Designed for beginning Korean learners, Practical Korean gives you only what you need--including an essential pronunciation guide and key grammar points. This concise Korean language book is organized into 46 easy lessons that help you grasp everything from names and greetings to casual remarks. It is designed for English speakers traveling to Korea, although it can be used by anyone wishing to learn Korean and acquire a basic working knowledge of conversational Korean in a short period. Engagingly illustrated with manga-style drawings, this volume includes: A basic pronunciation guide Essential vocabulary and practical sentences Information on Korean sentence patterns and critical grammar points A 3,000-word Korean-to-English and English-to-Korean dictionary Native speaker audio recordings to aid pronunciation Even readers without any prior knowledge of Korean will grasp the necessary basics to get conversing and communicating in Korean fast and painlessly!
Koreans are one of the fastest-growing visible minority groups in Canada today. However, very few studies of their experiences in Canada or their paths of integration are available to public and academic communities. Korean Immigrants in Canada provides the first scholarly collection of papers on Korean immigrants and their offspring from interdisciplinary, social scientific perspectives. The contributors explore the historical, psychological, social, and economic dimensions of Korean migration, settlement, and integration across the country. A variety of important topics are covered, including the demographic profile of Korean-Canadians, immigrant entrepreneurship, mental health and stress, elder care, language maintenance, and the experiences of students and the second generation. Readers will find interconnecting themes and synthesized findings throughout the chapters. Most importantly, this collection serves as a platform for future research on Koreans in Canada.
Much of eastern England is below sea level, resulting in wide swathes of marshland that are easily flooded. In the seventeenth century, the Bedford Level Corporation was set up by Francis Russell, fourth earl of Bedford, in order to manage the drainage of the Great Level of the Fens, which became known as the Bedford Level and is the largest region of fenland in eastern England. Between 1828 and 1830, Samuel Wells, the corporation's registrar, published his well-documented history of the Bedford Level and the attempts made at various points to clear it of water using a variety of methods, from earthworks raised by the Romans to the strategies of Sir Cornelius Vermuyden and the eventual introduction of steam-powered technology. Volume 1, published in 1830, contains a historical account of the area and of the commission set up to address the perennial problem of flooding.
(Applause Books). Winner of Best Non-Fiction for 2002 Award from the Los Angeles Times Book Review! Samuel Fuller was one of the most prolific and independent writer-director-producers in Hollywood. His 29 tough, gritty films made from 1949 to 1989 set out to capture the truth of war, racism and human frailties, and incorporate some of his own experiences. His film Park Row was inspired by his years in the New York newspaper business, where his beat included murders, suicides, state executions and race riots. He writes about hitchhiking across the country at the height of the Great Depression. His years in the army in World War II are captured in his hugely successful pictures The Big Red One , The Steel Helmet and Merrill's Marauders . Fuller's other films include Pickup on South Street ; Underworld U.S.A. , a movie that shows how gangsters in the 1960s were seen as "respected" tax-paying executives; Shock Corridor , which exposed the conditions in mental institutions; and White Dog , written in collaboration with Curtis Hanson ( L.A. Confidential ), a film so controversial that Paramount's then studio heads Jeffrey Katzenberg and Michael Eisner refused to release it. In addition to his work in film, Samuel Fuller (1911-1997) wrote eleven novels. He lived in Los Angeles with his wife and their daughter. A Third Face was completed by Jerome Henry Rudes, Fuller's longtime friend, and his wife, Christa Lang Fuller. "Fuller wasn't one for tactful understatement and his hot-blooded, incident-packed autobiography is accordingly blunt ... A Third Face is a grand, lively, rambunctious memoir." Janet Maslin, The New York Times ; "Fuller's last work is a joy and an important addition to film and popular culture literature." Publishers Weekly ; "If you don't like the films of Sam Fuller, then you just don't like cinema." Martin Scorsese, from the book's introduction
If the fear of the Lord is the beginning of wisdom formed in the life of faith, its end is nothing less than the shaping of a moral self and community attuned to the character of God. This pursuit of wisdom is an ongoing journey, never a simple arrival. For the wisdom writings of the Old Testament, the pursuit of wisdom calls for the ongoing attainment of instruction, insight, shrewdness, knowledge, prudence, learning, and skill. And persons who attain wisdom think more deeply, are more discerning, and have a keener insight into the complexities and nuances of decision making. For a world-perspective that assumes the power and reality of divinity, being wise means living ethically - and to live ethically, one must be in a constant intellectual pursuit of meaning. The book details the structure, themes, and contribution to both ancient and modern society of Job, Proverbs, and Ecclesiastes. The chapters on Sirach and the Wisdom of Solomon will discuss the consonance and dissonance with “canonical wisdom,” giving special attention to the development of their core ideas. The book will conclude with a chapter on Wisdom’s abiding legacy.
