigon. Using this varied archive, Puro Arte turns to performance as an object of study and as a way of understanding complex historical processes of racialization in relation to empire and colonialism.
Nothing excited early modern anatomists more than touching a beating heart. In his 1543 treatise, Andreas Vesalius boasts that he was able to feel life itself through the membranes of a heart belonging to a man who had just been executed, a comment that appears near the woodcut of a person being dissected while still hanging from the gallows. In this highly original book, Rose Marie San Juan confronts the question of violence in the making of the early modern anatomical image. Engaging the ways in which power operated in early modern anatomical images in Europe and, to a lesser extent, its colonies, San Juan examines literal violence upon bodies in a range of civic, religious, pedagogical, and “exploratory” contexts. She then works through the question of how bodies were thought to be constituted—systemic or piecemeal, singular or collective—and how gender determines this question of constitution. In confronting the issue of violence in the making of the anatomical image, San Juan explores not only how violence transformed the body into a powerful and troubling double but also how this kind of body permeated attempts to produce knowledge about the world at large. Provocative and challenging, this book will be of significant interest to scholars across fields in early modern studies, including art history and visual culture, science, and medicine.
Caught betwixt the Asian continent and the hegemonic power of the United States, the Philippines occupies a contested space or borderland between past and present, East and West. Balancing the memory of colonial experience with an emergent nation-making dream, this innovative book asks if a meaningful future can be envisioned.
02 Retratos2,000 Years of Latin American PortraitsMarion Oettinger, Jr., Miguel A. Bretos, Carolyn Kinder Carr et al.A landmark survey of Latin American portraiture and its powerful significance throughout historyThe tradition of portraiture in Latin America is astonishingly long and rich. For over 2,000 years, portraits have been used to preserve the memory of the deceased, bolster the social standing of the aristocracy, mark the deeds of the mighty, advance the careers of politicians, record rites of passage, and mock symbols of the status quo. This beautiful and wide-ranging book—the first to explore the tradition of portraiture in Latin America from pre-Columbian times to the present day—features some 200 works from fifteen countries. Retratos (Portraits) presents an engaging variety of works by such well-known figures as Diego Rivera, Frida Kahlo, Fernando Botero, and José Campeche as well as stunning examples by anonymous and obscure artists. Distinguished contributors discuss the significance of portraits in ancient Mayan civilizations, in the world of colonial Iberians, in the political struggles of the nineteenth and twentieth centuries, and in a remarkable range of other times and locations. With a wealth of informative details and exquisite color illustrations, Retratos invites readers to appreciate Latin American portraits and their many meanings as never before.F This book is the catalogue for the first exhibition of Latin American portraiture ever organized in the United States. The exhibition is on view at El Museo del Barrio, New York (December 3, 2004 to March 20, 2005); the San Diego Museum of Art (April 16 to June 12, 2005); the Bass Museum of Art, Miami Beach (July 23 to October 2, 2005); the National Portrait Gallery, Smithsonian, Washington, D.C. (October 21, 2005, to January 8, 2006; and the San Antonio Museum of Art (February 4 to April 30, 2006).Marion Oettinger, Jr., is senior curator and curator of Latin American art at the San Antonio Museum of Art; Miguel A. Bretos is senior scholar at the National Portrait Gallery, Washington; Caroline Kinder Karr is deputy and chief curator at the National Portrait Gallery, Washington. Contributors to the book include Elizabeth P. Benson; Christopher B. Donnan; Kirsten Hammer; María Concepción García Sáiz; Renato Gonzáles Mello; Luis Pérez Oramos; Luis-Martin Lozano; and Teodoro Vidal. Retratos2,000 Years of Latin American PortraitsMarion Oettinger, Jr., Miguel A. Bretos, Carolyn Kinder Carr et al.A landmark survey of Latin American portraiture and its powerful significance throughout historyThe tradition of portraiture in Latin America is astonishingly long and rich. For over 2,000 years, portraits have been used to preserve the memory of the deceased, bolster the social standing of the aristocracy, mark the deeds of the mighty, advance the careers of politicians, record rites of passage, and mock symbols of the status quo. This beautiful and wide-ranging book—the first to explore the tradition of portraiture in Latin America from pre-Columbian times to the present day—features some 200 works from fifteen countries. Retratos (Portraits) presents an engaging variety of works by such well-known figures as Diego Rivera, Frida Kahlo, Fernando Botero, and José Campeche as well as stunning examples by anonymous and obscure artists. Distinguished contributors discuss the significance of portraits in ancient Mayan civilizations, in the world of colonial Iberians, in the political struggles of the nineteenth and twentieth centuries, and in a remarkable range of other times and locations. With a wealth of informative details and exquisite color illustrations, Retratos invites readers to appreciate Latin American portraits and their many meanings as never before.F This book is the catalogue for the first exhibition of Latin American portraiture ever organized in the United States. The exhibition is on view at El Museo del Barrio, New York (December 3, 2004 to March 20, 2005); the San Diego Museum of Art (April 16 to June 12, 2005); the Bass Museum of Art, Miami Beach (July 23 to October 2, 2005); the National Portrait Gallery, Smithsonian, Washington, D.C. (October 21, 2005, to January 8, 2006; and the San Antonio Museum of Art (February 4 to April 30, 2006).Marion Oettinger, Jr., is senior curator and curator of Latin American art at the San Antonio Museum of Art; Miguel A. Bretos is senior scholar at the National Portrait Gallery, Washington; Caroline Kinder Karr is deputy and chief curator at the National Portrait Gallery, Washington. Contributors to the book include Elizabeth P. Benson; Christopher B. Donnan; Kirsten Hammer; María Concepción García Sáiz; Renato Gonzáles Mello; Luis Pérez Oramos; Luis-Martin Lozano; and Teodoro Vidal.
