Are You Afraid of the Dark Rum? is a tongue in cheek cocktail book for the former '90s kid and those just discovering how cool old-school Nickelodeon and Delia's once were. With recipes for alcoholic versions of childhood favorites like Ecto-Cooler and Mondo as well as creative pop-culture inspired originals like the Rum and Stimpy and Semi-Warmed Kind of Cider, this is a perfectly giftable mix of humor, nostalgia, and tasty recipes.
What secrets do the mysterious scribes of the Order of St. George, the Scarlet Masks, record within the shadows of the House of Slaughter? Enamored with stories of ancient hunters, as well as those in his midst, Edwin Slaughter only gets to write the stories... never live them. That is, until a legendary Oscuratype that’s taken the lives of countless children brings Edwin into the field. Will he live to survive long enough to document his experience, or perish with his story left untold? Collects House of Slaughter #6-10.
The future of the Slaughterverse is laid bare by Something is Killing the Children and House of Slaughter creators James Tynion IV and Werther Dell’Edera in the very first SIKTC one-shot special! From the sidelines to the spotlight, Book of Slaughter follows the white mask Maxine Slaughter... but will her loyalties remain where they are, or will she show her true colors? In addition to being a precursor to the upcoming chapters of both series, this special issue features a sizable guidebook that delves into the deep lore of the Order of St. George!
Edwin Slaughter is one of the Scarlet Masks, the secret bookkeepers of the Order of St. George. He’s enamored with stories of ancient hunters, as well as those in his midst. He only gets to write the stories and never live them himself though. That is, until what starts out as standard reconnaissance for the Order turns Edwin’s world upside down. There’s a legendary monster in America, one long thought extinct... It's taken the lives of countless children, bringing Edwin into the field for the first time... and into real danger.
Jace’s past and present collide, with new revelations from his youth shedding light on his current mission. No longer the monster hunter he once was and unaware of Aaron’s fate, Jace must protect the orphans under his care. Can he save them from not just the monsters, but a rage and guilt more terrifying than the children have ever witnessed? Jace will have to make a difficult choice between vengeance, loyalty, and rescue from certain death! Meanwhile Sunny has to deal with monsters within and without, while caught between the White Masks and a cruel pair of eyes watching from between the trees... Series artist Antonio Fuso (Lost Falls, GI Joe: Cobra) joins returning writer Tate Brombal (Behold, Behemoth) in the next chapter of Jace Boucher’s story! Collects House of Slaughter #11-15.
Bait is burdened with the unbearable truth of Nannette’s condition and what it could mean if she learns of her connection to the monsters. To save her and the children, Bait will have to make an impossible choice... But with new revelations about his true origins, will what he has to do truly be the worst of his actions?
After his shocking discovery of what is actually lurking in the town, Edwin is faced with a choice that will change his life forever: wait for a Black Mask to arrive and risk losing the monster, or take on the creature himself... Discover Edwin’s story and dive even deeper into the expanding world of Something is Killing the Children with the SCARLET arc of House of Slaughter!
Eine neue Serie aus der Welt von »Something is killing the Children«! Über welche Geheimnisse führen die mysteriösen Scharlachmasken im Orden des Heiligen Georg Buch, tief in den schattigen Sälen des Hauses Slaughter? Auch Edwin Slaughter darf die Heldentaten seiner Ordensgefährten nur aufschreiben, selbst erlebt er keine jener Abenteuergeschichten, denen er mit Herz und Seele verfallen ist. Bis das Erscheinen eines legendären Oscuratypen zahllose Kinder das Leben kostet und Edwin ins Feld gerufen wird. Wird er überleben, um seine Erlebnisse niederzuschreiben, oder wird seine Saga für immer unerzählt bleiben? In diesem Spin-off zum Horror-Kracher »Something is killing the Children« enthüllen James Tynion IV und Werther Dell'Edera zusammen mit Co-Autor Sam Johns und Co-Zeichnerin Letizia Cadonici die geheimen Hintergründe des enigmatischen Hauses Slaughter, wo aus Menschen Monsterjäger gemacht werden. Beinhaltet Heft 6-10 der Serie
After a year since we last saw her in Archer’s Peak, Erica Slaughter resurfaces to take on the case of a girl who’s seen a new kind of monster, one with terrifying implications. But Erica’s broken ties with the House of Slaughter and that can have deadly consequences. The Order of St. George does not forget nor do they forgive. Even as Erica goes on the hunt, she must keep an eye out for the mysterious figure on her trail in order to survive the coming storm. Erica Slaughter returns after the Archer’s Peak Saga in this volume of the Eisner and Harvey Award-nominated series from GLAAD Award-winning author James Tynion IV (The Woods, Batman), artist Werther Dell’Edera (Razorblades), colorist Miquel Muerto (Bleed Them Dry), and letterer AndWorld Design (Nightwing). Collecting Something is Killing the Children #21-25.
