All of the stories in this volume are free-standing short stories. Stories I through VIII, however, can be regarded as sequels to the authors previous work, DEJA VIEWS OF AN AGING ORPHAN since they pick up on many characters and themes first introduced in that book and deal with the trials and tribulations of the Arcus/Erkes family, both in the "Old Country" and in America. The central plot and theme involving Nochem, Bashya and her children, Nochems sister Sonia, Mollie and her children, is told from various perspectives and points of view--not unlike the famous Japanes story RASHOMON. The remaining stories are rooted in the United States, albeit in different cities as the author and his family move from one community to another as he climbs the ladder of greater responsibilities and rewards within the social work and communal service field. While all of the stories are based on actual events and real people, some fiction was required to fill gaps and round out the stories. For example, details surrounding Nochems sustaining two life-threatening wounds during the Russo-Japanese War of 1905 and Bashya and her childrens eleven months odyssey from Odessa, Ukraine to Nesvizh, Poland! Wars (civil and world), pogroms, Displaced Persons Camps, bigamy, suicide and institutionalization are some of the events experienced by the books characters--not too dissimilar to those in DR. ZHIVAGO. In any event, each story can be perceived as a "Journey"--actual or figurative--with some of the "Journeys" in America providing some rare insights into the eleemosynary world of community centers and capital fund-raising.
To quote from E.M. Nathanson (author of THE DIRTY DOZEN and numerous other works and fellow alumnus of the HNOH) who wrote the FOREWORD to the book: The title of the book - DEJA VIEWS... - is itself a meaningful play on the French phrase deja vu - meaning, roughly, the startling feeling that strikes you that what you have just experienced you have experienced before. To anyone who shared those times, DEJA VIEWS OF AN AGING ORPHAN will be an exciting time travel adventure, comprehensive, varied, textured and evocative. To those who lived in those times but had no knowledge then of the milieu of the books real life characters and stories - and to those in the generations that followed, such as the children and grandchildren of the Home boys - the book will be a voyage of discovery. Many of the anecdotes and people profiles in the book, though not all of them, were written as columns that appeared over the years in THE ALUMNUS, the monthly publication of the Alumni Association of the Hebrew National Orphan Home and its successor institutions, Homecrest and Hartman-Homecrest. They are word pictures that have ripened and matured and been revised over the years by more acute memory and input from others. Some of these stories and brief biographies have even achieved the status of myths and legends. In addition, sowed amidst these pages of real persons and event, as a sort of literary seasoning and entertainment, are some short stories, identified as fiction, but which illuminate with their own truths. The index alone is a cornucopia of memories. The variety of people and themes that are remembered and summoned into the book is impressive. Some evoke nostalgia for a time that we didnt know was that good when we were living it; some bring a laugh - or a tear. And the focus is always on the boys - and the adults they became. In addition to the foregoing, I believe the best description of my book is contained in my INTRODUCTION, which is therefore reproduced here in its entirety. My older brother Al, myself and my younger sister Henny all became half-orphans upon the death of our mother in February 1929. Our father had to place us in orphanages when he found himself unable to provide the care required by a 9 year old boy, his 7year old brother and 2 year old sister. A1 and I were placed in the Hebrew National Orphan Home on Tuckahoe Road in the outskirts of Yonkers, NY while Henrietta was put into the Israel Orphan Asylum on East Second Street NYC. This separation was necessary because the HNOH accepted only boys, ages 6 to 16 (later HS graduation) whereas the IOA accepted boys and girls, ages 2 to 5. It was while I was in the HNOH that I became a "full-fledged" orphan, when my father died in 1938. And Ive been a "full-fledged orphan" ever since--although I didnt start "aging" until just a few months ago when I turned 78. But some years before that, my then new daughter-in-law, Susan was describing my wife and myself to her mother, including the fact that we were orphans (my wife having been raised in the Pride of Judea Childrens Home on Dumont Ave in Brooklyn where I worked after I had left the HNOH). To which Susans mother replied, matter-of-factly: "Well, so am I. And so is your father!" Momentarily surprised, Susan then elaborated: "No mom. I mean they were orphaned as children and raised in orphanages." Her mother hesitated and then said: "Oh". This anecdote illustrates the fact that ultimately we all become "orphans". But that is not the focus of this work. Its focus is the child who lost one or both parents at a young, tender age and subsequently was placed in an institution--the orphanage. So when I titled this work "...OF AN AGING ORPHAN. I wasnt focusing on an older person who had been orphaned as an adult, but on an orphaned child who, fortunately, has been aging nicely. I say "fortunately" because I
All of the stories in this volume are free-standing short stories. Stories I through VIII, however, can be regarded as sequels to the authors previous work, DEJA VIEWS OF AN AGING ORPHAN since they pick up on many characters and themes first introduced in that book and deal with the trials and tribulations of the Arcus/Erkes family, both in the "Old Country" and in America. The central plot and theme involving Nochem, Bashya and her children, Nochems sister Sonia, Mollie and her children, is told from various perspectives and points of view--not unlike the famous Japanes story RASHOMON. The remaining stories are rooted in the United States, albeit in different cities as the author and his family move from one community to another as he climbs the ladder of greater responsibilities and rewards within the social work and communal service field. While all of the stories are based on actual events and real people, some fiction was required to fill gaps and round out the stories. For example, details surrounding Nochems sustaining two life-threatening wounds during the Russo-Japanese War of 1905 and Bashya and her childrens eleven months odyssey from Odessa, Ukraine to Nesvizh, Poland! Wars (civil and world), pogroms, Displaced Persons Camps, bigamy, suicide and institutionalization are some of the events experienced by the books characters--not too dissimilar to those in DR. ZHIVAGO. In any event, each story can be perceived as a "Journey"--actual or figurative--with some of the "Journeys" in America providing some rare insights into the eleemosynary world of community centers and capital fund-raising.
