The Forgotten People takes place in present day and is about what could happen. It is based upon actual events of our history from Biblical times to present day, mostly regarding Bigfoot and aliens that would eventually be revealed to the world along with a major government conspiracy. Once unveiled to the world, our way of life may change unimaginably.
To explore Arizona, take along plenty of water and this guidebook! Brimming with information and definitive color photos of Arizona's outback and urban areas, this guide is all new and expanded. "When You Go" lists provide telephone numbers, Internet addresses, and other information for travelers. Color photos.
In a stinging dissent to a 1961 Supreme Court decision that allowed the Illinois state bar to deny admission to prospective lawyers if they refused to answer political questions, Justice Hugo Black closed with the memorable line, "We must not be afraid to be free." Black saw the First Amendment as the foundation of American freedom--the guarantor of all other Constitutional rights. Yet since free speech is by nature unruly, people fear it. The impulse to curb or limit it has been a constant danger throughout American history. In We Must Not Be Afraid to Be Free, Ron Collins and Sam Chaltain, two noted free speech scholars and activists, provide authoritative and vivid portraits of free speech in modern America. The authors offer a series of engaging accounts of landmark First Amendment cases, including bitterly contested cases concerning loyalty oaths, hate speech, flag burning, student anti-war protests, and McCarthy-era prosecutions. The book also describes the colorful people involved in each case--the judges, attorneys, and defendants--and the issues at stake. Tracing the development of free speech rights from a more restrictive era--the early twentieth century--through the Warren Court revolution of the 1960s and beyond, Collins and Chaltain not only cover the history of a cherished ideal, but also explain in accessible language how the law surrounding this ideal has changed over time. Essential for anyone interested in this most fundamental of our rights, We Must Not Be Afraid to Be Free provides a definitive and lively account of our First Amendment and the price courageous Americans have paid to secure them.
How do people make sense of works of art? And how do they write to make others see the same way? There are many guides to looking at art, histories of art history and art criticism, and accounts of various ‘theories’ and ‘methods’, but this book offers something very unlike the normal search for difference and division: it examines the general and largely unspoken norms shared by interpreters of many kinds. Ranging widely, though taking writing within the Western tradition of art history as its primary focus, Interpreting Art highlights the norms, premises, and patterns that tend to guide interpretation along the way. Why, for example, is the concept of artistic ‘intention’ at once so reviled and yet so hard to let go of? What does it really involve when an interpretation appeals to an artwork’s ‘reception’? How can ‘context’ be used by some to keep things under control and by others to make the interpretation of art seem limitless? And how is it that artworks only seem to grow in complexity over time? Interpreting Art reveals subtle features of art writing central to the often unnoticed interpretative practices through which we understand works of art. In doing so, the book also sheds light on possible alternatives, pointing to how writers on art might choose to operate differently in the future.
The excavations led by Margaret and Tom Jones on the Thames gravel terraces at Mucking, Essex, undertaken between 1965 and 1978 are legendary. The largest area excavation ever undertaken in the British Isles, involving around 5000 participants, recorded around 44,000 archaeological features dating from the Beaker to Anglo-Saxon periods and recovered something in the region of 1.7 million finds of Mesolithic to post-medieval date. While various publications have emerged over the intervening years, the death of both directors, insufficient funding, many organizational complications and the sheer volume of material evidence have severely delayed full publication of this extraordinary palimpsest landscape. Lives in Land is the first of two major volumes which bring together all the evidence from Mucking, presenting both the detail of many important structures and assemblages and a comprehensive synthesis of landscape development through the ages: settlement histories, changing land-use, death and burial, industry and craft activities. The long time-gap since completion of the excavations has allowed the authors the unprecedented opportunity to stand back from the density of site data and place the vast sum of Mucking evidence in the wider context of the archaeology of southern England throughout the major periods of occupation and activity. Lives in Land begins with a thorough evaluation of the methods, philosophy and archival status of the Mucking project against the organizational and funding background of its time, and discusses its fascinating and complex history through a period of fundamental change in archaeological practice, legislation, finance, research priorities and theoretical paradigms in British Archaeology. Subsequent chapters deal with the prehistoric landscape, each focusing on the major themes that emerge by major period from analysis and synthesis of the data. The authors draw on archival material including site notebooks and personal accounts from key participants to provide a detailed but lively account of this iconic landscape investigation.
An attempt to locate cinema alongside philosophy, painting, geography and travel in terms of a history of modernism. The book focuses on a collection of geographical and ethnographic films and photographs amassed by banker Albert Kahn, in the 1900s - arguably an instance of French modernism.
This is the story of a historic Newark sports emporium and its proprietors. E.G. Koenig's Sons was one of Newark, New Jersey's premier retail establishments in the late 19th and 20th century. It was the first sporting goods store in Newark and in its early years had a branch store in the Benedict Building in New York City. It was located on the site of Aaron Burr's birth and the founding site of Princeton University. All those interested in Newark history, sports memorabilia collecting, merchandising history, or the history of American immigrants will find this book interesting.
Tells the tragic story of Puerto Ricans who sought the post-Civil War regime of citizenship, rights, and statehood but instead received racist imperial governance.