In the ruthless war against monsters, nothing is unthinkable or off-limits for the White Masks. A fan-favorite White Mask named Bait (a mute boy with amputated arms and a tendency to survive suicidal odds), is dispatched with a mission more malicious than imaginable in a group home for children. While Bait does his best to ignore the children’s cruelty toward him, he’s left with more questions than answers after monsters attack. What does a kind, mysterious girl named Nannette have to do with what’s going on? With Bait’s fellow White Masks Paris and Tybalt keeping the pressure on, and Scarlet Mask Gerde’s secret scheming in the shadows, writer Sam Johns (Punchline) and artist Letizia Cadonici (The Neighbors) take House of Slaughter to new emotional depths of terror. Collects House of Slaughter #16-20.
There is nothing the ruthless White Masks won’t do to eliminate a nest of monsters. Nothing is apparently unthinkable or off-limits, as a special and infamous member of their ranks is dispatched to finish the job in Erie, Pennsylvania. Bait, the fan-favorite White Mask (a young boy with amputated arms and with a tendency to survive suicidal odds), is dispatched with a mission more malicious than imaginable at hand. Something (or someone) else is killing the children now, and however unexpected... the children will find the one that hunts them viciously familiar...
Bait and Nannette are cornered during the final hour, trapped in a veritable haunted house of monsters as Bait fights against impossible odds, even for him. And if help does come... what price will Bait have to pay for revealing the Order’s secrets?
Edwin finally comes face-to-jaws with the legendary monster he’s been hunting – against all odds, will he be able to survive the encounter? Meanwhile, we return to the past, where a young child faces a very different kind of watery terror...
In the depths of routine, Paris and Tybalt fear that Bait may be losing his edge, and warn that failure could lead to his loyalty facing scrutiny, all while a new look at Bait’s non consensual family–The White Masks–comes to light as he drifts into memories of his origins. As Bait wrestles with the current situation, it also becomes clear that something is shockingly wrong with Nannette...
While Bait does his best to ignore the cruelty of the children in the home with him, a monstrous assault leaves him with more questions than answers. What does Nannette, the mysterious girl who’s been one of the only ones to show Bait kindness and keep the monsters indoors at bay, have to do with the monsters on the outside?
After journeying through a watery hell, Edwin finally returns home to the House of Slaughter, but his problems might be just beginning... New horrors loom in the next chapter of the epic adventure from the world of Something is Killing the Children!
It’s the final hour for Erica as she has no choice left but to face the Duplicitype and save Tribulation from its reckoning. But Cutter’s looming arrival isn’t the only thing competing for the rogue Black Mask’s attention. Gabi has her own plans–ones that put her in grave danger.
The SCARLET arc of House of Slaughter continues as Edwin’s search for a legendary monster goes horribly amiss. Adrift on Lake Michigan, can Edwin survive with only the torn pages of his journal as makeshift S.O.S. notes? And what memories of his past cases will surface as he clings to life?
