The word “sibilance” refers to pronunciations of the letter “s,” including the emission of a hissing or whistling sound. As the title of Sally Van Doren’s fourth collection of poetry, the word alerts readers to the sounds of language in the poems that follow in abecedarian order. Filled with wordplay, Van Doren’s poems vacillate between the extremes of joy and despair, by turns witty and chagrined, punning and reflective. The poems gathered in Sibilance aim to clarify their author’s ambivalence concerning living life and writing about it. Her unique investigations teem with distilled images encased in the language of irreverence and awe.
In her third LSU Press poetry collection, Van Doren takes a straightforward approach towards the subjects of domesticity, housewives, the playfulness of langauge, and even the poet's own alter-ego, "Wendy." Throughout, relationships are front and center and Van Doren's lively and spirited voice make observations about the minutiae of life a refreshing experience.
Sally Van Doren's imaginative new collection offers bold and beguiling poems. Uttered in intense lyrical bursts that reflect the poet's command of language both familiar and strange, the visually dramatic moments gathered here probe the time-honored themes of love and death with candor and intimacy. The poems range in tone from a tongue-twisting search for identity to a plea to engage others in the refutation of pain: "My discreet sorrow / Hides in the dichotomy / Of your duplicitous palm / Offer me your hand / Our patty-cake will / Clap away antipathy." Drawing from sources as varied as the Bible, pop music, American politics, Italian Renaissance architecture, and poetry from Catullus to Wallace Stevens to OuLiPo, the poems unite in their unabashed examination of the uncertainties of life. In several poems, the voice of Eve reimagines the repercussions of original sin. In others, Van Doren chronicles vehicles of present-day suffering, "e-mailed poultices," "day-glo ambulances," and being "drafted against our will into kinetic wilderness." Throughout the collection, recognitions of despair are counterbalanced by assertions of hope: "we dug for glory / for healing not / born from pain.
Introducing a New U.S. History Text That Takes Religion Seriously Unto a Good Land offers a distinctive narrative history of the American people -- from the first contacts between Europeans and North America's native inhabitants, through the creation of a modern nation, to the 2004 presidential election. Written by a team of highly regarded historians, this textbook shows how grasping the uniqueness of the "American experiment" depends on understanding not only social, cultural, political, and economic factors but also the role that religion has played in shaping U. S. history. While most United States history textbooks in recent decades have expanded their coverage of social and cultural history, they still tend to shortchange the role of religious ideas, practices, and movements in the American past. Unto a Good Land restores the balance by giving religion its appropriate place in the story. This readable and teachable text also features a full complement of maps, historical illustrations, and "In Their Own Words" sidebars with excerpts from primary source documents.
In her third LSU Press poetry collection, Van Doren takes a straightforward approach towards the subjects of domesticity, housewives, the playfulness of langauge, and even the poet's own alter-ego, "Wendy." Throughout, relationships are front and center and Van Doren's lively and spirited voice make observations about the minutiae of life a refreshing experience.
Sally Van Doren's imaginative new collection offers bold and beguiling poems. Uttered in intense lyrical bursts that reflect the poet's command of language both familiar and strange, the visually dramatic moments gathered here probe the time-honored themes of love and death with candor and intimacy. The poems range in tone from a tongue-twisting search for identity to a plea to engage others in the refutation of pain: "My discreet sorrow / Hides in the dichotomy / Of your duplicitous palm / Offer me your hand / Our patty-cake will / Clap away antipathy." Drawing from sources as varied as the Bible, pop music, American politics, Italian Renaissance architecture, and poetry from Catullus to Wallace Stevens to OuLiPo, the poems unite in their unabashed examination of the uncertainties of life. In several poems, the voice of Eve reimagines the repercussions of original sin. In others, Van Doren chronicles vehicles of present-day suffering, "e-mailed poultices," "day-glo ambulances," and being "drafted against our will into kinetic wilderness." Throughout the collection, recognitions of despair are counterbalanced by assertions of hope: "we dug for glory / for healing not / born from pain.