Summary of International Energy Research and Development Activities 1974–1976 is a directory of energy research and development projects conducted in various countries such as Canada, Italy, Germany, France, Sweden, and the United Kingdom between 1974 and 1976. A limited number of projects sponsored by international organizations such as the International Atomic Energy Agency are also included. This directory consists of nine chapters and opens with a section on organic sources of energy such as coal, oil and gas, peat, hydrocarbons, and non-fossil organic sources. The next sections focus on thermonuclear energy and plasma physics; fission sources and energy production; geophysical energy sources; conversion technology; and environmental aspects of energy conversion and use. Energy transport, transmission, utilization, and conservation are also covered. The final chapter deals with energy systems and other energy-related research on subjects ranging from car sharing and urban passenger transport to nuclear power plants, energy supply and demand models, and high-power molecular lasers. This monograph will be a valuable resource of information for those involved in energy research and development.
Does America have a free press? Many who answer yes appeal to First Amendment protections that shield the press from government censorship. But in this comprehensive history of American press freedom as it has existed in theory, law, and practice, Sam Lebovic shows that, on its own, the right of free speech has been insufficient to guarantee a free press. Lebovic recovers a vision of press freedom, prevalent in the mid-twentieth century, based on the idea of unfettered public access to accurate information. This “right to the news” responded to persistent worries about the quality and diversity of the information circulating in the nation’s news. Yet as the meaning of press freedom was contested in various arenas—Supreme Court cases on government censorship, efforts to regulate the corporate newspaper industry, the drafting of state secrecy and freedom of information laws, the unionization of journalists, and the rise of the New Journalism—Americans chose to define freedom of the press as nothing more than the right to publish without government censorship. The idea of a public right to all the news and information was abandoned, and is today largely forgotten. Free Speech and Unfree News compels us to reexamine assumptions about what freedom of the press means in a democratic society—and helps us make better sense of the crises that beset the press in an age of aggressive corporate consolidation in media industries, an increasingly secretive national security state, and the daily newspaper’s continued decline.
The aim of this text is to examine the physiological development of the fetus. It allows the reader to study the unique pharmacokinetic and metabolic features of newborns and gives specific examples of drug metabolism in the newborn. The purpose of this book is to enhance the current knowledge of pharmacology of the newborn by observing the embryo and placenta in normal and abnormal development, placental transfer of drugs, metabolic pathways, and metabolism of specific drugs such as theophylline, benzodiazepines, and antibiotics. This is a useful book for those involved in pediatric research, pharmacology, toxicology, experimental therapeutics and biology.
Spong Hill, with over 2500 cremations, remains the largest early Anglo-Saxon cremation cemetery to have been excavated in Britain. This volume presents the long-awaited chronology and synthesis of the site. It gives a detailed overview of the artefactual evidence, which includes over 1200 objects of bone, antler and ivory. Using this information, together with programmes of correspondence analysis of the cremation urns and the grave-goods, a revised phasing and chronology of the site is offered, which argues that it is largely fifth-century in date. The implications of this revised dating for interpretations of the early medieval period in Britain and further afield are explored in full.
Neil Gaiman's seminal series, THE SANDMAN, celebrates its 30th anniversary with an all-new edition of THE SANDMAN VOL. 1: PRELUDES & NOCTURNES! New York Times best-selling author Neil Gaiman's transcendent series THE SANDMAN is often hailed as the definitive Vertigo title and one of the finest achievements in graphic storytelling. Gaiman created an unforgettable tale of the forces that exist beyond life and death by weaving ancient mythology, folklore and fairy tales with his own distinct narrative vision. In PRELUDES & NOCTURNES, an occultist attempting to capture Death to bargain for eternal life traps her younger brother Dream instead. After his 70 year imprisonment and eventual escape, Dream, also known as Morpheus, goes on a quest for his lost objects of power. On his arduous journey Morpheus encounters Lucifer, John Constantine, and an all-powerful madman. This book also includes the story "The Sound of Her Wings," which introduces us to the pragmatic and perky goth girl Death. Collects THE SANDMAN #1-8.
The third volume collecting Neil Gaiman's seminal, award-winning series starring the Dream King in deluxe format. ABSOLUTE SANDMAN VOL. 3 presents several key SANDMAN tales in a slipcased hardcover edition, including "Brief Lives," in which the Sandman's sister Delirium prevails upon her older brother to help her find their missing sibling, Destruction. But their journey through the Waking World has dramatic repercussions for their family and also for the relationship between the Sandman and his wayward son, Orpheus. Also included is the spectacular short story "Ramadan," a tale of a young king of ancient Baghdad and the deal he strikes with The Sandman to grant his city immortality, with spectacular illustrations by P. Craig Russell (Fairy Tales of Oscar Wilde, The Jungle Book). Never-before-collected bonus features include pin-up pages from galleries in THE SANDMAN #50 and SANDMAN SPECIAL #1, the Desire story from VERTIGO: WINTER'S EDGE #3, THE ENDLESS GALLERY #1, script and thumbnails from THE SANDMAN #50, and a section on the Endless retail products (poster, statues, t-shirts, Little Endless and more)! Plus, an introduction by artist Jill Thompson."--Publisher description.
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