Slaughterhouse-Five is part autobiographical, part science-fiction, part sarcastic master work by Kurt Vonnegut. It is often assigned by college and high school reading and writing classes, especially when our President wants us to go out and kill somebody. Slaughterhouse-Five came out in 1969 near the height of the War in Vietnam. At that time, our President told us the Vietnam War was a war we had to fight to protect the freedom loving people of South Vietnam from being overwhelmed by the Communist North. We lost that war. Kurt Vonnegut's long awaited war novel proved to be a miracle of compression. It is a contemporary Pilgram's Progress with a hero named curiously enough Billy Pilgrim. He is the son of an American barber. He serves as a chaplain's assistant in the Second World War, is captured by the Germans, survives the largest massacre in European history, the fire bombing of Dresden. (Vonnegut, too, was a prisoner of war and saw that fire storm.) Billy Pilgrim becomes an optometrist after the war, makes a great deal of money, is kidnapped by a flying saucer from the planet Tralfamadore on his daughter's wedding night. He is mated in a public zoo on that planet - to a star of many Earthling blue movies, the gorgeous Montana Wildhack. And so on. Kurt Vonnegut, Jr. speaks to the younger generation. Once mistakenly typed as a science-fiction writer, he is now recognized as a main-stream story teller often fascinated by the magic and comic possibilities of the magazines. His books are widely used in college courses and the groundswell of his present popularity began on college campuses where he was in great demand as a speaker.
Peter comes face to face with Mr. Knife! And you won't believe who's behind that snazzy mask. And all this craziness seems to have put a little strain on Peter and Kitty's relationship. You know what'll fix that right up? Space Date! Or rather...Space Prison Break! Peter Quill, what a catch. Couples fight. We all know they do. Especially when one half of the couple is Peter Quill. You know what we find often helps a rough patch? Space mischief and scoundreling! That's a word, right? Of course, it can also distract you from the whole...guarding the galaxy thing. Relationships, am I right? Collecting: Legendary Star-Lord (2014) #6-10.
This book is at once a detailed study of a range of individual filmmakers and a study of the modernism in which they are situated. It consists of fifty categories arranged in alphabetical order, among which are allegory, bricolage, classicism, contradiction, desire, destructuring and writing. Each category, though autonomous, interacts, intersects and juxtaposes with the others, entering into a dialogue with them and in so doing creates connections, illuminations, associations and rhymes which may not have arisen in a more conventional framework. The author refers to particular films and directors that raise questions related to modernism, and, inevitably, thereby to classicism. Jean-Luc Godard’s work is at the centre of the book, though it spreads out, evokes and echoes other filmmakers and their work, including the films of Michelangelo Antonioni, Bernardo Bertolucci, John Ford, Howard Hawks, Alfred Hitchcock, João César Monteiro, Pier Paolo Pasolini and Orson Welles. This innovative and eloquently written text book will be an essential resource for all film students.
The Etruscans, a revenant and unusual people, had an Italian empire before the Greeks and Romans did. By the start of the Christian era their wooden temples and writings had vanished, the Romans and the early church had melted their bronze statues, and the people had assimilated. After the last Etruscan augur served the Romans as they fought back the Visigoths in 408 CE, the civilization disappeared but for ruins, tombs, art, and vases. No other lost culture disappeared as completely and then returned to the same extent as the Etruscans. Indeed, no other ancient Mediterranean people was as controversial both in its time and in posterity. Though the Greeks and Romans tarred them as superstitious and decadent, D.H. Lawrence praised their way of life as offering an alternative to modernity. In The Etruscans in the Modern Imagination Sam Solecki chronicles their unexpected return to intellectual and cultural history, beginning with eighteenth-century scholars, collectors, and archaeologists. The resurrection of this vanished kingdom occurred with remarkable vigour in philosophy, literature, music, history, mythology, and the plastic arts. From Wedgwood to Picasso, Proust to Lawrence, Emily Dickinson to Anne Carson, Solecki reads the disembodied traces of Etruscan culture for what they tell us about cultural knowledge and mindsets in different times and places, for the way that ideas about the Etruscans can serve as a reflection or foil to a particular cultural moment, and for the creative alchemy whereby artists turn to the past for the raw materials of contemporary creation. The Etruscans are a cultural curiosity because of their disputed origin, unique language, and distinctive religion and customs, but their destination is no less worthy of our curiosity. The Etruscans in the Modern Imagination provides a fascinating meditation on cultural transmission between ancient and modern civilizations.