The word “sibilance” refers to pronunciations of the letter “s,” including the emission of a hissing or whistling sound. As the title of Sally Van Doren’s fourth collection of poetry, the word alerts readers to the sounds of language in the poems that follow in abecedarian order. Filled with wordplay, Van Doren’s poems vacillate between the extremes of joy and despair, by turns witty and chagrined, punning and reflective. The poems gathered in Sibilance aim to clarify their author’s ambivalence concerning living life and writing about it. Her unique investigations teem with distilled images encased in the language of irreverence and awe.
The American theater was not ignorant of the developments brought on by World War II, and actively addressed and debated timely, controversial topics for the duration of the war, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. Productions such as Watch on the Rhine (1941), The Moon is Down (1942), Tomorrow the World (1943), and A Bell for Adano (1944) encouraged public discussion of the war's impact on daily life and raised critical questions about the conflict well before other forms of popular media. American drama of the 1940s is frequently overlooked, but the plays performed during this eventful decade provide a picture of the rich and complex experience of living in the United States during the war years. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognize.
“He is to American broadcasting as Carnegie was to steel, Ford to automobiles, Luce to publishing, and Ruth to baseball,” wrote The New York Times of William S. Paley—the man who built CBS, the “Tiffany Network.” Sally Bedell Smith’s In All His Glory takes a hard look at Paley and the perfect world he created for himself, revealing the extraordinary complexity of the man who let nothing get in the way of his vast ambitions. Tracing his life from Chicago, where Paley was born to a family of cigar makers, to the glamorous haunts of Manhattan, Smith shows us the shrewd, demanding egoist, the hedonist pursuing every form of pleasure, the corporate strongman famous for his energy and ruthlessness. Drawing on highly placed CBS sources and hundreds of interviews, and with a supporting cast of such glittering figures as Truman Capote, Slim Keith, Jock Whitney, Ted Turner, David Sarnoff, Brooke Astor and a parade of Paley’s humiliated heirs, In All His Glory is a richly textured story of business, power and social ambition. Praise for In All His Glory “A sweeping study of the emergence of broadcasting, the American immigrant experience, and the ravenous personal and professional tastes of Paley as he charmed and clawed his way to the top of society.”—Los Angeles Times “Riveting…packed with revelations, rich in radio and TV lore, sprinkled with intrigues, glitz, and wheeling and dealing at the highest levels of media and government.”—Publishers Weekly “An impressive, meticulously researched work of broadcast history as well as a piquant glimpse inside CBS’s corporate culture.”—Time
Evangelical Identity and Gendered Family Life provides a sociological and historical analysis of gender, family, and work among evangelical Protestants. In this innovative study, Sally Gallagher traces two lines of gender ideals--one of husbands' authority and leadership, the other of mutuality and partnership in marriage--from the Puritans to the Promise Keepers into the lives of ordinary evangelicals today. Rather than simply reacting against or accommodating themselves to "secular society," Gallagher argues that both traditional and egalitarian evangelicals draw on longstanding beliefs about gender, human nature, and the person of God. The author bases her arguments on an analysis of evangelical family advice literature, data from a large national survey and personal interviews with over 300 evangelicals nationwide. No other work in this area draws on such a range of data and methodological resources. Evangelical Identity and Gendered Family Life establishes a standard for future research by locating the sources, strategies, and meaning of gender within evangelical Protestantism.
Using a developmental approach to the process of criticism, Making Sense of Messages serves as an introduction to rhetorical criticism for communication majors. The text employs models of criticism to offer pointed and reflective commentary on the thinking process used to apply theory to a message. This developmental/apprenticeship approach helps students understand the thinking process behind critical analysis and aids in critical writing.
