Poetry. Translated from the Spanish by Anthony Seidman and David Shook. Introduced by Jorge Ortega. Bilingual Edition. "I feel that poetry," Salvador Novo confesses in a poem from Espejo (1933), "hasn't come forth from me." That will prove to be a recurring theme in the intense and brief work of this sui generis poet, a member of that distinguished "group lacking a group," as the Contemporáneos playfully referred to themselves. Among that constellation of solitary souls there belonged some of the best Mexican poets and Spanish speaking poets of the 20th century: José Gorostiza, Xavier Villaurrutia, and Carlos Pellicer, to mention the more widely known among them. The Contemporáneos made up the first generation of truly modern writers in Mexico, and in their eponymous journal they published the first Spanish translations of T.S. Eliot, D.H. Lawrence, Saint-John Perse, Langston Hughes, Jules Supervielle and Paul Valéry. All of those influences can be spotted in the youthful poetry of Novo. Moreover, as in the brief quote which opens this paragraph, there appears another distinct trait in his poetry: confession. "For the young Novo, passionately avant-garde, poetry was not only everything that tradition seemed to bypass, such as the unsacred, the free association of ideas, the prosaic, the unedited spaces of Spanish from the vast cities, fragmentation, irony, the uninhibited along with an acrid sense of humor, but also a poetry not detached from his lifestyle, which captured with an opulence in language, as well as a frankness, making one think of Oscar Wilde (one with whom Novo shares not only an emotive and aesthetic quality, but also a sexual orientation which he openly practiced in a society that was vehemently scandalized). The translations which Anthony Seidman and David Shook have done—taken from two fundamental books by Novo, XX Poemas (1925) and Espejo (1933) —offer an excellent way in which to appreciate the work of this radically unorthodox poet."—Alberto Blanco
The renowned writer describes coming of age during the violent Mexican Revolution and living as an openly homosexual man in a brutally machista society. Salvador Novo (1904–1974) was a provocative and prolific cultural presence in Mexico City through much of the twentieth century. With his friend and fellow poet Xavier Villaurrutia, he cofounded Ulises and Contemporáneos, landmark avant-garde journals of the late 1920s and 1930s. At once “outsider” and “insider,” Novo held high posts at the Ministries of Culture and Public Education and wrote volumes about Mexican history, politics, literature, and culture. The author of numerous collections of poems, including XX poemas, Nuevo amor, Espejo, Dueño mío, and Poesía1915–1955, Novo is also considered one of the finest, most original prose stylists of his generation. Pillar of Salt is Novo’s incomparable memoir of growing up during and after the Mexican Revolution; shuttling north to escape the Zapatistas, only to see his uncle murdered at home by the troops of Pancho Villa; and his initiations into literature and love with colorful, poignant, complicated men of usually mutually exclusive social classes. Pillar of Salt portrays the codes, intrigues, and dynamics of what, decades later, would be called “a gay ghetto.” But in Novo’s Mexico City, there was no name for this parallel universe, as full of fear as it was canny and vibrant. Novo’s memoir plumbs the intricate subtleties of this world with startling frankness, sensitivity, and potential for hilarity. Also included in this volume are nineteen erotic sonnets, one of which was long thought to have been lost.
In the years following the Mexican Revolution, a nationalist and masculinist image of Mexico emerged through the novels of the Revolution, the murals of Diego Rivera, and the movies of Golden Age cinema. Challenging this image were the Contemporáneos, a group of writers whose status as outsiders (sophisticated urbanites, gay men, women) gave them not just a different perspective, but a different gaze, a new way of viewing the diverse Mexicos that exist within Mexican society. In this book, Salvador Oropesa offers original readings of the works of five Contemporáneos—Salvador Novo, Xavier Villaurrutia, Agustín Lazo, Guadalupe Marín, and Jorge Cuesta—and their efforts to create a Mexican literature that was international, attuned to the realities of modern Mexico, and flexible enough to speak to the masses as well as the elites. Oropesa discusses Novo and Villaurrutia in relation to neo-baroque literature and satiric poetry, showing how these inherently subversive genres provided the means of expressing difference and otherness that they needed as gay men. He explores the theatrical works of Lazo, Villaurrutia's partner, who offered new representations of the closet and of Mexican history from an emerging middle-class viewpoint. Oropesa also looks at women's participation in the Contemporáneos through Guadalupe Marín, the sometime wife of Diego Rivera and Jorge Cuesta, whose novels present women's struggles to have a view and a voice of their own. He concludes the book with Novo's self-transformation from intellectual into celebrity, which fulfilled the Contemporáneos' desire to merge high and popular culture and create a space where those on the margins could move to the center.