In 1851, Crow Dog and his Comanche tribe take Sara Johns hostage; but after only seven months, they cast Sara and her mysterious doll aside fearing they are Death Spirits. While the Reconstruction Era is passing into history, some speak of Sara as Confederate campfire trash, still others tell of her sheer elegance, her abilities as a deadly gunfighter, or her perceptive business instincts. In 1876, after spending twenty-five years alone, Sara falls in love with Tierel Slaughter, a wealthy and respected Arkansas rancher. However, Tierel Slaughter is an alias for Frank Cobb, a man who believes he has successfully hidden his past from everyone, including Sara Johns. Known by the Comanche as the Far Rider, Sara Johns, Tierel Slaughter, their friends, and their enemies, are all destined to travel Crow Dog's Trail of Life . . . and death, in this story of lies, deception, jealousy, cheating, and murder.
What if somebody finally wrote to his high school alumni bulletin and told...the truth! Home Land is a brilliant work from novelist Sam Lipsyte, whom Jeffrey Eugenides calls "original, devious, and very funny" and of whose first novel Chuck Palahniuk wrote, "I laughed out loud--and I never laugh out loud." The Eastern Valley High School Alumni newsletter, Catamount Notes, is bursting with tales of success: former students include a bankable politician and a famous baseball star, not to mention a major-label recording artist. Then there is the appalling, yet utterly lovable, Lewis Miner, class of '89--a.k.a Teabag--who did not pan out. Home Land is his confession in all its bitter, lovelorn glory. Winner of the Believer Book Award New York Times Notable Book of the Year
Do ordinary things with extraordinary love." - Mother Teresa What made Mother Teresa a giant of the faith? The love and hope she found in Jesus Christ empowered her efforts to comfort the sick, the weak, and the unwanted, not only in India but around the globe. Mother Teresa—small in stature but large of heart—provides a shining example of a life of extraordinary love. This novelized biography, featuring topical excerpts from Mother Teresa’s public speeches, promises a reading adventure you won’t soon forget. You’ll will be inspired by her stories, celebrate her legacy, and learn that God can use His women to do mighty things. . .through the power of His extraordinary love.
Shows you how real faith looks in real life as you walk through this thrillingly challenging New Testament letter. What is the difference between genuine faith and counterfeit faith? How do we know for sure that our faith is real? How can we know joy even in trials, and patience even in suffering? James is a book full of practical, life-changing help for real life. James For You makes clear its teaching and applies its challenges to the experiences of everyday Christians as Sam Allberry brings his clarity, wisdom and humour to every page. You can read through this book as a normal book... work through it as part of your daily Bible-reading routine... or use it to help you teach this letter, whether in small groups or from the pulpit.