The world is so sad and solemn," wrote Nathaniel Hawthorne, "that things meant in jest are liable, by an overwhelming influence, to become dreadful earnest; gaily dressed fantasies turning to ghostly and black-clad images of themselves." From the radical dualism of Hawthorne's vision, Samuel Coale argues, springs a continuing tradition in the American novel. In Hawthorne's Shadow is the first critical study to describe precisely the formal shape of Hawthorne's psychological romance and to explore his themes and images in relation to such contemporary writers as John Cheever, Norman Mailer, Joan Didion, John Gardner, Joyce Carol Oates, William Styron, and John Updike. When viewed from this perspective, certain writers—particularly Cheever, Mailer, Oates, and Gardner—appear in a new and very different light, leading to a considerable reevaluation of their achievement and their place in American fiction. Mr. Coale's long interviews and conversations with John Cheever, John Gardner, William Styron, and others have provided insights and perspectives that make this book particularly valuable to students of contemporary American literature. Coale links contemporary writers to an on-going American romantic tradition, represented by such earlier authors as Melville, Harold Frederic, Faulkner, Flannery O'Connor, and Carson McCullers. He explores the distinctly Manichean matter of much American romance, linking it to America's Puritan past and to the almost schizophrenic dynamics of American culture in general. Finally, he reexamines the post-modernist writers in light of Hawthorne's "shadow" and shows that, however similar they may be in some ways, they differ remarkably from the previous American romantic tradition.
What I lacked and what I needed," confessed Samuel Clemens in 1908, "was grandchildren." Near the end of his life, Clemens became the doting friend and correspondent of twelve schoolgirls ranging in age from ten to sixteen. For Clemens, "collecting" these surrogate granddaughters was a way of overcoming his loneliness, a respite from the pessimism, illness, and depression that dominated his later years. In Mark Twain's Aquarium, John Cooley brings together virtually every known communication exchanged between the writer and the girls he called his "angelfish." Cooley also includes a number of Clemens's notebook entries, autobiographical dictations, short manuscripts, and other relevant materials that further illuminate this fascinating story. Clemens relished the attention of these girls, orchestrating chaperoned visits to his homes and creating an elaborate set of rules and emblems for the Aquarium Club. He hung their portraits in his billiard room and invented games and plays for their amusement. For much of 1908, he was sending and receiving a letter a week from his angelfish. Cooley argues that Clemens saw cheerfulness and laughter as his only defenses against the despair of his late years. His enchantment with children, years before, had given birth to such characters as Tom Sawyer, Becky Thatcher, and Huck Finn. In the frivolities of the Aquarium Club, it found its final expression. Cooley finds no evidence of impropriety in Clemens behavior with the girls. Perhaps his greatest crime, the editor suggests, was in idealizing them, in regarding them as precious collectibles. "He tried to trap them in the amber of endless adolescence," Cooley writes. "By pleading that they stay young and innocent, he was perhaps attempting to deny that, as they and the world continued to change, so must he.
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