Have you ever had to deal with pink wheelbarrows? They have been my greatest failure. As a result, it turns out those moments of sheer frustration, and the odd tear shed in sheer agitation, were the best things that could have ever happened to me.
With one of the longest and most controversial careers in Hollywood history, Blake Edwards is a phoenix of movie directors, full of hubris, ambition, and raving comic chutzpah. His rambunctious filmography remains an artistic force on par with Hollywood's greatest comic directors: Lubitsch, Sturges, Wilder. Like Wilder, Edwards's propensity for hilarity is double-helixed with pain, and in films like Breakfast at Tiffany's, Days of Wine and Roses, and even The Pink Panther, we can hear him off-screen, laughing in the dark. And yet, despite those enormous successes, he was at one time considered a Hollywood villain. After his marriage to Julie Andrews, Edwards's Darling Lili nearly sunk the both of them and brought Paramount Studios to its knees. Almost overnight, Blake became an industry pariah, which ironically fortified his sense of satire, as he simultaneously fought the Hollywood tide and rode it. Employing keen visual analysis, meticulous research, and troves of interviews and production files, Sam Wasson delivers the first complete account of one of the maddest figures Hollywood has ever known.
Turtle Croakies: Naida’s old mentor, Alice Parker is back, and she’s brought a problem with her. A big one. One that’s already testing the sprite’s ability to keep it in lettuce and strawberries. Love Croakies: Banshee bunions! As if Naida didn’t already have enough trouble with her love life. Now she has to save someone else from dying of love. Piped Croakies: Just when Naida thought her life couldn’t get any weirder, life upped the strangeness quota to a never-before-seen level. When a long line of critters, dazed and seemingly oblivious, marched past Croakies, Naida knew she had a situation on her hands.
The heart holds the potential for great love…and a deadly need to protect it. Love potion? Really? I don’t have enough trouble dealing with a cranky assistant, a mouthy frog, an opinionated cat, and a hobgoblin who thinks getting smacked upside the head is the best kind of fun? Now I’m dealing with a love potion that turns a delightful human emotion into a death sentence. Banshee bunions! As if I didn’t already have enough trouble with my love life. Now I have to save someone else from dying of love. This magical librarian gig is going to be the death of me. Or…you know…of someone else.
“Pink is a keen observer of the culture of minimum-wage jobs and low-rent studio apartments that is the reality of life for all those who don't find a cog space in today’s hyper-capitalist economy.” —The Guardian Cone dealer, sunshine stealer, alleyway counselor, lunch lady to the homeless, friend to the dead, maker of sandwiches. Metal wrangler. Stag among stags. And so it goes—another journey through time spent punched in. A life's work of working for a living. Blood, death, and violence. Dirty dishes, dead roaches, and sparkler-lit nights. Nights ahead and no real fate. So open your mouths because the forecast calls for sprinkles. Thirteen delights, scooped and served. Let it melt down your hand. Let the sun burn your face. It's the ice cream man, and other stories.
Autumn, 1975: The Rolling Thunder Revue - a rag-tag variety show, a travelling gypsy circus - swept across the Northeast US. Bob Dylan helmed the chaotic caravan, gathering a host of stars in his wake: Joan Baez, Roger McGuinn, Ramblin' Jack Elliott, T-Bone Burnett, Joni Mitchell and others. The Pulitzer-Prize winning playwright Sam Shepard was invited to write a Fellini-esque film out of the chaos. Throughout the many moods and moments of his travels he kept an impressionistic logbook of life on the road, replete with poetry, sketches and intimate accounts: This is that logbook. Updated with a myriad of candid photographs - many never before published - a foreword by T-Bone Burnett and a poetical preface from Sam Shepard, The Rolling Thunder Logbook perfectly captures the camaraderie, isolation, head games and pill-popping mayhem of the tour, providing a window into Dylan's singular talent, enigmatic charisma, and vision of America. “The Rolling Thunder Revue was more fun than the law allows. By a long shot. It was a bus full of musicians and singers and painters hurtling through the dead of night, making a movie, writing songs, and playing some of the most incendiary, intense, and inspired rock ‘n’ roll, before or since.” T-Bone Burnett
