A Far Piece to Canaan is a warm and nostalgic novel from an unexpected source: Sam Halpern, whose salty paternal wisdom made Justin Halpern’s Sh*t My Dad Says a phenomenal bestseller. Inspired by Sam Halpern’s childhood in rural Kentucky, A Far Piece to Canaan tells the story of Samuel Zelinsky, a celebrated but troubled former professor who reluctantly returns after his wife’s death to the Kentucky hills where he lived as a child to reconnect with long-buried memories and make good on a forgotten promise. A tale of superstition, secrets, and heroism in the postwar South, A Far Piece to Canaan: A Novel of Friendship and Redemption is the surprising and moving debut of a gifted storyteller.
Sam Halpern’s eyewitness account of a flourishing Jewish life wiped out by the Nazis, Sam’s miraculous survival, and his ultimate success in America. In this incredible memoir, Sam Halpern lovingly and mournfully shares his life story—from his vibrant childhood in Chorostkow, Poland, to the horrors of the labor camp he was forced into by the Nazis, and ultimately his survival with his brother Arie. We see Sam’s deep affection for his parents, Mordechai Dov and Bella Halpern, and brothers, Naftali, Avrum Chaim, and Arie, and are introduced to the people, customs, and traditions of the Chorostkow shtetl. We also have an up-close view of the cruelty and horror inflicted by the Nazis. While in a forced labor camp, Sam is beaten, nearly starved, and ill with typhus, but ultimately as a result of street smarts and divine intervention, Sam and Arie escape and are miraculously hidden until liberation. Throughout the darkness, they maintain hope. After the war, Sam meets Gladys, the exceptional woman who becomes the love of his life and with whom he will raise four sons. Together with Arie, they eventually make it to the United States where they raise families and are international advocates for the Jewish community. This beautifully written story was originally published in 1996. This new edition features a moving contribution by Rabbi Israel Meir Lau and a wealth of new photos, and is published in honor of Sam and in advance of what would have been his one hundredth birthday.
A writer assigned a story that can save his magazine from demise is sent to get the life story of a mysterious older, still beautiful, wily woman lawyer who sees the interview as a way of saving her organization, which champions poor women. The writer's life is changed by the encounter.
In Replacement Parts, internationally recognized bioethicist Arthur L. Caplan and coeditors James J. McCartney and Daniel P. Reid assemble seminal writings from medicine, philosophy, economics, and religion that address the ethical challenges raised by organ transplantation. Caplan's new lead essay explains the shortfalls of present policies. From there, book sections take an interdisciplinary approach to fundamental issues like the determination of death and the dead donor rule; the divisive case of using anencephalic infants as organ donors; the sale of cadaveric or live organs; possible strategies for increasing the number of available organs, including market solutions and the idea of presumed consent; and questions surrounding transplant tourism and "gaming the system" by using the media to gain access to organs. Timely and balanced, Replacement Parts is a first-of-its-kind collection aimed at surgeons, physicians, nurses, and other professionals involved in this essential lifesaving activity that is often fraught with ethical controversy.
Sam Halpern’s eyewitness account of a flourishing Jewish life wiped out by the Nazis, Sam’s miraculous survival, and his ultimate success in America. In this incredible memoir, Sam Halpern lovingly and mournfully shares his life story—from his vibrant childhood in Chorostkow, Poland, to the horrors of the labor camp he was forced into by the Nazis, and ultimately his survival with his brother Arie. We see Sam’s deep affection for his parents, Mordechai Dov and Bella Halpern, and brothers, Naftali, Avrum Chaim, and Arie, and are introduced to the people, customs, and traditions of the Chorostkow shtetl. We also have an up-close view of the cruelty and horror inflicted by the Nazis. While in a forced labor camp, Sam is beaten, nearly starved, and ill with typhus, but ultimately as a result of street smarts and divine intervention, Sam and Arie escape and are miraculously hidden until liberation. Throughout the darkness, they maintain hope. After the war, Sam meets Gladys, the exceptional woman who becomes the love of his life and with whom he will raise four sons. Together with Arie, they eventually make it to the United States where they raise families and are international advocates for the Jewish community. This beautifully written story was originally published in 1996. This new edition features a moving contribution by Rabbi Israel Meir Lau and a wealth of new photos, and is published in honor of Sam and in advance of what would have been his one hundredth birthday.
