A celebration of the revolutionary potential of women working with other women, and a powerful statement about myths like the "cool girl" or the "catty workplace" Covens. Girl Bands. Ballet troupes. Convents. In all times and places, girls and women have come together in communities of vocation, of necessity, of support. In Witches, Sam George-Allen explores how wherever women gather, magic happens. Female farmers change the way we grow our food. Online beauty communities democratize skin-care rituals. And more than any other demographic, it's teen girls that shape our culture. Patriarchal societies have long been content to champion boys' clubs, while viewing groups that exclude men as sites of rivalry and suspicion. This deeply personal investigation takes us from our workplaces to our social circles, surveying our heroes, our outcasts, and ourselves, in order to dismantle the persistent and pernicious cultural myth of female isolation and competition . . . once and for all.
In the fall of 1967, political and military leaders in Washington said the Vietnam War was approaching “the crossover point”: More Vietcong soldiers were dying in battle each week than could be recruited. CIA analyst Sam Adams, however, was insisting the good news was an illusion. His estimates of enemy ranks and morale varied wildly from those being released by military intelligence for public consumption, and for use by commanders in the field. Adams' findings indicated the war was unwinnable, and when US leaders failed to acknowledge basic facts, he knew the intelligence was being politicized. From inside the CIA and then after quitting the agency in 1973, Adams embarked on a one-man crusade to expose the truth. He loved intelligence work, and his enthusiasm for it shines throughout this illuminating memoir. Thanks to Adams, newsman Mike Wallace produced his influential CBS News documentary “The Uncounted Enemy: A Vietnam Deception;” General William Westmoreland was called to account, and his book dramatizes in clear, compelling prose how America’s involvement in Southeast Asia became such a tragedy.
From 2001-2004, no Division IA men's college basketball program in the country had a better winning percentage (88-16, .846) than the University of Pittsburgh. Pitt also won (or shared) three consecutive Big East Conference regular-season or tournament championships during that period. Approaching its 100th year of intercollegiate basketball, Pitt could lay claim to the assertion that these were, indeed, a rejuvenation of its glory days. It wasn't always that way. The university--once known as the Western University of PennsylvaniA fielded its first basketball team in 1905-06. The team practiced and played just about anywhere it could find a floor and a couple of hoops. Crowds were small, media coverage was slim, and the future of the program was doubtful. That program officially became known as the University of Pittsburgh's Panthers in 1909. After H.C. Doc Carlson--a former Pitt football and basketball player as well as a physician by trade--became head coach in 1922, the program firmly established itself. In 1925, the Panthers had their first true home facility when they moved into the Pavilion--a gym beneath Pitt Stadium. Carlson would lead the Panthers to a pair of mythical national titles by the end of the 1920s. Pitt: 100 Years of Pitt Basketball is the definitive history of basketball at the University of Pittsburgh. From Charley Hyatt, Doc Carlson's first All-American, through sure and steady point guard Brandin Knight, some of college basketball's most influential players have worn blue and gold. Scoring whiz Don Hennon burst onto the scene in the '50s, followed by rugged Brian Generalovich in the '60s, and silky smooth Billy Knight in the '70s. Sam Bam Clancy helpedturn Pitt's program around in the late '70s, and when Pitt was invited to join the Big East Conference in 1982, the face of the program changed forever. Its rosters and coaching staffs--formerly filled with Pennsylvania boys and men with Pitt backgrounds--would soon include players and coaches from across the nation. Charles Smith and Jerome Lane gave Pitt a dynamic one--two inside punch-and a pair of Big East titles--in the 1980s. And when Ben Howland left Northern Arizona in 1999 to coach the Panthers, aided by a young assistant named Jamie Dixon, Pitt basketball was on the cusp of college basketball greatness.
The University of Pittsburgh first fielded an intercollegiate basketball team in 1905, but an entire generation of fans has only heard or read about a small number of these colorful and outstanding players. An invitation to join the prestigious Big East Conference in 1982 opened the eyes of the nation to Panther basketball. Continuing a tradition of growth and excellence, the 2001-2002 Panthers again put University of Pittsburgh basketball on the map. Picked by the league coaches to finish sixth in the seven-team Big East Conference's West Division, Ben Howland directed the team to an overall record of 29-6, earning the Panthers the West Division regular-season championship. The Panthers then advanced to the Sweet Sixteen of the NCAA Tournament for the first time in twenty-eight years. Panther Pride: University of Pittsburgh Men's Basketball is the pictorial history of Pittsburgh's basketball program, before and since the Big East Conference. Well before Dr. Roy Chipman, there was eccentric Doc Carlson. Long before All-American Charles Smith, there was Charley Hyatt. Twenty-eight years before Brandin Knight led his team to the Sweet Sixteen, Billy Knight led another remarkable Panther squad to the Elite Eight. From Motor Square Garden in East Liberty to the Pitt Stadium Pavilion and Fitzgerald Field House in Oakland, Pittsburgh basketball teams have provided their fans with exciting victories and heartbreaking defeats for close to a century.