Many strategies fail not because they are improperly formulated but because they are poorly implemented. The Oxford Handbook of Strategy Implementation examines the crucial role of implementation in how business and managerial strategies produce returns. In this wide-ranging collection of essays, leading scholars address governance, resources, human capital, and accounting-based control systems, advancing our understanding of strategy implementation and identifying opportunities for future research on this important process.
An Innovative Approach to Studying and Treating Cancer: Targeting pH describes one of the few characteristics of cancer that is not shared by normal tissues: the reversal or inversion of the pH gradient when intracellular pH becomes alkaline and extracellular pH becomes acid. This is now recognized as one of the most selective and differential hallmarks of all cancer cells and tissues, being the opposite of the condition found in normal tissues and a potential target in order to achieve either a stable disease or even regression with no toxicity. The book discusses topics such as lactic acid and its transport system in the pH paradigm, mechanisms to decrease extra cellular pH and increase intracellular pH, NHE-1 activity in cancer, carbonic anhydrases, vacuolar ATPase proton pump, and the sodium-bicarbonate cotransporter system. Additionally, it discusses complementary pharmacological interventions, cellular acidification and extracellular alkalinization as a new and integral approach to cancer treatment. - Analyzes the mechanisms that lead to the inversion of pH gradient in cancer tissues - Summarizes almost 100 years of research on pH inversion in cancer in one single source, discussing the most relevant and updated researches in the field - Proposes new efficient treatments against cancer using pH inversion mechanisms, either with new drugs like proton transport inhibitors and proton pump inhibitors (PTIs and PPIs) or with repurposed drugs
This book begins with a brief description of the legal foundations of the corporative labor relations system in Brazil. It analyzes strike activity in Brazil as it increased in frequency and intensity from 1945 to 1963 while undergoing fundamental changes in composition.
Celiac disease is a systemic autoimmune process and appears in genetically predisposed individuals, with a well-known cause, consisting in a permanent intolerance to gluten, a protein contained in the flour of wheat, rye, barley and oats. Worldwide celiac disease affects to 1% of the Caucasian and there is recent evidence that the disease is increasing in USA and Finland among other regions in the world. It is considered to be the most prevalent disease with a genetic predisposition. The clinical forms of presentation are varied. The classical form consisting of diarrhea, anemia and failure to thrive is still common in children, but in the adult patients the symptoms resemble the irritable bowel syndrome. Mono-symptomatic forms with extra-intestinal manifestations are frequent. Hematological, cutaneous, articular, hepatic, bone and neurological manifestations are often described. This protean presentation and the lack of awareness explain the delay in diagnosis and suggest that screening in high-risk groups is indicated. The publication of this book written mainly by Spanish and Latin-American clinicians, researchers, and teachers, demonstrates the wide interest and the involvement of different disciplines that are necessary to understand celiac disease and gluten-related pathologies, such as non-celiac gluten-sensitivity. This has a great impact in the general public and in the industry. However, the knowledge of non-celiac gluten-related pathologies remains scarce but presently in the process of being properly defined. This book also highlights the importance of recognizing non-celiac gluten-sensitivity and briefly discusses a new definition. It also provides some perspectives to take into account when studying celiac disease in China and Central America. It describes new observations in Mexico, El Salvador and Costa Rica. The psychosocial impact as studied and reported by Argentinean investigators also adds to the value of this book. Written with a multidisciplinary team, we think that this book could be of interest to a great variety of medical specialists. Due to the systemic nature and variable presentation of celiac disease it certainly is of interest to pediatricians, gastroenterologists, hepatologists, specialists in internal medicine, general practitioners as well as hematologists, immunologists, geneticists, pathologists, rheumatologists, dermatologists, neurologists, gynecologists, neurologists, psychiatrists, psychologists, orthopedic surgeons, specialists in rehabilitation medicine, endocrinologists. Being gluten the cause of these disorders, the food industry, dietitians and nutritionists will benefit from the valuable information presented in this book.