The Untold True American Story: Tristram Coffin Sr. the Coffin Family Founders of Colonial Nantucket Island, Martha's Vineyard and Sea Island GA; The Coffin Connection
The Untold True American Story: Tristram Coffin Sr. the Coffin Family Founders of Colonial Nantucket Island, Martha's Vineyard and Sea Island GA; The Coffin Connection
I have created this artistic expression of a storybook version of the Coffin Family legacy, with original paintings, collages with vintage photos, into illustrations for a special coffee-table book, the true story of the seafaring Coffin Family legacy, connecting their historical homes, historical museums, and events, beginning in Normandy, France. The Norman Coffins lived in possession of Chateau Cortiton in 1066, which still stands today. After migrating to England with William the Conquerer in the 1200s, Sir Richard Coffin built Portledge Manor in Devonshire, England, also still standing today. In 1642, Tristram Coffin Sr. of Devonshire, England, with his family, left a civil war and was among the first of the race that settled in America. Living alternatively in the colony of Massachusetts, he arranged for the purchase of Nantucket and Martha's Vineyard by a company he organized of nine men on July 2, 1659. The fourth son of Tristram Coffin, Sr., was John Tristram Coffin, who was the first of the Coffins to take up residence on Martha's Vineyard and was a notable blacksmith and considerable owner of real estate. My family line is directly linked to John Coffin. He died on September 11, 1711, leaving the oldest headstone on Martha's Vineyard. Continuing is the story of Abigail Starbuck Coffin, doctor/midwife. She was a daughter of the Mormon pioneers who was caught in the western swirl of migration. Another connection is automobile magnate Howard E. Coffin, the Father of Standardization, predecessor of United Airlines, a prince of Detroit, and the king of the Georgia Coast. He shared in the visionary influence of his ancestors from Nantucket Island in the 1600s and thus extended Tristram Coffin's legacy to the southeastern Atlantic coast of Georgia. In this way, the original owners of Nantucket Island, Martha's Vineyard, and Sea Island, Georgia, connect over three hundred years, just one of many Coffin connections. To me, my ancestors are timeless. They are like a rare and treasured collection of antiques from a time gone by. They could be called, "Tristram's Treasures." Time can be eerie, especially when our ancestors have left behind so many indelible footprints all throughout American history. It's as though a part of them will never really be gone and that has inspired me to create a special storybook where they all belong, with their historical homes, museums, famous and epic stories, along with their outstanding achievements, monuments, and headstones, that even time can never erase. I invite you, the reader, through my original collages of artwork to follow me on this epic journey as we look at the Coffin Family legacy and the many connections they share throughout American history.
When people think of Bradford in any historical sense, they think of oil and the remarkable effect that it has had on the community. The discovery of black gold in the late 1870s literally erased the earlier image of a backwoods lumber town and firmly established Bradford as a place of millionaires and mansions, people and progress. This latter image is so strong, however, that a very important part of the history of Bradford is often overlooked a phenomenon that this volume strives to correct.Each photograph is from the collection of the Bradford Landmark Society, and many of these pictures have never before been published. Covering the era from the late 1850s to the mid-1940s, Around Bradford focuses on a time that people regard with fondness and hold firmly in their memories. We can never hear what those Bradfordians heard and we can never feel what they felt, but we can see what they saw through photographs.
Football coach Gene Stallings offers an account of his relationship with his thirty-five-year-old son Johnny, who has Down Syndrome, describing the ways in which Johnny has become an integral member of the family.
Covering the same ground as the major motion picture The Free State of Jones, starring Matthew McConaughey, this is the extraordinary true story of the anti-slavery Southern farmer who brought together poor whites, army deserters and runaway slaves to fight the Confederacy in deepest Mississippi. "Moving and powerful." -- The Washington Post. In 1863, after surviving the devastating Battle of Corinth, Newton Knight, a poor farmer from Mississippi, deserted the Confederate Army and began a guerrilla battle against it. A pro-Union sympathizer in the deep South who refused to fight a rich man’s war for slavery and cotton, for two years he and other residents of Jones County engaged in an insurrection that would have repercussions far beyond the scope of the Civil War. In this dramatic account of an almost forgotten chapter of American history, Sally Jenkins and John Stauffer upend the traditional myth of the Confederacy as a heroic and unified Lost Cause, revealing the fractures within the South.
For second-semester freshman composition courses as well as for courses in Argumentative Writing/Critical Thinking, and Persuasion. A complete rhetoric and reader in one volume, this text prepares students not only to evaluate a written argument, but to construct logical, well-supported written arguments of their own.
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