Sabine Hake's Books

German National Cinema

By: Sabine Hake

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Sabine Hake traces German film's relationship with other national cinemas and popular culture as a whole, and focuses on key themes including genre, audiences and stars. This fully revised and updated new edition will be required reading for everyone interested in German film and the history of modern Germany.

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288

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Routledge

Published Date

ISBN 10

0415420970

ISBN 13

9780415420976

Popular Cinema of the Third Reich

By: Sabine Hake

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Popular Cinema of the Third Reich

By: Sabine Hake

Too often dismissed as escapist entertainment or vilified as mass manipulation, popular cinema in the Third Reich was in fact sustained by well-established generic conventions, cultural traditions, aesthetic sensibilities, social practices, and a highly developed star system—not unlike its Hollywood counterpart in the 1930s. This pathfinding study contributes to the ongoing reassessment of Third Reich cinema by examining it as a social, cultural, economic, and political practice that often conflicted with, contradicted, and compromised the intentions of the Propaganda Ministry. Nevertheless, by providing the illusion of a public sphere presumably free of politics, popular cinema helped to sustain the Nazi regime, especially during the war years. Rather than examining Third Reich cinema through overdetermined categories such as propaganda, ideology, or fascist aesthetics, Sabine Hake concentrates on the constituent elements shared by most popular cinemas: famous stars, directors, and studios; movie audiences and exhibition practices; popular genres and new trends in set design; the reception of foreign films; the role of film criticism; and the representation of women. She pays special attention to the forced coordination of the industry in 1933, the changing demands on cinema during the war years, and the various ways of coming to terms with these filmic legacies after the war. Throughout, Hake's findings underscore the continuities among Weimar, Third Reich, and post-1945 West German cinema. They also emphasize the codevelopment of German and other national cinemas, especially the dominant Hollywood model.

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292

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University of Texas Press

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ISBN 10

0292734581

ISBN 13

9780292734586

The Cinema's Third Machine

Writing on Film in Germany, 1907-1933

By: Sabine Hake

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The Cinema's Third Machine

Writing on Film in Germany, 1907-1933

By: Sabine Hake

The improvements in the technology, artistry, and distribution of motion pictures coincided with the traumas of modern Germany. It is hardly to be wondered that filmmakers frequently turned their cameras on Germany's social and political problems that propagandists regularly sought to manipulate them, that entrepreneurs tried to exploit them, and that German thinkers brooded upon the relationship between German society, politics, and the films that represented them all. From these tangled motives a rich discourse on film emerged that paralleled or anticipated discourses in the other film centers of the world. The Cinema's Third Machine reproduces the diversity of perspectives and the intensity of controversies of early German film within the broad context of German social and political history, from the aesthetic rapture of the first years to the institutionalization of film by the national socialist state. Many texts have been rediscovered and are now presented to modern scholars for the first time. Hake treats all aspects of the medium: production, promotion, education, journalism, aesthetics, and political activism, following throughout the various forms criticism assumed.

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380

Publisher

U of Nebraska Press

Published Date

ISBN 10

080322365X

ISBN 13

9780803223653

The Nazi Worker

The Culture of Work and the End of Class

By: Sabine Hake

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The Nazi Worker

The Culture of Work and the End of Class

By: Sabine Hake

The Nazi Worker is the second in a three-volume project on the figure of the worker and, by extension, questions of class in twentieth-century German culture. It is based on extensive research in the archives and informed by recent debates on the politics of emotion, the end of class, and the future of work. In seven chapters, the book reconstructs the processes by which National Socialism appropriated aspects of working-class culture and socialist politics and translated class-based identifications into the racialized communitarianism of Volksgemeinschaft (folk community). Arbeitertum (workerdom), the operative term within these processes of appropriation, not only established a discursive framework for integrating proletarian legacies into the cult of the German worker. As a social imaginary, workerdom also modelled the work-related emotions (e.g., joy, pride) essential to the culture of work promoted by the German Labor Front. The contribution of images and stories in creating these new social imaginaries will be reconstructed through highly contextualized readings of the debates about workerdom, Nazi movement novels, worker’s poetry, workers’ sculpture, as well as industrial painting, photography, film, and design.

