This book is a thought-provoking study that expands on film scholarship on noir and feminist scholarship on postfeminism, subjectivity, and representation to provide an inclusive, sophisticated, and up-to-date analysis of the femme fatale , fille fatale , and homme fatal from the classic era through to recent postmillennial neo-noir .
The Stepford Wives (1975) occupies an unusual position in cinematic history. As is often the case with cult texts, the film was both a box office flop and widely misunderstood on release. Intended as a feminist diatribe, it was derided by Betty Friedan, whose 1963 book The Feminine Mystique it literalised. Even Ira Levin, author of the novel from which the film was adapted, concedes he was less than enthused with the filmed version. Despite this, the term 'Stepford wife' has become idiolect for a particular kind of one-dimensional, upper-middle class woman who is figuratively, and to some extent literally, an automation. Indeed, one does notneed to have seen or even heard of the film or Levin's book to be familiar with the concept. This timely study finally gives The Stepford Wives the serious scholarly attention it deserves. In doing so, the significance of the film as a socio-cultural and socio-political document in its own right is underscored. While the intention of this book is to pay homage to Bryan Forbes' film, it goes far beyond this, locating it in the traditions of the gothic, the histories of feminism and fictional imaginings about artificial women, and the futures of social robots and AI, both real and imagined.
This book is a thought-provoking study that expands on film scholarship on noir and feminist scholarship on postfeminism, subjectivity, and representation to provide an inclusive, sophisticated, and up-to-date analysis of the femme fatale , fille fatale , and homme fatal from the classic era through to recent postmillennial neo-noir .
À tout juste 19 ans, Elise est l'auteur d'une saga romanesque qui fait un véritable carton. Mais elle fait tout pour rester dans l’ombre du succès. Des années plus tôt, elle a eu un grave accident qui lui a laissé de profondes et visibles cicatrices. Depuis, elle fait tout pour garder son anonymat... Mais son éditeur l’oblige à suivre en personne le tournage du film adapté de ses livres. Un blockbuster dans lequel Gavin Hartley, son acteur préféré, sera le héros ! Alors, pour ne pas dévoiler son secret, elle demande à une doublure, Veronica, de jouer son rôle d'auteur à succès, tandis qu'elle fera semblant d’être son assistante. Mais ce petit jeu énerve assez vite Elise, car c'est Veronica qui récolte tous les honneurs. Pour conquérir le beau Gavin, Elise va devoir assumer sa véritable identité. Au risque de perdre ses fans et d’exhumer les lourds secrets de son enfance... Pour conquérir le garçon qu'elle aime, elle va enfin devoir s'assumer...
Maths whiz Emily Martin has won a place in a video game competition - on a summer cruise! And her best friends Bella, Grace and Chloe are with her all the way. While onboard, the girls set themselves a few anti-princess missions: win the regatta, rescue the endangered turtle, show the gift shop manager that dolls can be more than be pretty, and prove to the gamers that girls can compete - and win! Can the anti-princesses work together to complete their missions, and maybe pick up some new members along the way?
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