A Far Piece to Canaan is a warm and nostalgic novel from an unexpected source: Sam Halpern, whose salty paternal wisdom made Justin Halpern’s Sh*t My Dad Says a phenomenal bestseller. Inspired by Sam Halpern’s childhood in rural Kentucky, A Far Piece to Canaan tells the story of Samuel Zelinsky, a celebrated but troubled former professor who reluctantly returns after his wife’s death to the Kentucky hills where he lived as a child to reconnect with long-buried memories and make good on a forgotten promise. A tale of superstition, secrets, and heroism in the postwar South, A Far Piece to Canaan: A Novel of Friendship and Redemption is the surprising and moving debut of a gifted storyteller.
E. J. Rath was the pen name of Chauncey Brainerd and his wife Edith Rathbone Jacobs Brainerd (1885-1922), both American writers. Many of their novels were adapted for stage or film, and include "Once Again," "The Nervous Wreck" and others.
Neil Gaiman's seminal series, THE SANDMAN, celebrates its 30th anniversary with an all-new edition of THE SANDMAN VOL. 1: PRELUDES & NOCTURNES! New York Times best-selling author Neil Gaiman's transcendent series THE SANDMAN is often hailed as the definitive Vertigo title and one of the finest achievements in graphic storytelling. Gaiman created an unforgettable tale of the forces that exist beyond life and death by weaving ancient mythology, folklore and fairy tales with his own distinct narrative vision. In PRELUDES & NOCTURNES, an occultist attempting to capture Death to bargain for eternal life traps her younger brother Dream instead. After his 70 year imprisonment and eventual escape, Dream, also known as Morpheus, goes on a quest for his lost objects of power. On his arduous journey Morpheus encounters Lucifer, John Constantine, and an all-powerful madman. This book also includes the story "The Sound of Her Wings," which introduces us to the pragmatic and perky goth girl Death. Collects THE SANDMAN #1-8.
A critique of what lies behind the use of data in contemporary education policy While the science fiction tales of artificial intelligence eclipsing humanity are still very much fantasies, in Algorithms of Education the authors tell real stories of how algorithms and machines are transforming education governance, providing a fascinating discussion and critique of data and its role in education policy. Algorithms of Education explores how, for policy makers, today’s ever-growing amount of data creates the illusion of greater control over the educational futures of students and the work of school leaders and teachers. In fact, the increased datafication of education, the authors argue, offers less and less control, as algorithms and artificial intelligence further abstract the educational experience and distance policy makers from teaching and learning. Focusing on the changing conditions for education policy and governance, Algorithms of Education proposes that schools and governments are increasingly turning to “synthetic governance”—a governance where what is human and machine becomes less clear—as a strategy for optimizing education. Exploring case studies of data infrastructures, facial recognition, and the growing use of data science in education, Algorithms of Education draws on a wide variety of fields—from critical theory and media studies to science and technology studies and education policy studies—mapping the political and methodological directions for engaging with datafication and artificial intelligence in education governance. According to the authors, we must go beyond the debates that separate humans and machines in order to develop new strategies for, and a new politics of, education.
This comprehensive book provides a detailed description of the major syntactic structures of Chichewa. Assuming no prior knowledge of current theory, it covers topics such as relative clause and question formation, interactions between tone and syntactic structure, aspects of clause structure such as complementation, and phonetics and phonology. It also provides a detailed account of argument structure, in which the role of verbal suffixation is examined. Sam Mchombo's description is supplemented by observations about how the study of African languages, specifically Bantu languages, has contributed to progress in grammatical theory, including the debates that have raged within linguistic theory about the relationship between syntax and the lexicon, and the contributions of African linguistic structure to the evaluation of competing grammatical theories. Clearly organised and accessible, The Syntax of Chichewa will be an invaluable resource for students interested in linguistic theory and how it can be applied to a specific language.