He grew up during the Depression, in a mining camp a few miles outside of Farmington, West Virginia, called Number Nine, and he became one the greatest linebackers in the history of the NFL. He was known as the Man in the Middle, who fought his way to victory on those famed New York giants' teams of the '50s and '60s. From his great rivalries with Jim Brown and Jim Taylor, to his hatred of Coach Allie Sherman, to the inside story of "the Greatest Game Ever Played"--the 1958 championship game between the New York Giants and the Baltimore Colts--Huff speaks his mind in this no-holds-barred account that tells you how it is, and was. When Sam Huff speaks, whether through a microphone or in this revealing new autobiography, people listen.
The story about the most lopsided, highest scoring football game ever played as prominently featured by broadcast media including ESPN, the CBS Sports Network, National Public Radio, and in a number of print publications including metropolitan daily newspapers and periodicals nationwide. Heisman's First Trophy is a riveting novel based on a true story featuring romance, greed and revenge about a historically significant college football game played more than 100 years ago credited with changing the way the national media at the time viewed college football in the South. On a mission to save their beloved alma mater from financial demise, a handful of Kappa Sig fraternity brothers, representing tiny Cumberland University, boarded a train in Lebanon, Tennessee and traveled to Atlanta to play a monstrous Georgia Tech team coached by the legendary John Heisman. The game, which remarkably saw no first downs and hand a number of twists and turns, ended with Tech winning 222-0, a record score that remains still today in college football. Tech's win put Coach Heisman on a path to his first national championship, saved Cumberland from likely having to close its doors forever, and changed the perception of a nation about the quality of football being played in the South. From the cost of a bottle of Jack Daniels in 1916 to why Tech withdrew from the SEC in 1963, Heisman's First Trophy is consumed with history about the game of football, its legends, special events and memorable games.
Here is the real story of football's glory days, filled with down-and-dirty anecdotes by a man who tells it tough, straight, and true. Vintage gridiron bio: hard, colorful, and driving.--Kirkus Reviews. Martin's.
This title was first published in 2002: This work is about the socio-economic and spatial impacts of planning policy aimed at improving the living standards and well-being of the regional communities of Ghana. Implicit, the effectiveness assessment of regional planning practice. It is set within the context of the new national planning system and offers strategic opportunities and challenges. Characteristically, the national and regional policies and contacts are probed and the lack of formal regional plan-making stressed. The author critically analyzes the problem of socio-economic and spatial disparities, over the mid-60s to the early 1990s, explaining the observed changes. The latter is, differentiatingly, done in terms of relevant theories and the empirics undertaken. These include the fashion of perception and conceptualization of development. Change is based on one-off micro-projects at the regional level and a meso-regional project within a sub-regional context. Dr Ofori equally stresses the implementations and local management of the planning policies and programmes. Inclusive in the dynamics behind the processes is the role of partnership. A further distinctive contribution is the identification of opportunities for planning intervention and policy recommendations for a better change in the future: towards making things happen.
The history of the European Community/European Union's (EC/EU) development is a narrative of crises generated and resolved. To date, the resolution of crises in community affairs has furthered European integration. The characteristic pattern of integration is dialectical-two steps forward and one step back-with crises both accounting for the steps backward and forward. This book examines why the crises were constructively resolved, rather than the often explored how of the resolutions. This work contends that European myths, which emerged from Europe's cataclysmic experiences in World War I and II, cement the member states within the EC/EU, and lead to greater social, economic, and political integration with the EC/EU. During the periodic crises, the European myths have eliminated every choice except the choice to move European integration forward. Professor Sam-Sang Jo's analysis argues that once the European myths weaken, the tensions among EU member states are likely to escalate.
In recent years the commercial value of moving images for use in new film and television productions has increased enormously, and gifts of moving images to cultural institutions have developed significant taxation implications. As a result, contentious issues on the monetary appraisal of moving images has added to the burden of moving image archivists. Written by an archivist with forty years of experience in England, the United States, and Canada, Appraising Moving Images is a practical guide to archival and monetary appraisal of moving images for anyone who has responsibility for moving image collections. It reviews the history of moving image archives and it assesses the relevance of general archival appraisal theory and selection methodology to the work of moving image archivists; provides examples of 'best practice' in managing the life cycle of moving images, from creation to long-term preservation; and examines various approaches to monetary appraisal that have proven effective in recent years. For film students and scholars and essential for those who have custodial responsibility for moving image collections and to those engaged in assessing their value
This text is for those wishing to develop an understanding of a cultural legacy and lifestyle that survives today only as a fragmented cultural inheritance. The book illustrates how the economy and lives of the Ma'dan (Marsh Arabs) that spans over 5000 years remained similar to the ancient practices of their Sumerian forebears.