In 1931, when the Nashville Banner conducted a survey to determine the "Greatest Tennesseans" to date, the state's Confederate "War Governor," Isham G. Harris (1818--1897), ranked tenth on the list, behind such famous Tennesseans as Andrew Jackson, James K. Polk, Andrew Johnson, and Nathan Bedford Forrest. In 1976, however, when the Banner once again conducted the survey, Harris did not appear in even the top twenty-five. The result of fading memories and the death of the generation that knew him, the glaring omission of Harris's name still seemed striking and undeserved. In Isham G. Harris of Tennessee, Sam Davis Elliott offers the first published biography of this overlooked leader, establishing him as the most prominent Tennessean in the Confederacy and a dominating participant in nineteenth-century Tennessee politics. Harris grew up on the frontier in Middle Tennessee, the youngest in a large family. He left home as a teenager, and found and lost a fortune in the boom and bust times of the 1830s in Mississippi and West Tennessee. Admitted to the bar in 1841, he enjoyed almost immediate success as an attorney due to his quick intellect, aggressive nature, and native ability to influence people. He launched a political career in 1847 that lasted, with some interruption, for fifty years, during which he never lost an election. Harris rose to prominence in the 1850s as the leader of the Southern rights wing of the Democratic Party, fiercely advocating the right to hold property in slaves. He served in the Tennessee state Senate, as a U.S. congressman, and as governor during the secession crisis, when, Elliott contends, Harris used his political influence and constitutional power to trample on the state constitution to align Tennessee with the Confederacy. As governor, Harris tirelessly dedicated himself to the Confederate war effort, raising troops and money and establishing a logistical structure and armament industry. When the Federals overran large portions of Middle and West Tennessee in 1862, he attached himself to the headquarters of the Confederate Army of Tennessee. As a volunteer aide, he served each of the army's commanders on nearly every one of its famed battlefields and was deemed a possible successor to Jefferson Davis should the new republic survive. After the war, Harris went into voluntary exile in Mexico. He returned home in late 1867 and worked behind the scenes to "redeem" Tennessee from Radical rule, eventually becoming the most famous of the state's Bourbon Democrats. Elected to the U.S. Senate in 1877, he held that seat until his death in 1897. He successfully used the Senate's arcane parliamentary rules to block assertions of Federal power at the expense of states' rights, but advocated imaginative application of Federal power where clearly authorized by the Constitution. The story of nineteenth-century Tennessee remains incomplete without a thorough understanding of Isham Green Harris. Elliott's exhaustive and entertaining biography provides essential reading for anyone interested in the political and military history of the Volunteer State.
The Story of Joseph, known to all believers of the three divine religions, is presented in this book in a dramatic form, based on its presentation in the Muslim Holy Book, the Quran, which confirms Biblical presentations. The story itself is an embodiment of human weaknesses such as jealousy, hatred, pride, passion, deception, intrigue, cruelty, and terror, which were vanquished and defeated by honourable qualities such as patience, loyalty, bravery, nobility, and compassion, and above all, faith which eventually lead Joseph to kingship, as ordained by the Divine Will which shall always remain Triumphant and Supreme!
A provocative portrait of one of the world's largest cities, delving behind the tourist facade to illustrate the people and places beyond the realms of the conventional travelogue Sam Miller set out to discover the real Delhi, a city he describes as "India's dreamtown—and its purgatory." He treads the city streets, making his way through the city and its suburbs, visiting its less celebrated destinations—Nehru Place, Rohini, Ghazipur, and Gurgaon—which most writers and travelers ignore. His quest is the here and now, the unexpected, the overlooked, and the eccentric. All the obvious ports of call make appearances: the ancient monuments, the imperial buildings, and the celebrities of modern Delhi. But it is through his encounters with Delhi's people—from a professor of astrophysics to a crematorium attendant, from ragpickers to members of a police brass band—that Miller creates this richly entertaining portrait of what Delhi means to its residents, and of what the city is becoming. Miller, like so many of the people he meets, is a migrant in one of the world's fastest growing megapolises, and the Delhi he depicts is one whose future concerns us all. He possesses an intense curiosity; he has an infallible eye for life's diversities, for all the marvelous and sublime moments that illuminate people's lives. This is a generous, original, humorous portrait of a great city; one that unerringly locates the humanity beneath the mundane, the unsung, and the unfamiliar.
Acclaimed author Sam Sykes returns with the exhilarating conclusion to his Bring Down Heaven trilogy. The great demon Khoth-Kapira has broken free of his prison and taken his first step upon the mortal world. And he owes it all to Lenk. Believing that the demon will heal a broken world that the gods have abandoned, Lenk serves as reluctant champion to Khoth-Kapira's cause. But as the desperate and fearful flock to Khoth-Kapira's banner, begging for salvation, Lenk begins to doubt his patron's great designs. The city of Cier'Djaal, meanwhile, has become the field for the last great battle of mortals. And as humans, shicts and tulwar prepare to tear each other apart, none are aware of the ancient horror that marches upon their tiny wars. At the tip of a spear or beneath the heel of demons, the reign of mortals ends.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.