The Blue Rose at Twilight is a mongraph to explore the Arabic Verse in its modern trends.It intends to invetigate the modern poetic experiences as represented by five major poets: Nizar Kabbani( Syria), Unsi al-Haj ( Lebanon), Yasin T. Hafiz ( Iraq), Mahmoud Darwish ( palestine), and Ali J. al- Allaq ( Iraq). Being a universal phenomenon, the poetic image in these experiments is approached by the so-called Aesthetic-cultural Approach, a crtical means that links the cultural patterns of meaning to the aesthetic structure of the poem.
Beirut is a tour de force that takes the reader from the ancient to the modern world, offering a dazzling panorama of the city's Seleucid, Roman, Arab, Ottoman, and French incarnations. Kassir vividly describes Beirut's spectacular growth in the nineteenth and twentieth centuries, concentrating on its emergence after the Second World War as a cosmopolitan capital until its near destruction during the devastating Lebanese civil war of 1975-1990. --from publisher description.
Lebanon today is at a fateful crossroads in its eventful socio-cultural and political history. Imperiled by unsettling transformations, from postwar reconstruction and rehabilitation to the forces of postmodernity and globalism, it remains adrift. In this landmark study, Samir Khalaf explores how ordinary citizens, burdened by the consequences of an ugly and unfinished war, persisting regional rivalries, mounting economic deprivation and diminishing prospects for well-being, find meaning and coherence in a society that has not only lost its moorings and direction, but also its sense of control. Khalaf argues that a mood of lethargy and indifference prevails, with a growing tendency for the Lebanese to seek refuge in religiosity, communalism and cloistered spatial identities, or temporary relief in the allure of mass consumerism. 'Timely and provocative ... Samir Khalaf offers an empirically rich and theoretically broad survey of Lebanese society.' Craig Larkin, University of Exeter 'Samir Khalaf is the foremost scholar writing on Lebanese politi and society today. This book re-affirms his stature with its keen observations, eloquent prose and impassioned arguments about the escapist and narcissistic maladies afflicting postwar Lebanon.' Akram Khater, North Carolina State University 'A skilled sociological reading of contemporary Lebanon by a master of the discipline.' Augustus Richard Norton, Boston University and University of Oxford
The Bourj in central Beirut is one of the world's oldest and most vibrant public squares. Named after the mediaeval lookout tower that once soared above the city's imposing ramparts, the square has also been known as Place des Canons (after a Russian artillery build-up in 1773) and Martyrs' Square (after the Ottoman execution of nationalists in 1916). As an open museum of civilizations, it resonates with influences from ancient Phoenician to colonial, post-colonial and, as of late, postmodern elements. Over the centuries it has come to embody pluralism and tolerance. During the Lebanese civil war (1975-90), this ebullient entertainment district, transport hub and melting-pot of cultures was ruptured by the notorious Green Line, which split the city into belligerent warring factions. Fractious infighting and punishing Israeli air raids compounded the damage, turning the Bourj into a no-man's-land. In the wake of former Prime Minister Rafik al-Hariri's assassination (14 February 2005), the Bourj witnessed extraordinary scenes of popular, multi-faith and cross-generational protest. Once again, Samir Khalaf argues, the heart of Beirut was poised to re-invent itself as an open space in which diverse groups can celebrate their differences without indifference to the other. By revisiting earlier episodes in the Bourj's numerous transformations of its collective identity, Khalaf explores prospects for neutralizing the disheartening symptoms of reawakened religiosity and commodified consumerism. 'A timely and informative study on Beirut's pre-eminent patch of public space.' The Daily Star 'Khalaf has arguably contributed more fine studies on the history and sociology of modern Lebanon than has any other scholar alive.' Foreign Affairs 'A spirited guide to Beirut's (re)development, lively in style, rich in illustration and perceptive in analysis.' Frederick Anscombe, Birkbeck College, University of London
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