To quote from E.M. Nathanson (author of THE DIRTY DOZEN and numerous other works and fellow alumnus of the HNOH) who wrote the FOREWORD to the book: The title of the book - DEJA VIEWS... - is itself a meaningful play on the French phrase deja vu - meaning, roughly, the startling feeling that strikes you that what you have just experienced you have experienced before. To anyone who shared those times, DEJA VIEWS OF AN AGING ORPHAN will be an exciting time travel adventure, comprehensive, varied, textured and evocative. To those who lived in those times but had no knowledge then of the milieu of the books real life characters and stories - and to those in the generations that followed, such as the children and grandchildren of the Home boys - the book will be a voyage of discovery. Many of the anecdotes and people profiles in the book, though not all of them, were written as columns that appeared over the years in THE ALUMNUS, the monthly publication of the Alumni Association of the Hebrew National Orphan Home and its successor institutions, Homecrest and Hartman-Homecrest. They are word pictures that have ripened and matured and been revised over the years by more acute memory and input from others. Some of these stories and brief biographies have even achieved the status of myths and legends. In addition, sowed amidst these pages of real persons and event, as a sort of literary seasoning and entertainment, are some short stories, identified as fiction, but which illuminate with their own truths. The index alone is a cornucopia of memories. The variety of people and themes that are remembered and summoned into the book is impressive. Some evoke nostalgia for a time that we didnt know was that good when we were living it; some bring a laugh - or a tear. And the focus is always on the boys - and the adults they became. In addition to the foregoing, I believe the best description of my book is contained in my INTRODUCTION, which is therefore reproduced here in its entirety. My older brother Al, myself and my younger sister Henny all became half-orphans upon the death of our mother in February 1929. Our father had to place us in orphanages when he found himself unable to provide the care required by a 9 year old boy, his 7year old brother and 2 year old sister. A1 and I were placed in the Hebrew National Orphan Home on Tuckahoe Road in the outskirts of Yonkers, NY while Henrietta was put into the Israel Orphan Asylum on East Second Street NYC. This separation was necessary because the HNOH accepted only boys, ages 6 to 16 (later HS graduation) whereas the IOA accepted boys and girls, ages 2 to 5. It was while I was in the HNOH that I became a "full-fledged" orphan, when my father died in 1938. And Ive been a "full-fledged orphan" ever since--although I didnt start "aging" until just a few months ago when I turned 78. But some years before that, my then new daughter-in-law, Susan was describing my wife and myself to her mother, including the fact that we were orphans (my wife having been raised in the Pride of Judea Childrens Home on Dumont Ave in Brooklyn where I worked after I had left the HNOH). To which Susans mother replied, matter-of-factly: "Well, so am I. And so is your father!" Momentarily surprised, Susan then elaborated: "No mom. I mean they were orphaned as children and raised in orphanages." Her mother hesitated and then said: "Oh". This anecdote illustrates the fact that ultimately we all become "orphans". But that is not the focus of this work. Its focus is the child who lost one or both parents at a young, tender age and subsequently was placed in an institution--the orphanage. So when I titled this work "...OF AN AGING ORPHAN. I wasnt focusing on an older person who had been orphaned as an adult, but on an orphaned child who, fortunately, has been aging nicely. I say "fortunately" because I
For more than 45 years, Glenn’s Urologic Surgery has been the must-have surgical reference for residents and practicing urologists. Authored by renowned experts in the field, the 8th Edition focuses on the adult and pediatric surgical techniques you need to master to ensure the best possible outcomes for your patients. Comprehensive coverage, more than 1,300 full-color illustrations, and concise, easy-to-follow text are the hallmarks of this updated surgical resource.