The go-to introductory guide to Australia's diverse wildlife and habitats Ideal for the nature-loving traveler, Wildlife of Australia is a handy photographic pocket guide to the most widely seen birds, mammals, reptiles, amphibians, and habitats of Australia. The guide features more than 400 stunning color photographs, and coverage includes 350 birds, 70 mammals, 30 reptiles, and 16 frogs likely to be encountered in Australia's major tourist destinations. Accessible species accounts are useful for both general travelers and serious naturalists, and the invaluable habitat section describes the Australian bush and its specific wildlife. Animal species with similar features are placed on the same plates in order to aid identification. Wildlife of Australia is an indispensable and thorough resource for any nature enthusiast interested in this remarkable continent. Easy-to-use pocket guide More than 400 high-quality photographs Accessible text aids identification Habitat guide describes the Australian bush and its specific wildlife Coverage includes the 350 birds, 70 mammals, 30 reptiles, and 16 frogs most likely to be seen on a trip around Australia
Kay Thompson’s larger-than-life story is an effervescent toast to show business with a shot of Auntie Mame and a twist of The Devil Wears Prada. A multi-threat entertainer and a world-class eccentric, Kay Thompson was the mentor/best friend of Judy Garland, the vocal guru for Frank Sinatra and Lena Horne, and the godmother/Svengali of Liza Minnelli (who recreated Thompson’s nightclub act in her 2009 Tony Award–winning event, Liza’s at the Palace). She went to school with Tennessee Williams, auditioned for Henry Ford, got her first big break from Bing Crosby, trained Marilyn Monroe, channeled Elvis Presley, rejected Andy Warhol, rebuffed Federico Fellini, got fired by Howard Hughes, and snubbed Donald Trump. She coached Bette Davis and Eleanor Roosevelt; she created nightclub acts for Marlene Dietrich and Ginger Rogers; and when Lucille Ball had to sing on Broadway, Kay was the wind beneath her wings, too. Kay’s legion of fans included Queen Elizabeth of England, King Juan Carlos of Spain, and Princess Grace (Kelly) of Monaco. Danny Kaye masqueraded in drag as her; Noël Coward and Cole Porter wrote musicals for her; and The Beatles wanted to hold her hand. She was a charter member of the Rat Pack, costarred in a whodunit with Ronald Reagan, and directed John F. Kennedy’s Inaugural Gala. The dame cut a wide swath through the arts. After conquering radio in the 1930s she commandeered MGM’s vocal department in the 1940s, where she revolutionized the studio’s greatest musicals with her audacious arrangements, from The Harvey Girls to Ziegfeld Follies. In the 1950s she became the highest-paid cabaret attraction in the world with her groundbreaking act "Kay Thompson and the Williams Brothers," featuring her young protégé—and secret lover—Andy Williams. In a stunning feat of reinvention, Thompson next became the bestselling author of Eloise (first published by Simon & Schuster in 1955), chronicling the mischievous adventures of the six-year-old mascot of The Plaza, spawning an industry that is still going strong today. Then Kay took the silver screen by storm as the "Think Pink!" fashion magazine editor in Funny Face, stealing the film right out from under Audrey Hepburn and Fred Astaire. The Thompson saga swells from small town wannabe to international headliner, dissolving into self-destruction and madness—the storyline usually reserved for a rags-to-riches potboiler—yet with unexpected twists, outlandish turns, and a last-minute happy ending that, even by Hollywood’s standards, is nothing short of preposterous. But that is Kay Thompson. Fascinating. Frustrating. Fabulous!
“I love the pulse of Sam Pink’s sentences, the way they can hold the gorgeous and the grisly and the hilarious all at the same time. The Garbage Times/White Ibis thrilled me and messed me up, left me feeling a little dazed and a lot changed.” —Laura van den Berg, author of The Third Hotel and Find Me From the freezing alleys of Chicago to the dew-blanketed bayou of Florida. From bouncing drunks and cleaning up puke to biking through the swamp laughing at peacocks. Freeze to thaw. Filth and broken glass and black water backed up in showers; lizards and Girl Scouts and themed birthday parties. A baby rat freed from the bottom of a dumpster becomes a white ibis wandering the wet driveway after a storm. Goodbye, hello, goodbye. It was the garbage times; it was time for something else. A tale of two tales, connected by a mysterious sunlit portal. The edition is designed with tête-bêche binding as a single volume.
Become a Competent Music Producer in 365 Days is a comprehensive, step-by-step guide to the fundamentals of music-production. Over the course of a year, this book takes the reader through ten chapters covering mixing, equalization, compression, reverb, delay and modulation, automation, vocals, synthesis, and mastering. To combat the patchy nature of ‘fast’ online content, this book provides an accessible and easily digestible course. Each chapter is broken down into daily readings and tasks, so that each topic can be fully explored, understood, and implemented before moving onto the next, with a range of online video tutorials that offer useful companion material to the book. Become a Competent Music Producer in 365 Days is an ideal introduction for beginners of all backgrounds, and students in further and higher education music-production classes, as well as aspiring professionals, hobbyists, and self-taught producers, who wish to have a thorough grasp on all the fundamental topics that any experienced music producer should know.