With one of the longest and most controversial careers in Hollywood history, Blake Edwards is a phoenix of movie directors, full of hubris, ambition, and raving comic chutzpah. His rambunctious filmography remains an artistic force on par with Hollywood's greatest comic directors: Lubitsch, Sturges, Wilder. Like Wilder, Edwards’s propensity for hilarity is double-helixed with pain, and in films like Breakfast at Tiffany's, Days of Wine and Roses, and even The Pink Panther, we can hear him off-screen, laughing in the dark. And yet, despite those enormous successes, he was at one time considered a Hollywood villain. After his marriage to Julie Andrews, Edwards’s Darling Lili nearly sunk the both of them and brought Paramount Studios to its knees. Almost overnight, Blake became an industry pariah, which ironically fortified his sense of satire, as he simultaneously fought the Hollywood tide and rode it. Employing keen visual analysis, meticulous research, and troves of interviews and production files, Sam Wasson delivers the first complete account of one of the maddest figures Hollywood has ever known.
The authoritative and endlessly revealing biography of renowned dancer, choreographer, screenwriter, and director Bob Fosse, written by a bestselling pop culture historian.
To quote from E.M. Nathanson (author of THE DIRTY DOZEN and numerous other works and fellow alumnus of the HNOH) who wrote the FOREWORD to the book: The title of the book - DEJA VIEWS... - is itself a meaningful play on the French phrase deja vu - meaning, roughly, the startling feeling that strikes you that what you have just experienced you have experienced before. To anyone who shared those times, DEJA VIEWS OF AN AGING ORPHAN will be an exciting time travel adventure, comprehensive, varied, textured and evocative. To those who lived in those times but had no knowledge then of the milieu of the books real life characters and stories - and to those in the generations that followed, such as the children and grandchildren of the Home boys - the book will be a voyage of discovery. Many of the anecdotes and people profiles in the book, though not all of them, were written as columns that appeared over the years in THE ALUMNUS, the monthly publication of the Alumni Association of the Hebrew National Orphan Home and its successor institutions, Homecrest and Hartman-Homecrest. They are word pictures that have ripened and matured and been revised over the years by more acute memory and input from others. Some of these stories and brief biographies have even achieved the status of myths and legends. In addition, sowed amidst these pages of real persons and event, as a sort of literary seasoning and entertainment, are some short stories, identified as fiction, but which illuminate with their own truths. The index alone is a cornucopia of memories. The variety of people and themes that are remembered and summoned into the book is impressive. Some evoke nostalgia for a time that we didnt know was that good when we were living it; some bring a laugh - or a tear. And the focus is always on the boys - and the adults they became. In addition to the foregoing, I believe the best description of my book is contained in my INTRODUCTION, which is therefore reproduced here in its entirety. My older brother Al, myself and my younger sister Henny all became half-orphans upon the death of our mother in February 1929. Our father had to place us in orphanages when he found himself unable to provide the care required by a 9 year old boy, his 7year old brother and 2 year old sister. A1 and I were placed in the Hebrew National Orphan Home on Tuckahoe Road in the outskirts of Yonkers, NY while Henrietta was put into the Israel Orphan Asylum on East Second Street NYC. This separation was necessary because the HNOH accepted only boys, ages 6 to 16 (later HS graduation) whereas the IOA accepted boys and girls, ages 2 to 5. It was while I was in the HNOH that I became a "full-fledged" orphan, when my father died in 1938. And Ive been a "full-fledged orphan" ever since--although I didnt start "aging" until just a few months ago when I turned 78. But some years before that, my then new daughter-in-law, Susan was describing my wife and myself to her mother, including the fact that we were orphans (my wife having been raised in the Pride of Judea Childrens Home on Dumont Ave in Brooklyn where I worked after I had left the HNOH). To which Susans mother replied, matter-of-factly: "Well, so am I. And so is your father!" Momentarily surprised, Susan then elaborated: "No mom. I mean they were orphaned as children and raised in orphanages." Her mother hesitated and then said: "Oh". This anecdote illustrates the fact that ultimately we all become "orphans". But that is not the focus of this work. Its focus is the child who lost one or both parents at a young, tender age and subsequently was placed in an institution--the orphanage. So when I titled this work "...OF AN AGING ORPHAN. I wasnt focusing on an older person who had been orphaned as an adult, but on an orphaned child who, fortunately, has been aging nicely. I say "fortunately" because I
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