From the heartbroken protagonist she depicted in her first published story, "Death of a Traveling Salesman," to the reflective widow she described in her last novel, The Optimist's Daughter, Eudora Welty wrote realistically about the shadows and radiance of love. In a meticulous exploration of this theme, Sally Wolff combines new readings of Welty's fiction with contextual information and background drawn from a nineteen-year friendship with Welty. A common image in much of Welty's fiction, the rose has traditionally symbolized love in literature. Wolff argues that the dark rose-from the height of its brilliance to the end of its life-serves as an apt metaphor for the dichotomies Welty presents, equally suggestive of beauty and sadness, as well as the comic, tragic, and mysterious qualities of love. While some of Welty's characters seem autobiographical-a daughter remembering her parents' marriage or a broodingly hopeful member of a large family wedding-at times Welty analyzes from a distance the dynamics of successful and troubled loving relationships. Although Welty experienced love several times during her life, she never married, and Wolff argues that this vantage point allowed Welty to write from an objective perspective in her fiction about the varied dimensions of love. A Dark Rose explores several texts to examine Welty's nuanced and intricate portrayals of love. Though love in Welty's fiction fails, wears thin, and even faces death-it remains a vital force in her characters' lives.
In the 1970s and 1980s, Sally Wolff and Floyd C. Watkins, both of Emory University, took students of southern literature to Lafayette County, Mississippi, to explore the region where William Faulkner lived. They visited Faulkner’s home, Rowan Oak, in Oxford, Mississippi; trekked around the countryside; and met people who were the prototypes for some of his characters. During these excursions, they discovered firsthand how profoundly Faulkner’s family, community, and region imprinted themselves on his imagination and then both shaped and enriched his work. Their primary guide was Jimmy Faulkner, who was once described by his famous uncle as “the only person who likes me for what I am.” Like his uncle, Jimmy is a born storyteller, and his recollections provide profound as well as intimate details about Faulkner as author, father, member of the unusual Faulkner clan, and resident of the model for what may be the most famous county in American literature. In these interviews, and in the forty-three splendid black-and-white photographs that accompany them, we move through Faulkner’s home territory and encounter the sources of his sense of place and its past: antebellum Rowan Oak, with its scuppernong vines and outside kitchen; old plantation homes and dogtrot houses; narrow one-lane bridges and creeks with Indian names; country churches and cemeteries. Jimmy’s comments often link specific sites with particular episodes or settings in Faulkner’s works, and his humorous stories sometimes mingle fact with fiction. Two colorful local personalities who knew Faulkner—Pearle Galloway, proprietor of a general store near Oxford for over thirty years, and Motee Daniel, owner of various enterprises, including a roadhouse, a general store, and a bootlegging operation—also tell tales about him. Galloway and Daniel provide, in turn, fascinating glimpses of the kind of people who intrigued Faulkner and about whom he wrote. While his work was most certainly influenced by his surroundings, Faulkner, through his stories and novels, likewise transformed the memories, perceptions, and interpretations of his family, his community, and his readers. Talking About William Faulkner deepens our knowledge of Faulkner’s everyday life and our understanding of the world in which he lived and of which he wrote.
Emory University professor Sally Wolff has carried on a fifty-year tradition of leading students on expeditions to "Faulkner country" in and around Oxford, Mississippi. Not long ago, she decided to invite alumni on one of these field trips. One response to the invitation surprised her: "I can't go on the trip. But I knew William Faulkner." They were the words of Dr. Edgar Wiggin Francisco III, and in talking with Wolff he revealed that as a child in the 1930s and 1940s he did indeed know Faulkner quite well. His father and Faulkner maintained a close friendship for many years, going back to their shared childhood, but the fact of their friendship has been unrecognized because the two men saw much less of each other after the early years of their marriages. In Ledgers of History, Wolff recounts her conversations with Dr. Francisco -- known to Faulkner as "Little Eddie" -- and reveals startling sources of inspiration for Faulkner's most famous works. Dr. Francisco grew up at McCarroll Place, his family's ancestral home in Holly Springs, Mississippi, thirty miles north of Oxford. In the conversations with Wolff, he recalls that as a boy he would sit and listen as his father and Faulkner sat on the gallery and talked about whatever came to mind. Francisco frequently told stories to Faulkner, many of them oft-repeated, about his family and community, which dated to antebellum times. Some of these stories, Wolff shows, found their way into Faulkner's fiction. Faulkner also displayed an absorbing interest in a seven-volume diary kept by Dr. Francisco's great-great-grandfather Francis Terry Leak, who owned extensive plantation lands in northern Mississippi before the Civil War. Some parts of the diary recount incidents in Leak's life, but most of the diary concerns business transactions, including the buying and selling of slaves and the building of a plantation home. During his visits over the course of decades, Francisco recalls, Faulkner spent many hours poring over these volumes, often taking notes. Wolff has discovered that Faulkner apparently drew some of the most important material in several of his greatest works, including Absalom, Absalom! and Go Down, Moses, at least in part from the diary. Through Dr. Francisco's vivid childhood recollections, Ledgers of History offers a compelling portrait of the future Nobel Laureate near the midpoint of his legendary career and also charts a significant discovery that will inevitably lead to revisions in historical and critical scholarship on Faulkner and his writings.