This title was first published in 2000: This study examines the ways in which very different visual fields might be said to have shared certain working assumptions concerning the truth of representation. It concentrates particularly on prints.
Solecki suggests that Ondaatje's poetry can be seen as constituting a relatively unified personal canon that has evolved with each book building on its predecessor while simultaneously preparing the groundwork for the following volume.
This important new study reevaluates British art writing and the rise of formalism in the visual arts from 1900 to 1939. Taking Roger Fry as his starting point, Sam Rose rethinks how ideas about form influenced modernist culture and the movement’s significance to art history today. In the context of modernism, formalist critics are often thought to be interested in art rather than life, a stance exemplified in their support for abstract works that exclude the world outside. But through careful attention to early twentieth-century connoisseurship, aesthetics, art education, design, and art in colonial Nigeria and India, Rose builds an expanded account of form based on its engagement with the social world. Art and Form thus opens discussions on a range of urgent topics in art writing, from its history and the constructions of high and low culture to the idea of global modernism. Rose demonstrates the true breadth of formalism and shows how it lends a new richness to thought about art and visual culture in the early to mid-twentieth century. Accessibly written and analytically sophisticated, Art and Form opens exciting new paths of inquiry into the meaning and lasting importance of formalism and its ties to modernism. It will be invaluable for scholars and enthusiasts of art history and visual culture.
Mine Design, Planning and Sustainable Exploitation in the Digital Age covers mine planning, design and exploitation taking cognizance of new developments, especially those associated with the Fourth Industrial Revolution and the positive influence that it has, and will have, on the mining industry. It refers to latest best practices with emphasis on the social license to operate and sustainable (green) mining. The book covers surface and underground mining in some detail and addresses relevant associated aspects such as risk management, green mining and the importance of real community relations. It is organized as follows: Surface Mining Underground Soft Rock Mining Underground Hard Rock (Metal/Non-metal) Mining Green and Sustainable Mining It has many relevant photos and figures that help the reader and includes appropriate support design and types commonly used in the various mining methods. Mine Design, Planning and Sustainable Exploitation in the Digital Age is mainly aimed at mining, geological engineering and other undergraduate and postgraduates interested in the mining resources industry. It will also serve as a useful reference book for practitioners in the mining industry who want an easy-to-use book.
François Truffaut (1932-1984) ranks among the greatest film directors and has had a worldwide impact on filmmaking as a screenwriter, producer, film critic, and founding member of the French New Wave. His most celebrated films include The 400 Blows, Shoot the Piano Player, Jules and Jim, Day for Night, and The Last Metro. A Truffaut Notebook is a lively and eclectic introduction to the life and work of this major cinematic figure. In entries as brief as a page, as well as in full-length essays, it examines topics such as Truffaut's mentors, the autobiographical nature of his films, his place in the film tradition, his film criticism, his reputation, his relationships with other directors, and the formal and thematic coherence of his body of work. Sam Solecki also argues for Truffaut's continuing appeal and relevance by examining his influence on filmmakers like Woody Allen, Noah Baumbach, Alexander Payne, Patrice Leconte, and Jean-Pierre Jeunet, and on writers such as Julian Barnes, Ann Beattie, and Salman Rushdie. Because the book returns regularly to the author's shifting responses to Truffaut's work over the last fifty years, it also offers an autobiographical meditation on his own lifelong fascination with film. Consisting of over eighty short entries and essays, as well as provocative lists, dreams, and quizzes, A Truffaut Notebook is an original and exciting text and a model of passionate engagement with cinema.
The drug trade is a growth industry in most major American cities, fueling devastated inner-city economies with revenues in excess of $100 billion. In this timely volume, Sam Staley provides a detailed, in-depth analysis of the consequences of current drug policies, focusing on the relationship between public policy and urban economic development and on how the drug economy has become thoroughly entwined in the urban economy. The black market in illegal drugs undermines essential institutions necessary for promoting long-term economic growth, including respect for civil liberties, private property, and nonviolent conflict resolution. Staley argues that Americaâs cities can be revitalized only through a major restructuring of the urban economy that does not rely on drug trafficking as a primary source of employment and income-the inadvertent outcome of current prohibitionist policy. Thus comprehensive decriminalization of the major drugs (marijuana, cocaine, and heroin) is an important first step toward addressing the economic and social needs of depressed inner cities. Staley demonstrates how decriminalization would refocus public policy on the human dimension of drug abuse and addiction, acknowledge that the cities face severe development problems that promote underground economic activity, and reconstitute drug policy on principles consistent with limited government as embodied in the U.S. Constitution and Bill of Rights. Designed to cross disciplinary boundaries, Staleyâs provocative analysis will be essential reading for urban policymakers, sociologists, economists, criminologists, and drug-treatment specialists.