Whether you’re a born-and-raised New Mexican, a recent transplant, or just passing through, New Mexico Curiosities will have you laughing out loud as it introduces you to the most fascinating characters in the Spanish State, and takes you places you never could have imagined—some of them right around the corner!
Most of you know Malibu. Malibu off the Grid is the Malibu you don't know. That is why the cover depicts snow and a trailer. Did you know it snows in Malibu? Most of Malibu is steep mountains and rolling hills. The coastline is just a small part of the scenery. That is why it is some of the most sought-after real estate in the country. Malibu is Hollywood's movie set. In the early days, it was wild and untouched. They have filmed more movies, TV shows, and commercials in Malibu than anywhere in the country. Some of the movie and TV stars made the place they filmed at their home. Did you know Malibu had a nuclear missile base? In fact it had two. Malibu was also the home to Chumash Indians for ten thousand years. Living in Malibu is not for the meek. People who live in Malibu have been through hell. From the fires that blow in with the Santa Ana's to the flooding and mudslides that occur in the winter. There is never a dull moment. Although it never rains in California, when it does it comes in buckets. Malibu wouldn't have it any other way. Take a tour with me into the town of the rich and famous. Where your neighbor could be the Lone Ranger or the second man on the moon. A town where your famous neighbor might have the Beatles play at his house. You have to read the whole book. Take a chance. Find out if Linda Blair's Volvo is haunted. If Don Drysdale gave out autographed baseballs for Halloween. Is the Hotel California really in Malibu?
Detailed historical context offers an idea of how the advent of punk reshaped the culture of cities across Canada. Unearths a forgotten musical and cultural history of drunk and miscreants, future country stars and political strategists.
This is not yet another step-by-step guide to research methods. Rather, Pole and Hillyard draw the reader into fieldwork as a form of living and lived research. They take key threads of research practices and processes and weave them into a holistic approach to fieldwork. Doing Fieldwork is a must read for new researchers planning a journey into the immersion of ′being there′ that is field work." - Professor Garry Marvin, University of Roehampton Fieldwork is central to Sociology, but guides to it often treat the real questions invisibly or over-load the reader with micro-details. This refreshing, authoritative volume, written by two experienced, highly respected fieldworkers, provides a one-stop, engaging guide. The book: Clearly explains fieldwork methods Shows how to locate a field and map it Covers common problem areas and ethical considerations Provides a ready reckoner of time management issues Helps with analysis of findings. Doing Fieldwork is an invaluable teaching and research resource. It should be in every student’s backpack and part of every researcher’s tool kit. Professor Chris Pole is Deputy Vice-Chancellor at the University of Brighton. His long-standing research interests are in social research methodology, especially Ethnography and in the Sociology of Education and Childhood. Dr Sam Hillyard is a Reader in Sociology at Durham University. Her research interests are in qualitative research methods, interactionist social theory and rural studies.
Packed with recipes for deliciously unpretentious, modern rustic food, The Tin and Traybake Cookbook is for everyone who loves to cook and eat beautiful food. Baking tins usually see daylight only when we're making cakes or the Sunday roast. But with a little imagination, these kitchen stalwarts can do so much more. Did you know that the best chocolate brownie tin is also a perfect fit for Sweetly spiced roast chicken with chorizo or Blackberry vodka marshmallows? That a simple loaf tin can make a mean Berry ripple ice cream and towering Spicy sausage and fennel lasagnes, as well as heartbreakingly tasty bread? Or that a classic tray bake tin is the ideal size for an Oven baked chicken and roast garlic risotto and a Sweet potato and mustard gratin as well as Almond and blueberry bars? By making better use of what's already in our kitchens, we can create more space in our homes and in our lives to enjoy what we eat.
A simple, effective guide to growing beautiful plants with little maintenance. Contains advice on how to move plants around, pictures of common weeds and how to get rid of them, and much more....