Since the 1980s, the theme park industry has developed into a global phenomenon, with everything from large, worldwide theme parks to countless smaller ventures. From the first pleasure gardens to the global theme park companies, this book provides an understanding of the nature and function of theme parks as spaces of entertainment. Illustrated throughout by worldwide case studies, empirical data and practical examples, the book portrays the impacts of theme park as global competitive actors, agents of global development and cultural symbols, particularly in the context of their role in the developing experience economy. In conclusion, this book is a practical guide to the planning and development of theme parks.
Prodigious Love Penned in Poetry by Salvador DeLaRosa The fast track life we live obscures the pure notion of Love. Salvador DeLaRosa has written a compilation of poems so the reader can reconnect his irascible and concupiscible appetites, and, once aligned with reason, pace the path for true romance to flourish vigorously.
Este primer libro de prosa narrativa de Salvador Novo es pasaporte para la lectura y relectura de un autor nimbado, en partes iguales, por el talento excepcional y el escándalo. Novo es apenas un veinteañero, pero, contradictoriamente, asume y celebra su condición de rutinario, apoltronado sedentario, más la franca gordura, más calvicie temprana, más los gruesos anteojos. Más: dará prueba de una fuerte musculatura de viajero solicitado por cambios de horarios, transbordos, saraos, compañeros y compañeras, vestuario, hoteles, costumbres, lenguas. Aquí, con mayor claridad que en cualquier otro relato ortodoxo, imperan el principio, el nudo y el desenlace. Se parte, se traslada, se regresa. La escritura misma se impregna de movimiento. En esencia, la duración del viaje es el tiempo que uno tarda en retornar al punto de partida. Llega, fatal, la hora: Return ticket.
In the years following the Mexican Revolution, a nationalist and masculinist image of Mexico emerged through the novels of the Revolution, the murals of Diego Rivera, and the movies of Golden Age cinema. Challenging this image were the Contemporáneos, a group of writers whose status as outsiders (sophisticated urbanites, gay men, women) gave them not just a different perspective, but a different gaze, a new way of viewing the diverse Mexicos that exist within Mexican society. In this book, Salvador Oropesa offers original readings of the works of five Contemporáneos—Salvador Novo, Xavier Villaurrutia, Agustín Lazo, Guadalupe Marín, and Jorge Cuesta—and their efforts to create a Mexican literature that was international, attuned to the realities of modern Mexico, and flexible enough to speak to the masses as well as the elites. Oropesa discusses Novo and Villaurrutia in relation to neo-baroque literature and satiric poetry, showing how these inherently subversive genres provided the means of expressing difference and otherness that they needed as gay men. He explores the theatrical works of Lazo, Villaurrutia's partner, who offered new representations of the closet and of Mexican history from an emerging middle-class viewpoint. Oropesa also looks at women's participation in the Contemporáneos through Guadalupe Marín, the sometime wife of Diego Rivera and Jorge Cuesta, whose novels present women's struggles to have a view and a voice of their own. He concludes the book with Novo's self-transformation from intellectual into celebrity, which fulfilled the Contemporáneos' desire to merge high and popular culture and create a space where those on the margins could move to the center.
In "The War of the Fatties," a campy, tongue-in-cheek retelling of an episode from the Mexican "Trojan War," naked fat women from Tlatelolco discombobulate Tenochtitlan’s invading army by squirting them with breast milk. Told with satiric allusions to the policies and tactics used by Mexico’s current ruling party, PRI, to consolidate its power, the play unfolds a history of vain rivalry and decadence, intricate political maneuvers, corruption, and unchecked ambition that determined the course of Mexican history for two centuries before the Spanish conquest. Novo’s other works in this collection—"A Few Aspects of Sex among the Nahuas," "Ahuítzotl and the Magic Water," "Cuauhtémoc: Play in One Act," "Cuauhtémoc and Eulalia: A Dialogue," "Malinche and Carlota: A Dialogue," and "In Ticitézcatl or The Enchanted Mirror: Opera in Two Acts"—represent nearly all of his Aztec-related writings. Taken together, they provide a delightful introduction to Novo’s later works and a light-hearted, historically accurate introduction to Aztec culture. The text is supplemented by a glossary of Nahuatl terms, notes on the historical characters, and an introduction that provides historical background and places Novo’s works within their cultural context.
This book begins with a brief description of the legal foundations of the corporative labor relations system in Brazil. It analyzes strike activity in Brazil as it increased in frequency and intensity from 1945 to 1963 while undergoing fundamental changes in composition.
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