Experienced hikers Kari Jones and Sachiko Kiyooka replenished their souls in nature for many years before their children were born. When they became mothers, they learned to adapt their ways of enjoying the outdoors so that taking pre-schoolers on their excursions would be a gift, not a burden. In this book, the first outdoor adventure guide written specifically for parents of young children, they share what they have learned. Their practical guide to child-friendly destinations covers six day hikes, four overnight trips, and five long weekends. It includes: information on planning and on packing gear and food ready-to-use checklists for easy organizing identification guide to plants, animals and tidal life safety information geared specifically to children's needs First Nations and natural history for each destination.
Experienced hikers Kari Jones and Sachiko Kiyooka replenished their souls in nature for many years before their children were born. When they became mothers, they learned to adapt their ways of enjoying the outdoors so that taking pre-schoolers on their excursions would be a gift, not a burden. In this book, the first outdoor adventure guide written specifically for parents of young children, they share what they have learned. Their practical guide to child-friendly destinations covers six day hikes, four overnight trips, and five long weekends. It includes: information on planning and on packing gear and food ready-to-use checklists for easy organizing identification guide to plants, animals and tidal life safety information geared specifically to children's needs First Nations and natural history for each destination.
Surprisingly little is known in the West about Japanese women. Exploring themes of gender and class, this book traces the changing position of women through history and into the present. Repudiating the cliche of the submissive Japanese woman, the authors show women as active agents in both family and public life. The women's liberation movement of recent years resonates with echoes of struggle and resistance from earlier times. The broader movements of history and culture are brought into focus within the experiences of individual women.
It was not until Kawabata Yasunari won the 1968 Nobel Prize for literature that the average Western reader became aware of contemporary Japanese literature. A few translations of writings by Japanese women have appeared lately, yet the West remains largely ignorant of this wide field. In this book Sachiko Schierbeck profiles the 104 female winners of prestigious literary prizes in Japan since the beginning of the century. It contains summaries of their selected works, and a bibliography of works translated into Western languages from 1900 to 1993. These works give insight into the minds and hearts of Japanese women and draw a truer picture of the conditions of Japanese community life than any sociological study would present. Schierbeck's 104 biographies constitute a useful reference work not only to students of literature but to anyone with an interest in women's studies, history or sociology.
Because of their spectacular, naturalistic pictures of plants and the human body, Leonhart Fuchs’s De historia stirpium and Andreas Vesalius’s De humani corporis fabrica are landmark publications in the history of the printed book. But as Picturing the Book of Nature makes clear, they do more than bear witness to the development of book publishing during the Renaissance and to the prominence attained by the fields of medical botany and anatomy in European medicine. Sachiko Kusukawa examines these texts, as well as Conrad Gessner’s unpublished Historia plantarum, and demonstrates how their illustrations were integral to the emergence of a new type of argument during this period—a visual argument for the scientific study of nature. To set the stage, Kusukawa begins with a survey of the technical, financial, artistic, and political conditions that governed the production of printed books during the Renaissance. It was during the first half of the sixteenth century that learned authors began using images in their research and writing, but because the technology was so new, there was a great deal of variety of thought—and often disagreement—about exactly what images could do: how they should be used, what degree of authority should be attributed to them, which graphic elements were bearers of that authority, and what sorts of truths images could and did encode. Kusukawa investigates the works of Fuchs, Gessner, and Vesalius in light of these debates, scrutinizing the scientists’ treatment of illustrations and tracing their motivation for including them in their works. What results is a fascinating and original study of the visual dimension of scientific knowledge in the sixteenth century.
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