Brave, unconventional, and determined, Ruth Asawa let nothing stop her from living a life intertwined with art. Renowned for her innovative wire sculptures, Japanese American artist Ruth Asawa (1926–2013) was a teenager in Southern California when Japan bombed Pearl Harbor and the United States entered World War II. Japanese Americans on the West Coast were forcibly removed from their homes. Asawa’s family had to abandon their farm, her father was incarcerated, and she and the rest of her family were sent to a detention center in California, and later to a concentration camp in Arkansas. Asawa nurtured her dreams of becoming an artist while imprisoned and eventually made her way to the experimental Black Mountain College in North Carolina. This graphic biography by Sam Nakahira, developed in consultation with Asawa’s youngest daughter, Addie Lanier, chronicles the genesis of Asawa as an artist—from the horror of Pearl Harbor to her transformative education at Black Mountain College to building a life in San Francisco, where she would further develop and refine her groundbreaking sculpture. Asawa never sought fame, preferring to work on her own terms: for her, art and life were one. Featuring lively illustrations and photographs of Asawa’s artwork, this graphic retelling of her young adult years demonstrates the transformative power of making art.
“I pull on my balaclava and step onto the bridge wing. It’s loud outside: I can hear the rumbles of nine vessels’ engines and the hiss of ten water cannons … Suddenly the bridge is full of refugees from the upper deck. They are blocking my view out the back windows, but their faces – afraid, excited, awestruck – illustrate the looming presence of the Nisshin. I bend my knees and grip the bench, ready for the crunch.” In Blood and Guts, Sam Vincent plunges into the whale wars. Vincent sets sail with Sea Shepherd, led by the charismatic and abrasive Paul Watson. He attends the recent case at the International Court of Justice, which finds Japan’s ‘scientific’ whaling in the Southern Ocean to be unlawful. And he travels to Japan to investigate why its government doggedly continues to bankroll the unprofitable hunt. This is a fresh, funny and intelligent look at how Australia has become the most vocal anti-whaling nation on Earth. Vincent skewers hypocrisy and sheds light on motives, noble and otherwise. With Japan planning to relaunch its lethal program in 2015, the whale wars are set to continue. Blood and Guts is a riveting work of immersion journalism that lays bare the forces driving this conflict.
Brave, unconventional, and determined, Ruth Asawa let nothing stop her from living a life intertwined with art. Renowned for her innovative wire sculptures, Japanese American artist Ruth Asawa (1926–2013) was a teenager in Southern California when Japan bombed Pearl Harbor and the United States entered World War II. Japanese Americans on the West Coast were forcibly removed from their homes. Asawa’s family had to abandon their farm, her father was incarcerated, and she and the rest of her family were sent to a concentration camp. Asawa nurtured her dreams of becoming an artist while imprisoned and eventually made her way to the experimental Black Mountain College in North Carolina. This graphic biography by Sam Nakahira, developed in consultation with Asawa’s youngest daughter, Addie Lanier, chronicles the genesis of Asawa as an artist—from the horror of Pearl Harbor to her transformative education at Black Mountain College to building a life in San Francisco, where she would further develop and refine her groundbreaking wire sculpture. Asawa never sought fame, preferring to work on her own terms: for her, art and life were one. Featuring lively illustrations and photographs of Asawa’s work, this retelling of her young adult years demonstrates the power of making art. Ages thirteen and up
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