Emory University professor Sally Wolff has carried on a fifty-year tradition of leading students on expeditions to "Faulkner country" in and around Oxford, Mississippi. Not long ago, she decided to invite alumni on one of these field trips. One response to the invitation surprised her: "I can't go on the trip. But I knew William Faulkner." They were the words of Dr. Edgar Wiggin Francisco III, and in talking with Wolff he revealed that as a child in the 1930s and 1940s he did indeed know Faulkner quite well. His father and Faulkner maintained a close friendship for many years, going back to their shared childhood, but the fact of their friendship has been unrecognized because the two men saw much less of each other after the early years of their marriages. In Ledgers of History, Wolff recounts her conversations with Dr. Francisco -- known to Faulkner as "Little Eddie" -- and reveals startling sources of inspiration for Faulkner's most famous works. Dr. Francisco grew up at McCarroll Place, his family's ancestral home in Holly Springs, Mississippi, thirty miles north of Oxford. In the conversations with Wolff, he recalls that as a boy he would sit and listen as his father and Faulkner sat on the gallery and talked about whatever came to mind. Francisco frequently told stories to Faulkner, many of them oft-repeated, about his family and community, which dated to antebellum times. Some of these stories, Wolff shows, found their way into Faulkner's fiction. Faulkner also displayed an absorbing interest in a seven-volume diary kept by Dr. Francisco's great-great-grandfather Francis Terry Leak, who owned extensive plantation lands in northern Mississippi before the Civil War. Some parts of the diary recount incidents in Leak's life, but most of the diary concerns business transactions, including the buying and selling of slaves and the building of a plantation home. During his visits over the course of decades, Francisco recalls, Faulkner spent many hours poring over these volumes, often taking notes. Wolff has discovered that Faulkner apparently drew some of the most important material in several of his greatest works, including Absalom, Absalom! and Go Down, Moses, at least in part from the diary. Through Dr. Francisco's vivid childhood recollections, Ledgers of History offers a compelling portrait of the future Nobel Laureate near the midpoint of his legendary career and also charts a significant discovery that will inevitably lead to revisions in historical and critical scholarship on Faulkner and his writings.
Have you ever told a lie? This book colourfully illustrates with four different stories what can happen to liars when they finally speak the truth.gReading age 9.5-10.5 yearsText Type: NarrativeContents:The Shepherd BoyThe Starship ApprenticeThe Castaway on the IslandThe Listener
Sally A. Allen is originally from Wisconsin and currently lives in West Central Florida with her schnauzer, Sibby. While her novels are fiction, she draws from the many experiences she's had in her life. Visit her website at www.sally-allen.webs.com.
Unlike so many other books, Grace and Power rejects gossip and conspiracy theory to tell the story of John and Jackie’s three years in the White House soberly, comprehensively and sensitively, from beginning to sudden end. Sally Bedell Smith’s book on John and Jackie Kennedy was hailed by authoritative reviewers on both sides of the Atlantic as the most distinguished and well-written book on a perennially fascinating subject for years. In the US the hardback was high on the New York Times bestseller list for weeks. It is an immensely poignant chronicle of pivotal historical events seen from the inside out, from within the private home of the President and First Lady. Amidst the superficial opulence of their social circle, we see the Cuban Missile Crisis and the burgeoning American civil rights movement from the perspective of an invalid president often barely well enough to appear in public. Together with his young wife, abandoned by her husband’s relentless womanising, nevertheless changed the politics and style of America. Grace and Power is the classic account of that time.
“He is to American broadcasting as Carnegie was to steel, Ford to automobiles, Luce to publishing, and Ruth to baseball,” wrote The New York Times of William S. Paley—the man who built CBS, the “Tiffany Network.” Sally Bedell Smith’s In All His Glory takes a hard look at Paley and the perfect world he created for himself, revealing the extraordinary complexity of the man who let nothing get in the way of his vast ambitions. Tracing his life from Chicago, where Paley was born to a family of cigar makers, to the glamorous haunts of Manhattan, Smith shows us the shrewd, demanding egoist, the hedonist pursuing every form of pleasure, the corporate strongman famous for his energy and ruthlessness. Drawing on highly placed CBS sources and hundreds of interviews, and with a supporting cast of such glittering figures as Truman Capote, Slim Keith, Jock Whitney, Ted Turner, David Sarnoff, Brooke Astor and a parade of Paley’s humiliated heirs, In All His Glory is a richly textured story of business, power and social ambition. Praise for In All His Glory “A sweeping study of the emergence of broadcasting, the American immigrant experience, and the ravenous personal and professional tastes of Paley as he charmed and clawed his way to the top of society.”—Los Angeles Times “Riveting…packed with revelations, rich in radio and TV lore, sprinkled with intrigues, glitz, and wheeling and dealing at the highest levels of media and government.”—Publishers Weekly “An impressive, meticulously researched work of broadcast history as well as a piquant glimpse inside CBS’s corporate culture.”—Time
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