Exclusive online content, photos, and more, available here Parks are importantly fertile places to talk about land. Whether its big national parks, provincial campgrounds, isolated conservation areas, destination parks, or humble urban patches of grass, we tend to speak of parks as unqualified goods. People think of parks as public or common land, and it is a common belief that parks are the best uses of land and are good for everyone. But no park is innocent. Parks are lionized as “natural oases,” and urban parks as “pure nature” in the midst of the city — but that’s absurd. Parks are as “natural” as the roads or buildings around them, and just as political. Every park in North America is performing modernity and settler colonialism everyday. Furthermore, parks are not private property, but while they are called ‘public’, they are highly regulated spaces that normatively demand and closely control behaviours. Parks are a certain kind of property, and thus creations of law, and they are subject to all kinds of presumptions about what parks are for, and what kinds of people should be doing what kinds of things in them. Parks — as they are currently constituted — are colonial enterprises. On This Patch of Grass is an investigation into one small urban park — Vancouver’s Victoria Park, or Bocce Ball Park — as a way to interrogate the politics of land. The authors grapple with the fact that they are uninvited guests on the occupied and traditional territories of the Musqueam (xwməθkwəy̓əm), Squamish (Skwxwú7mesh), and Tsleil-Waututh (səliľwətaʔɬ) nations. But Bocce Ball Park is also a wonderful place in many ways, with a startling plurality of users and sovereignties, and all kinds of overlapping activities and all kinds of overlapping people co-existing more-or-less peaceably. It is a living exhibition of the possibilities of sharing land and perhaps offers some clues to a decolonial horizon. The book is a collaborative exercise between one white family and some friends looking at the park from a variety of perspectives, asking what we might say about this patch of grass, and what kinds of occupation might this place imply.
“A tale of murder and intrigue that will ensnare knitters and non-knitters alike. I couldn’t put it down.”—Barbara Ross, author of the Maine Clambake Mysteries Time has not been kind to sleepy Dorset Falls, Connecticut, where an erstwhile resident is hoping to bring a tattered yarn shop back to life—but with a murderer on the loose, the whole town is in knots… Josie Blair left Dorset Falls twelve years ago in hopes of making it big in New York City. But after earning an overpriced master’s degree and getting fired by a temperamental designer, she finds herself heading back to her hometown. Her great-uncle was injured in a car accident, and newly unemployed Josie is the only person available to take care of him. Uncle Eb’s wife didn’t survive the crash, so Josie is also tasked with selling the contents of her Aunt Cora’s yarn shop. But the needling ladies of the Charity Knitters Association pose a far bigger challenge than a shop full of scattered skeins . . . Miss Marple Knits is one of the few businesses still open in the dreary downtown. Josie can’t imagine how it stayed open for so long, yet something about the cozy, resilient little shop appeals to her. But when one of the town’s most persnickety knitters turns up dead in a pile of cashmere yarn, Josie realizes there’s something truly twisted lurking beneath the town’s decaying façade . . . INCLUDES ORIGINAL KNITTING PATTERNS! “[An] appealing crafting cozy.”—Publishers Weekly
If you think you know who Sadie Frost is, then think again. This fascinating autobiography follows Sadie's extraordinary life, from her humble roots in 1960s Camden to her middle-class adult life, via her two high-profile marriages and living out her life in the media spotlight. In this candid book, Sadie tells her whole life story in her own unique style. She discloses the details of her anarchic childhood and teenage years; she tells all the behind-the-scenes stories from the films she has worked on, including staying at Francis Ford Coppola's Hollywood home; she reveals the story of her marriage to Spandau Ballet's Gary Kemp and how she left her idyllic family life with him when she met Jude Law on the set of the film Shopping, later marrying him. This is the story of a woman finding herself again -- against all the odds -- and finally growing up.
A deeply affecting love story set in the gritty yet magnificent theater world of 1970’s London by the award-winning, bestselling Sadie Jones, author of The Uninvited Guests and The Outcast Leaving behind an emotionally disastrous childhood in a provincial northern town, budding playwright Luke Kanowski begins a new life in London that includes Paul Driscoll, an aspiring producer who will become his best friend, and Leigh Radley, Paul's girlfriend. Talented and ambitious, the trio found a small theater company that enjoys unexpected early success. Then, one fateful evening, Luke meets Nina Jacobs, a dynamic and emotionally damaged actress he cannot forget, even after she drifts into a marriage with a manipulative theater producer. As Luke becomes a highly sought after playwright, he stumbles in love, caught in two triangles where love requited and unrequited, friendship, and art will clash with terrible consequences for all involved. Fallout is an elegantly crafted novel whose characters struggle to escape the various cataclysms of their respective pasts. Falling in love convinces us we are the pawns of the gods; Fallout brings us firmly into the psyche of romantic love—its sickness and its ecstasy.
When Sadie was a little girl growing up in Tabor City, NC, she had many wonderful experiences with her other three siblings. Sadie loved dresses and her mother always had a lady in town to make them for her. This time, her mother went shopping and brought her a new red dress. Sadie had a dog named Spot and he loved to jump on people. Read on to find out what happened with Sadie and her dog, Spot.
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