Geepers, I Love You by Sally Gladden is an original two-act play. While rummaging through trunks in the attic, Sally finds love letters that her dadParker Gladden (a.k.a Park), a lonely Fayetteville, New York, barberhad written to his lady, Marie Hamilton, while she was away in nursing school in Brooklyn, New York. The time is 193233, the Great Depression, when jobs were few, haircuts were twenty-five cents, marathon dancers gleaned attention, and all hoped that Roosevelt would save the country. The primary scene is Park Gladdens barber shop in Fayetteville, New York. Parker writes his long letters to Marie while he awaits customers. Unfortunately, it is starve the barber time for many in the village of Fayetteville. The economy is horrid for all. Parker would have preferred to be a musician, but his family needed his income as a barber. He is lonely; he drinks excessively; he tries to remain humorous amidst the stresses of the time. Voice-overs of Parker reading these letters to Marie serve as segues between scenes. These letters are insightful, funny, tragic, and all-telling about being the Barber of Funnyville during the Depression. Colorful people come to Parks barbershop and conversations give us insight about the people and the effects of the Depression on all. These customers, from the very young to the old-timers, share the newspaper news, happenings of the small village, gossip, and in general, conversations about life! A secondary scene is the nurses station in Brooklyn,where Marie is seen reading many of Parks letters. She is also dealing with her nurse supervisor, Nurse Katrina (the wicked, the dictator). In this two-act play, to while away the hours, Park listens to the radio, composes music, practices his trombone and writes letters to his Nurtz while he awaits customers. Prior to Act I, and during the intermission, the audience sees projections of the Depression Era and hears music of that era. The play is happy, sad, and informative, and the characters are real. The playwright interviewed many citizens who endured the Depression locally. The characters are based on real people. Geepers, I Love You!
My Big Catch is a sweet tale of a ten‐year‐old heartfelt girl. She is on a fishing trip with her dad. This book is an introduction to a series of six books called the Sally Ann Tales. She has published four poems from 1994 to 2013: 1994, Victim of Society 1997, Sacred Marriage 1999, Millennium Cheer 2013, My Coors Light Wife
Geepers, I Love You by Sally Gladden is an original two-act play. While rummaging through trunks in the attic, Sally finds love letters that her dadParker Gladden (a.k.a Park), a lonely Fayetteville, New York, barberhad written to his lady, Marie Hamilton, while she was away in nursing school in Brooklyn, New York. The time is 193233, the Great Depression, when jobs were few, haircuts were twenty-five cents, marathon dancers gleaned attention, and all hoped that Roosevelt would save the country. The primary scene is Park Gladdens barber shop in Fayetteville, New York. Parker writes his long letters to Marie while he awaits customers. Unfortunately, it is starve the barber time for many in the village of Fayetteville. The economy is horrid for all. Parker would have preferred to be a musician, but his family needed his income as a barber. He is lonely; he drinks excessively; he tries to remain humorous amidst the stresses of the time. Voice-overs of Parker reading these letters to Marie serve as segues between scenes. These letters are insightful, funny, tragic, and all-telling about being the Barber of Funnyville during the Depression. Colorful people come to Parks barbershop and conversations give us insight about the people and the effects of the Depression on all. These customers, from the very young to the old-timers, share the newspaper news, happenings of the small village, gossip, and in general, conversations about life! A secondary scene is the nurses station in Brooklyn,where Marie is seen reading many of Parks letters. She is also dealing with her nurse supervisor, Nurse Katrina (the wicked, the dictator). In this two-act play, to while away the hours, Park listens to the radio, composes music, practices his trombone and writes letters to his Nurtz while he awaits customers. Prior to Act I, and during the intermission, the audience sees projections of the Depression Era and hears music of that era. The play is happy, sad, and informative, and the characters are real. The playwright interviewed many citizens who endured the Depression locally. The characters are based on real people. Geepers, I Love You!
Introducing a New U.S. History Text That Takes Religion Seriously Unto a Good Land offers a distinctive narrative history of the American people -- from the first contacts between Europeans and North America's native inhabitants, through the creation of a modern nation, to the 2004 presidential election. Written by a team of highly regarded historians, this textbook shows how grasping the uniqueness of the "American experiment" depends on understanding not only social, cultural, political, and economic factors but also the role that religion has played in shaping U. S. history. While most United States history textbooks in recent decades have expanded their coverage of social and cultural history, they still tend to shortchange the role of religious ideas, practices, and movements in the American past. Unto a Good Land restores the balance by giving religion its appropriate place in the story. This readable and teachable text also features a full complement of maps, historical illustrations, and "In Their Own Words" sidebars with excerpts from primary source documents.
Sally A. Allen is originally from Wisconsin and currently lives in West Central Florida with her schnauzer, Sibby. While her novels are fiction, she draws from the many experiences she's had in her life. Visit her website at www.sally-allen.webs.com.
Do we map as we read? How central to our experience of literature is the way in which we spatialise and visualise a fictional world? Reading and Mapping Fiction offers a fresh approach to the interpretation of literary space and place centred upon the emergence of a fictional map alongside the text in the late nineteenth and early twentieth centuries. Bringing together a range of new and emerging theories, including cognitive mapping and critical cartography, Bushell compellingly argues that this activity, whatever it is called – mapping, diagramming, visualising, spatialising – is a vital and intrinsic part of how we experience literature, and of what makes it so powerful. Drawing on both the theory and history of literature and cartography, this richly illustrated study opens up understanding of spatial meaning and interpretation in new ways that are relevant to both more traditional academic scholarship and to newly emerging digital practices.
Terri Schuman risks her life to save others on a daily basis. As a Chicago paramedic, she works round-the-clock shifts that are often filled with life-and-death moments. Yet she doesn't see herself as a heroine...just a woman dedicated to a job she loves. And after Lieutenant Gabe Andrews, a firefighter from another unit, manages to catch her attention, her dedication to him becomes just as intense. But when a flash point of circumstances suddenly changes her life, Terri must come face-to-face with the fragile self-confidence she displays to the world. Suddenly unsure about Gabe and his feelings for her, will Terri turn to the One who sees behind the mask she wears and trust Him to heal her heart?
An original and challenging work, The Quest for Epic documents the development of Italian narrative from the chivalric romance at the end of the fifteenth century to the genre of epic in the sixteenth century.
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