The best photographic field guide to Australia's birds Australia is home to a spectacular diversity of birdlife, from parrots and penguins to emus and vibrant passerines. Birds of Australia covers all 714 species of resident birds and regularly occurring migrants and features more than 1,100 stunning color photographs, including many photos of subspecies and plumage variations never before seen in a field guide. Detailed facing-page species accounts describe key identification features such as size, plumage, distribution, behavior, and voice. This one-of-a-kind guide also provides extensive habitat descriptions with a large number of accompanying photos. The text relies on the very latest IOC taxonomy and the distribution maps incorporate the most current mapping data, making this the most up-to-date guide to Australian birds. Covers all 714 species of resident birds and regularly occurring migrants Features more than 1,100 stunning color photos Includes facing-page species accounts, habitat descriptions, and distribution maps The ideal photographic guide for beginners and seasoned birders alike
Create your own Sweet Bake Shop at home with easy, magical sweets for all occasions. Featuring whimsical, delicious and enchanting desserts, Sweet Bake Shop has the perfect recipes for every moment whether it be a weekday craving or a special occasion. Discover how to bake irresistible and easy-to-make layer cakes and cupcakes including a pink sprinkle-covered Vanilla Birthday Cake and Raspberry Ripple Cupcakes topped with buttery vanilla frosting. Impress your friends with a fresh batch of cookies, perhaps Tessa’s favourite Vanilla Bean Shortbread or Giant Gingerbread Cuties and expand your sugar cookie skills to make magical sweets like Pretty Pastel Pony Cookies and Polka Dot Bunny Cookies. There are so many delightful treats to whip up, from adorable Cotton Candy Cloud Macarons and Fuzzy Peach Macarons to decadent Cookie Dough Scoops and Overnight Oreo Party Popcorn. Sweet Bake Shop also offers easy-to-follow tutorials, expert tips, baking techniques, and a list of the essential tools and ingredients for your baking success. Tessa’s helpful guidance and delectable desserts will inspire the baker in all of us.
This book asks what it means to write poetry in and about the Anthropocene, the name given to a geological epoch where humans have a global ecological impact. Combining critical approaches such as ecocriticism and posthumanism with close reading and archival research, it argues that the Anthropocene requires poetry and the humanities to find new ways of thinking about unfamiliar spatial and temporal scales, about how we approach the metaphors and discourses of the sciences, and about the role of those processes and materials that confound humans’ attempts to control or even conceptualise them. Poetry and the Anthropocene draws on the work of a series of poets from across the political and poetic spectrum, analysing how understandings of technology shape literature about place, evolution and the tradition of writing about what still gets called Nature. The book explores how writers’ understanding of sciences such as climatology or biochemistry might shape their poetry’s form, and how literature can respond to environmental crises without descending into agitprop, self-righteousness or apocalyptic cynicism. In the face of the Anthropocene’s radical challenges to ethics, aesthetics and politics, the book shows how poetry offers significant ways of interrogating and rendering the complex relationships between organisms and their environments in a world increasingly marked by technology.
Evolution and Mineralization of the Arabian-Nubian Shield, Volume 4 documents the proceedings of a Symposium on the exposure of Precambrian crystalline rocks on the borders of the Red Sea. This book is divided into five main topics— structure and evolution; metallogenesis; plutonic and volcanic rocks; stratigraphy; and ophiolites. In these topics, this text specifically discusses the sedimentary rocks and basins of the Arabian Shield and their evolution; gold deposits associated with the Jabal Ishmas-Wadi Tathlith fault zone; and Arabian Shield granite traverse. The tentative correlation of the Precambrian rock units of Saudi Arabia, Sudan, and Egypt; geology and lithostratigraphy of the Arabian Desert orogenic belt of Egypt between latitudes 25° 35' and 26° 30' N; and comparison of the Bir Umq and Hamdah ultrabasic complexes are also deliberated. This text is a good reference for students and individuals interested in the Arabian-Nubian Shield.
Excavations at Mucking, Essex, between 1965 and 1978, revealed extensive evidence for a multiphase rural Romano-British settlement, perhaps an estate center, and five associated cemetery areas (170 burials) with different burial areas reserved for different groups within the settlement. The settlement demonstrated clear continuity from the preceding Iron Age occupation with unbroken sequences of artefacts and enclosures through the first century AD, followed by rapid and extensive remodeling, which included the laying out a Central Enclosure and an organized water supply with wells, accompanied by the start of large-scale pottery production. After the mid-second century AD the Central Enclosure was largely abandoned and settlement shifted its focus more to the Southern Enclosure system with a gradual decline though the 3rd and 4th centuries although continued burial, pottery and artefactual deposition indicate that a form of settlement continued, possibly with some low-level pottery production. Some of the latest Roman pottery was strongly associated with the earliest Anglo-Saxon style pottery suggesting the existence of a terminal Roman settlement phase that essentially involved an ‘Anglo-Saxon’ community. Given recent revisions of the chronology for the early Anglo-Saxon period, this casts an intriguing light on the transition, with radical implications for understandings of this period. Each of the cemetery areas was in use for a considerable length of time. Taken as a whole, Mucking was very much a componented place/complex; it was its respective parts that fostered its many cemeteries, whose diverse rites reflect the variability and roles of the settlement’s evidently varied inhabitants.