Granted formal independence in 1946, the Philippines serves as a battleground between the neoliberal project of capitalist globalization and the enduring aspiration of Filipinos for national self-determination. More than ten million Filipino workers—over one-tenth of the country's total population—work as contract workers in all parts of the world. How did this "model" colony of the United States devolve into an impoverished, war-torn neocolonial hinterland, a provider of cheap labor and raw materials for the rest of the world? In Toward Filipino Self-Determination, E. San Juan Jr. explores the historical, cultural, and political formation of the Filipino diaspora. By focusing on the work of significant Filipino intellectuals and activists, including Carlos Bulosan and Philip Vera Cruz, as well as the issues of gender and language for workers in the United States, San Juan provides a historical-materialist reading of social practices, discourses, and institutions that explain the contradictions characterizing Filipino life in both the United States and in the Philippines.
The legendary swallows arent the only annual returnees to San Juan Capistrano. The great coastal mission draws more than 500,000 visitors a year into the southern reaches of Orange County. The most famous of all the missions in the California system established in the 18th century by Franciscan friar Junipero Serra, Mission San Juan Capistrano still contains the Serra Chapel, the oldest church in California, and the only building still standing where the good padre celebrated mass. But San Juan Capistrano is more than its well-known mission. Its epic story encompasses the rancho days and land barons, California statehood, the arrival of the San Diego Freeway in 1958, city incorporation in 1961, and recent growth from 10,000 residents in 1974 to 34,000 in 2004.
Praised by Bertrand Russell as “one of the most original minds” and “certainly the greatest American thinker ever,” Charles Sanders Peirce invented “pragmaticism.” Vulgarized by William James and others, Peirce’s revolutionary semiotic recognizes chance, fortuitous happenings, serendipity, in understanding lawful paradigm-shifts in history. Peirce’s thought envisions a process-oriented community of inquirers engaged in confronting urgent social problems by clarifying the groundwork of meanings, beliefs, purposes, ideologies. E. San Juan’s project seeks to excavate the radical resonance of Peirce’s desire for “concrete reasonableness,” an ideal realized in the philosopher’s endeavor to fuse scientific theory and collective praxis, nature and the universal human potential still chained in alienated labor. Peirce’s hypothesis of transforming the conduct of our lives remains not only to be analyzed and interpreted further but also tested in actual practice by future generations of inquirers and activists.
Focusing on images and descriptions of movement and spectacle - everyday street activities, congregations in market piazzas, life in the Jewish ghetto and the plague hospital, papal and other ceremonial processions, public punishment, and pilgrimage routes - Rose Marie San Juan uncovers the social tensions and conflicts within seventeenth-century Roman society that are both concealed within and prompted by mass-produced representations of the city. These depictions of Rome - guidebooks, street posters, broadsheets and brochures, topographic and thematic maps, city views, and collectible images of landmarks and other famous sights - redefined the ways in which public space was experienced, controlled, and utilized, encouraging tourists, pilgrims, and penitents while constraining the activities and movements of women, merchants, dissidents, and Jews."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
An innovative radical interpretation of the life and works of Jose Rizal, the national hero of the Philippines, the "pride of the Malay race," in the context of crisis in the neocolony and world revolution against imperialism at the beginning of the twenty-first century. This supplements the author's earlier book, Rizal in Our Time, Revised Edition (Manila: Anvil Publishing, 2011).
This book includes essays of the narrative of Filipino lives in the United States to provoke interrogation of the conventional wisdom and a critique of the global system of capital. It helps in constituting the Filipino community as an agent of historic change in a racist society.
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