56 Feel-good crime stories for ages 18 and up (Per chapter 1 - 5 short crime stories) I hope you enjoy reading the feel-good crime novels, all of which were created by the computer program AI. I entered my imagined titles.
A journey into the world of fantasy! My fantastic children's story for ages 5 - 7 with 52 color images: The little dwarf man is only five centimeters tall and his best friends are the little blue tit and the cute little mouse. He has a few questions that his father can't answer. Only the elves can help him with this. He secretly sneaks away to fly with the little blue tit to the forbidden Elfland.
My fantastic animal story from the age of five till seven with 52 color photos: The little field hare Cookie is very curious and wants to know a lot. He learns a lot about foxes and other animals. He befriends a little mouse and a squirrel and meets an angry stork who didn't catch any frogs.
My self-written fantastic children's story from the age of 8 - 12 years with 38 color images: Sea princess Marena lives with her sister near a huge water ruin. She loves pearls more than anything and can't get enough of them. Therefore, she would like to find a new home to create impressive shell gardens. One for their pearls and the other for tasty mussels. One day she is robbed by predatory starfish that eat the delicious mussels. This is her favorite meal. She skillfully uses her magic wand to punish them and the cheeky starfish gets scared and scared. She buys a big seahorse to travel the sea and visits her sister.
This book focuses on the role size plays in grammar. Under the umbrella term size fall the size of syntactic projections, the size of feature content, and the size of reference sets. This Volume II discusses size effects in movement, agreement, and interpretation while the contributions in Volume I focus on size and structure building. Part I of Volume II investigates how size interacts with head movement and various phrasal movement including left branch extraction, object shift, tough movement, and multiple wh movement. Part II of this volume discusses the role size plays in agreement and morphology-related matters like allomorphy. Contributions in Part III focus on semantic-oriented issues, in particular the size of reference domains and NPI licensing. The languages covered in this volume include American Sign Language, Bosnian-Croatian-Serbian and various other Slavic languages, German, Icelandic, dialects of Italian, Japanese, Nancowry, Panoan languages, and Tamil.
The title of this book ‘When the Cemetery Becomes Political’ implies the question: How can the cemetery – a place for the dead – become a space that develops a political dynamic? Scholars from different countries explored such dynamics further in three conferences – one held in Münster/Germany (2017) and the other two in Nicosia/Cyprus (2018/2019). Ten of the papers presented at these conferences are compiled in this volume. They investigate how religious heritage is dealt with in multi-ethnic/religious countries like Bosnia-Herzegovina, Cyprus and Lebanon; one of the papers focuses on the fate of Thessaloniki’s huge Jewish cemetery destructed during the German occupation of Greece in World War II. Further questions addressed in this book are: Why does one group destroy or desecrate the cemeteries and places of worship of the other group(s) during interreligious or interethnic conflicts? What are the reasons behind such extreme actions, and what is the purpose of such acts of destruction? The book gives insights into the complex and complicated interaction between religion and politics – and thus contributes to the discussion of a hot topic of our times. This book contains papers by Elie Al Hindy, Dima de Clerck, Lisa Dikomitis with Vassos Argyrou, Ziad Fahed, Thorsten Kruse, Leon Saltiel, Petros Savvides, Theopisti Stylianou-Lambert with Alexandra Bounia, Theodosios Tsivolas and Željana Tunić.
A collaborator with Warner Brothers and Paramount in the early days of sound film, the German film director Ernst Lubitsch (1892-1947) is famous for his sense of ironic detachment and for the eroticism he infused into such comedies as So This Is Paris and Trouble in Paradise. In a general introduction to his silent and early sound films (1914-1932) and in close readings of his comedies, Sabine Hake focuses on the visual strategies Lubitsch used to convey irony and analyzes his contribution to the rise of classical narrative cinema. Exploring Lubitsch's depiction of femininity and the influence of his early German films on his entire career, she argues that his comedies represent an important outlet for dealing with sexual and cultural differences. The readings cover The Oyster Princess, The Doll, The Mountain Cat, Passion, Deception, So This Is Paris, Monte Carlo, and Trouble in Paradise, which are interpreted as part of an underlying process of negotiation between different modes of representation, narration, and spectatorship--a process that comprises the conditions of production in two different national cinemas and the ongoing changes in film technology. Drawing attention to Lubitsch's previously neglected German films, this book presents the years until 1922 as the formative period in his career.
56 Feel-good crime stories for ages 18 and up (Per chapter 1 - 5 short crime stories) I hope you enjoy reading the feel-good crime novels, all of which were created by the computer program AI. I entered my imagined titles.
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