Lead 68: Edited Proceedings, Third International Conference on Lead Venice focuses on the compositions, characteristics, uses, and reactions of lead. The selection contains the proceedings of the Third International Conference on Lead held in Venice on September 17-20, 1968. The book first reviews the lead sheathed cables in France and Italy, including the utilization of lead sheathed cables in Italian telephone companies; lead sheathed power cables in France; and experience of Les Cables de Lyon on lead sheathing submarine cables. The text examines the influence of lead sheath thickness on service performance of power cables. The selection takes a look at developments in the quality control of extruded lead sheath cables. The seam-failure phenomena in cable sheaths and the techniques in testing seam strength are underscored. The text also offers information on the characteristics of lead alloys for oil-filled cable sheathing; the metallurgical investigations on a Pb-Sn-Sb alloy for cable sheathing; and studies on semi-sealed lead-acid batteries. The book also discusses the chemical and other applications of lead. Increase in resistance of lead to creep stress by reaction products formed in the melt and anodic and chemical corrosion of lead base alloys in sulfuric acid solutions are discussed. The selection is a vital source of data for readers interested in the compositions, characteristics, reactions, and uses of lead.
Researchers on Greco-Roman slavery, formative Christianity, and New Testament theology will surely benefit from this groundbreaking book, a study of the Apostle Paul's slave metaphors in Galatians using the New Rhetoric Model as the lens of analysis. From Roman slave laws in the first century C.E. to the text of Galatians, this book provides an excellent test case for all other studies of first-century metaphors, parables, analogies, and other related genres. Moreover, this book demonstrates explicitly, using examples and a clear step-by-step method to clarify the meanings behind Paul's metaphors.
Sam Myers: The Blues Is My Story recounts the life of bluesman Sam Myers (1936-2006), as told in his own words to author Jeff Horton. Myers grew up visually handicapped in the Jim Crow South and left home to attend the state school for the blind at Piney Woods. Myers's intense desire to become a musician and a scholarship from the American Conservatory School of Music called him to Chicago. There in 1952 he joined Elmore James's band as a drummer and was featured on some of James's best-known recordings. Following the elder bluesman's death in 1963, Myers fronted bands of his own and recorded many well-received singles and albums. In 1986, Myers became the W. C. Handy Award-winning front man, vocalist, and harmonica player for Anson Funderburgh and the Rockets. Throughout the book, Myers provides a historical context to a bygone era of the blues and reveals his own thoughts and feelings about the musicians with whom he played. And they are a list of who's who in the blues-Muddy Waters, Howlin' Wolf, Little Walter, Hound Dog Taylor, and Robert Lockwood Junior in addition to Elmore James. In one chapter, Myers describes a personalized deeper meaning to the blues. And in another he relates a series of anecdotes about the lighter side of life on the road. Contributions from Myers's father and stories from a boyhood friend round out the narrative. Dallas musician Brian “Hash Brown” Calway dissects the more technical aspects of Myers's harmonica style. Long-time friend and bandmate, Anson Funderburgh, weighs in with a chapter about their songwriting methods and offers some of his own recollections on their twenty years together.
The End of Faith articulates the dangers and absurdities of organized religion so fiercely and so fearlessly that I felt relieved as I read it, vindicated....Harris writes what a sizable number of us think, but few are willing to say."—Natalie Angier, New York Times In The End of Faith, Sam Harris delivers a startling analysis of the clash between reason and religion in the modern world. He offers a vivid, historical tour of our willingness to suspend reason in favor of religious beliefs—even when these beliefs inspire the worst human atrocities. While warning against the encroachment of organized religion into world politics, Harris draws on insights from neuroscience, philosophy, and Eastern mysticism to deliver a call for a truly modern foundation for ethics and spirituality that is both secular and humanistic. Winner of the 2005 PEN/Martha Albrand Award for Nonfiction.
Dzogchen, the Great Perfection, is the highest meditative practice of the Nyingma School of Tibetan Buddhism. Approaching the Great Perfection looks at a seminal figure of this lineage, Jigme Lingpa, an eighteenth-century scholar and meditation master whose cycle of teachings, the Longchen Nyingtig, has been handed down through generations as a complete path to enlightenment. Ten of Jigme Lingpa's texts are presented here, along with extensive analysis by van Schaik of a core tension within Buddhism: Does enlightenment develop gradually, or does it come all at once? Though these two positions are often portrayed by modern scholars as entrenched polemical views, van Schaik explains that both tendencies are present within each of the Tibetan Buddhist schools. He demonstrates how Jigme Lingpa is a great illustration of this balancing act, using the rhetoric of both sides to propel his students along the path of the Great Perfection.
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