Many developed nations face the challenge of accommodating a growing, ageing population and creating appropriate forms of housing suitable for older people. Written by an architect, this practice-led ethnography of retirement housing offers new perspectives on environmental gerontology. Through stories and visual vignettes, it presents a range of stakeholders involved in the design, construction, management and habitation of third-age housing in the UK, highlighting the importance of design decisions for the everyday lives of older people. Drawing on unique and interdisciplinary research methods, its fresh approach shows researchers how well-designed retirement housing can enable older people to successfully age in place for longer, and challenges designers, developers and providers to evolve their design practices and products.
Sam Mym’s passion for older adults has driven her to write this book and encourage people of all ages to wake up and glean from their older friends and relatives. So much can be learned from them. After all, they have walked the walk and talked the talk. Many times, the author referred to the residents at the Nest as walking encyclopedias. Their knowledge and experiences all over the world were shared with many, and so much was appreciated and cherished! Take the time, she says, to hear their stories and get to know some of these incredible people. They will bless you and teach you so much that your smartphone and computer cannot touch!
He loves her in pink. But this is not the pink fit he wished for. It’s a regular day at Beam City mall. Coolman is out buying beer, when a desperate scream sounds from a lingerie shop. Coolman knows his way around tight situations, but what he faces in the shop enflames his old cop instincts. A half-naked woman is tearing meat off an innocent guy, and just before Coolman drops her, there’s a weird shine in her eyes. When Coolman spots the same peculiarity on his girlfriend, Amanda, he fears something evil is brewing in Triggerland – something that will test both his heart and his ability to use that new Doomsday Revolver the chief gave him. And he’s right. Within 24 hours, pink-eyed maniacs are tearing whole cities apart. And Amanda is gone. Coolman and the Pink Invasion is the second book in the series. The Coolman Series Fast and silly books inspired by ’80s action movies Sit back and enjoy a quick and entertaining ode to ’80s action movies. A pastiche that brings back kitschy fights and gonzo dialogue, the Coolman series packs cringy but unforgettable one-liners into bite-sized reads. You can tell it’s written by a guy who loves the ’80s, is from the ’80s, and isn’t too ceremonious to admit that he really is just some guy-dude.
This richly illustrated book provides an overview of all known Dutch and Flemish artists up to the nineteenth century, who painted or drew flower pieces, or else made prints of them.
The excavations led by Margaret and Tom Jones on the Thames gravel terraces at Mucking, Essex, undertaken between 1965 and 1978 are legendary. The largest area excavation ever undertaken in the British Isles, involving around 5000 participants, recorded around 44,000 archaeological features dating from the Beaker to Anglo-Saxon periods and recovered something in the region of 1.7 million finds of Mesolithic to post-medieval date. While various publications have emerged over the intervening years, the death of both directors, insufficient funding, many organizational complications and the sheer volume of material evidence have severely delayed full publication of this extraordinary palimpsest landscape. Lives in Land is the first of two major volumes which bring together all the evidence from Mucking, presenting both the detail of many important structures and assemblages and a comprehensive synthesis of landscape development through the ages: settlement histories, changing land-use, death and burial, industry and craft activities. The long time-gap since completion of the excavations has allowed the authors the unprecedented opportunity to stand back from the density of site data and place the vast sum of Mucking evidence in the wider context of the archaeology of southern England throughout the major periods of occupation and activity. Lives in Land begins with a thorough evaluation of the methods, philosophy and archival status of the Mucking project against the organizational and funding background of its time, and discusses its fascinating and complex history through a period of fundamental change in archaeological practice, legislation, finance, research priorities and theoretical paradigms in British Archaeology. Subsequent chapters deal with the prehistoric landscape, each focusing on the major themes that emerge by major period from analysis and synthesis of the data. The authors draw on archival material including site notebooks and personal accounts from key participants to provide a detailed but lively account of this iconic landscape investigation.
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