Anatomical Atlas of Chinese Acupuncture Points: The Cooperative Group of Shandong Medical College and Shandong College of Traditional Chinese Medicine covers the common points with their relations to human anatomical structures and the locations of points and indications. The book provides illustrative 100 plates and pictures that fall into three categories: the first part deals with the courses of 12 channels and 8 extra channels (Mai), points on such channels, locations, and indications. The second part describes the relationships between familiar points and their relative anatomical structures (head and neck, trunk, upper, and lower extremities). Points of auricular acupuncture and their indications are included in the third part. The book further presents an index of the ear acupuncture points. The book will be invaluable to people working in the fields of combining Chinese traditional medicine with Western medicine, research work as well as clinical therapeutics.
E. J. Rath was the pen name of Chauncey Brainerd and his wife Edith Rathbone Jacobs Brainerd (1885-1922), both American writers. Many of their novels were adapted for stage or film, and include "Once Again," "The Nervous Wreck" and others.
Sam Willson was born and raised in Vermont, educated in and around Boston, and worked there and in New York. He's an avid traveler, living for two years in Switzerland, and visiting Sydney and the North Pole, Singapore and St. Petersburg, and many places in between. He now lives in Sag Harbor, near the east end of Long Island, NY. (synopsis for Miracles & Murders, book 119342. The stories in this collection are rather evenly divided between down-and-dirty realism and wild, not to say far-fetched, fantasy. The narrator of Menu is a man you might already know, while the lovely Lady Chastain, pianist for the Queen, us probably not at the center of your circle of friends. The longest story here, The End of Humphrey Kohn, despite its violence and unkindness, could well be read as a morality play. But who needs labels? Enjoy!
This Edition Is a Revision of the Recommendations (1972) of the IUPAC–IUB Commission on Biochemical Nomenclature, and Has Been Approved for Publication by the Executive Committee of the International Union of Biochemistry
This Edition Is a Revision of the Recommendations (1972) of the IUPAC–IUB Commission on Biochemical Nomenclature, and Has Been Approved for Publication by the Executive Committee of the International Union of Biochemistry
Enzyme Nomenclature 1978 is based upon the recommendations of the Nomenclature Committee of the International Union of Biochemistry on the Nomenclature and Classification of Enzymes.This book deals with the naming of enzymes. The text describes problems encountered in the past when individual scientists named enzymes randomly, resulting in duplication, misnomers, and confusion. Some order followed upon the establishment of the International Commission on Enzymes. This book also explains the classification and nomenclature scheme through general principles that should be followed in dealing with enzymes. The text describes the systematic and trivial names, the key to numbering of enzymes, and the rules of classification and nomenclature. The book also contains the enzyme list including the class of oxidoreductases, transferases, hydrolases, lyases, and ligases (synthetases). The appendix contains the nomenclature of electron-transfer proteins, which include flavoproteins, proteins containing reducible disulfide, cytochromes, iron-sulfur proteins, and other metalloproteins. An index lists all the enzymes in alphabetical order. This handy reference will be useful for scientists involved in bio-chemistry, molecular biology, micro-biology, and researchers whose works involve enzyme and medical research.
Marcus is the latest star at an athletically prestigious Baltimore high school. In the fall, he starts at running back on the varsity football team and in the winter, he starts at shooting guard for the varsity basketball team. He has his pick of a Division I scholarship in either of the two sports. But when Marcus gets in a bad fight with a white player at a preseason basketball tournament, racial tensions start to run high. Will Marcus be consumed by his anger? Baltimore is a book from Hoop City, an EPIC Press six set series. Some titles may contain explicit content and/or language.
With inspiration from the #1 bestselling card game, this hilarious one-of-a-kind field guide features forty of the most frequently encountered cats from the Exploding Kittens universe -- including dozens of brand-new breeds. The entries in this comprehensive spotter's guide for cat lovers identify the feline's origin, appearance, eating and mating rituals, natural habitat, and habits and behavior, as well as where to look for them in the wild. Profiles are brought to life with vivid art illustrated by The Oatmeal in this perfectly portable guide, an essential companion for any cat watcher's collection.
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