Maddison is a survivor. An unstable childhood has taught her to depend on no one but herself, which is exactly how she's gotten to where she is today. With a scholarship to one of the most prestigious schools in the country, she's finally able to settle into one location until she graduates. But with foster parents hooked on drugs, Maddison is forced to steal to make ends meet, not only for herself but her foster siblings. Kingsley is filthy rich. An only child, he lives with a mother who is dependent on alcohol, a father who doesn't talk to him, and his chef, the only real family he has. His life changes when he overhears Maddison playing the cello. She's snappy, hot, and wants nothing to do with him, and he's obsessed. As they spend time together, she begins to lower her guard. She's everything he needs, everything he wants, and for the first time, he's able to tell someone about his past. Everything is perfect. Until he ruins it. STOLEN SONGS is a heartfelt and heartbreaking story of letting go of your past when it means taking hold of your future, finding strength in your mistakes, and giving everything you've got to heal the ones you've broken.
Jennifer Percival is a successful business woman who has a food allergy. She is shown presenting at a conference and appearing on television. This is part of a series aimed at teaching the reader about disability and the person in a positive manner.
This book is a little peak into the obnoxious and ridiculous life that I am happy to call my own. From tales of my Lebanese (and sometimes delusional) grandmother to filthy stories of fornication and substance abuse, there are several reasons that I should probably not allow anyone who knows me personally to read this. However, I am very proud and extremely giddy to say that I finally dodged my ADD long enough to complete this project, and I am forerver grateful to all of those in my life who helped create these memories (well, most of them anyways. Oh yeah, and my dad John Raffoul who will most likely murder me if I don't mention that he is solely responsible for the design and photography of the cover, Thanks Dad!). If you are like me and enjoy an easy and pervy read I highly recommend that you pull up your skirt, pour yourself a cocktail, and dive into this lovely book of mine. If you do not, you are a Communist: )
While Storm is in the water Gabrielle dames her parents one by one then the 3rd year arrived for Storm to go back to the land. Now that she was back on land she saw his beloved teenage sweetheart Robert Mason and pretended to be the other person because of her new unrecognisable beauty and new name keeping herself a secret till Blue came and joined her and soon Rob found out and wanted to live but there was a certain connection between them that no-one will ever understand. He came back and they made everything right under the world of the truth and met a new friend name George Mason who they soon found out he was Robs brother kidnapped by Gabrielle. Storm and family get to use him to get to Gabrielle and defeat her.
In this book Samantha Williams examines illegitimacy, unmarried parenthood and the old and new poor laws in a period of rising illegitimacy and poor relief expenditure. In doing so, she explores the experience of being an unmarried mother from courtship and conception, through the discovery of pregnancy, and the birth of the child in lodgings or one of the new parish workhouses. Although fathers were generally held to be financially responsible for their illegitimate children, the recovery of these costs was particularly low in London, leaving the parish ratepayers to meet the cost. Unmarried parenthood was associated with shame and men and women could also be subject to punishment, although this was generally infrequent in the capital. Illegitimacy and the poor law were interdependent and this book charts the experience of unmarried motherhood and the making of metropolitan bastardy.
Will you write in my album?' Many Romantic poets were asked this question by women who collected contributions in their manuscript books. Those who obliged included Byron, Scott, Wordsworth, and Lamb, but also Felicia Hemans, Amelia Opie, and Sara Coleridge. Album Verses and Romantic Literary Culture presents the first critical and cultural history of this forgotten phenomenon. It asks a series of questions. Where did 1820s 'albo-mania' come from, and why was it satirized as a women's 'mania'? What was the relation between visitors' books associated with great institutions and country houses, personal albums belonging to individuals, and the poetry written in both? What caused albums' re-gendering from earlier friendship books kept by male students and gentlemen on the Grand Tour to a 'feminized' practice identified mainly with young women? When albums were central to women's culture, why were so many published album poems by men? How did amateur and professional poets engage differently with albums? What does album culture's privileging of 'original poetry' have to say about attitudes towards creativity and poetic practice in the age of print? This volume recovers a distinctive subgenre of occasional poetry composed to be read in manuscript, with its own characteristic formal features, conventions, themes, and cultural significance. Unique albums examined include that kept at the Grande Chartreuse, those owned by Regency socialite Lady Sarah Jersey, and those kept by Lake poets' daughters. As Album Verses and Romantic Literary Culture shows, album poetry reflects changing attitudes to identity, gender, class, politics, poetry, family dynamics, and social relations in the Romantic period.
Containing contributions by some of the best known researchers in the field, this volume considers the intersection between the Open Method of Coordination (OMC), a relatively new mode of policy-making, and gender equality, a long-standing area of EU policy. It draws on a range of disciplinary perspectives to examine the effectiveness of the OMC as a medium for the advancement of gender equality within the EU. It also considers gender in the OMC in a variety of contexts and at both a general EU and Member State level. Central to the discussion is the concept of gender mainstreaming which proposes that a gender equality perspective should be incorporated at every level and opportunity of EU policy and practice. The authors assess how successful this has been in the context of the OMC. The book provides a unique and contemporary body of work on the OMC which adds significantly to existing understandings of this form of governance and informs critical debate of EU social governance.
A biography of Louella Parsons, America's premiere movie gossip columnist from 1915 to 1960, chronicles her reign over Hollywood during the studio era, her lifelong alliance with William Randolph Hearst, and her complex and turbulent relationships.
The Rough Guide to New Orleans is the ultimate travel guide to this captivating city. Packed with smart, lively coverage of all the sights, hotels, restaurants and bars - as well as the best places to hear amazing live music, from jubilant Second Line street parades to atmospheric local clubs. This is the book that tells you what you really want to know about New Orleans - the best hole in the wall restaurants, the best French Quarter guesthouses, the sights that are worth seeing and those that aren't. New Orleans' vibrant festivals are covered in detail: Mardi Gras, Jazz Fest - the biggest roots music festival in the US - Essence, Voodoo, French Quarter Fest and many more. If you want to really experience the city like a local, encountering Mardi Gras Indians at dawn or dining at grand old Creole restaurants unchanged for centuries, this is the book for you. Katrina and its aftermath are covered honestly with no holds barred, and there are details on volunteering opportunities, from helping rebuild in the Ninth Ward to re-planting the nearby wetlands. Stunning photography brings this extraordinary city to life while detailed maps, marked with all sights, hotels, restaurants and bars, will help you get around. Make the most of your time on earth with The Rough Guide to New Orleans.
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