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248

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Walter de Gruyter GmbH & Co KG

Published Date

ISBN 10

3111004325

ISBN 13

9783111004327

The Proletarian Dream

Socialism, Culture, and Emotion in Germany, 1863–1933

By: Sabine Hake

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The Proletarian Dream

Socialism, Culture, and Emotion in Germany, 1863–1933

By: Sabine Hake

The proletariat never existed—but it had a profound effect on modern German culture and society. As the most radicalized part of the industrial working class, the proletariat embodied the critique of capitalism and the promise of socialism. But as a collective imaginary, the proletariat also inspired the fantasies, desires, and attachments necessary for transforming the working class into a historical subject and an emotional community. This book reconstructs this complicated and contradictory process through the countless treatises, essays, memoirs, novels, poems, songs, plays, paintings, photographs, and films produced in the name of the proletariat. The Proletarian Dream reads these forgotten archives as part of an elusive collective imaginary that modeled what it meant—and even more important, how it felt—to claim the name "proletarian" with pride, hope, and conviction. By emphasizing the formative role of the aesthetic, the eighteen case studies offer a new perspective on working-class culture as a oppositional culture. Such a new perspective is bound to shed new light on the politics of emotion during the main years of working-class mobilizations and as part of more recent populist movements and cultures of resentment. Aldo and Jeanne Scaglione Prize for Studies in Germanic Languages and Literatures 2018

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370

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Walter de Gruyter GmbH & Co KG

Published Date

ISBN 10

3110550202

ISBN 13

9783110550207

Screen Nazis

Cinema, History, and Democracy

By: Sabine Hake

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Screen Nazis

Cinema, History, and Democracy

By: Sabine Hake

From the late 1930s to the early twenty-first century, European and American filmmakers have displayed an enduring fascination with Nazi leaders, rituals, and symbols, making scores of films from Confessions of a Nazi Spy (1939) and Watch on the Rhine (1943) through Des Teufels General (The Devil’s General, 1955) and Pasqualino settebellezze (Seven Beauties, 1975), up to Der Untergang (Downfall, 2004), Inglourious Basterds (2009), and beyond. Probing the emotional sources and effects of this fascination, Sabine Hake looks at the historical relationship between film and fascism and its far-reaching implications for mass culture, media society, and political life. In confronting the specter and spectacle of fascist power, these films not only depict historical figures and events but also demand emotional responses from their audiences, infusing the abstract ideals of democracy, liberalism, and pluralism with new meaning and relevance. Hake underscores her argument with a comprehensive discussion of films, including perspectives on production history, film authorship, reception history, and questions of performance, spectatorship, and intertextuality. Chapters focus on the Hollywood anti-Nazi films of the 1940s, the West German anti-Nazi films of the 1950s, the East German anti-fascist films of the 1960s, the Italian “Naziploitation” films of the 1970s, and issues related to fascist aesthetics, the ethics of resistance, and questions of historicization in films of the 1980s–2000s from the United States and numerous European countries.

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Page Count

325

Publisher

University of Wisconsin Pres

Published Date

ISBN 10

0299287130

ISBN 13

9780299287139

German National Cinema

By: Sabine Hake

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German National Cinema

By: Sabine Hake

German National Cinema is the first comprehensive history of German film from its origins to the present. In this new edition, Sabine Hake discusses film-making in economic, political, social, and cultural terms, and considers the contribution of Germany's most popular films to changing definitions of genre, authorship, and film form. The book traces the central role of cinema in the nation’s turbulent history from the Wilhelmine Empire to the Berlin Republic, with special attention paid to the competing demands of film as art, entertainment, and propaganda. Hake also explores the centrality of genre films and the star system to the development of a filmic imaginary. This fully revised and updated new edition will be required reading for everyone interested in German film and the history of modern Germany.

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288

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Routledge

Published Date

ISBN 10

1136020543

ISBN 13

9781136020544

For Better or for Worse

Translation as a Tool for Change in the South Pacific

By: Sabine Fenton

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For Better or for Worse

Translation as a Tool for Change in the South Pacific

By: Sabine Fenton

The essays in this book explore the vital role translation has played in defining, changing and redefining linguistic, cultural, ethnic and political identities in several nations of the South Pacific. While in other parts of the world postcolonial scholars have scrutinized the role and history of translation and exposed its close relationship with the colonizers, this has not yet happened in the specific region covered in this collection. In translation studies the Pacific region is terra incognita. The writers of this volume of essays reveal that in the Pacific, as in all other once colonized parts of the world, colonialism and translation went hand in hand. The unsettling power of translation is described as it effected change for better or for worse. While the Pacific Islanders' encounter with the Europeans has previously been described as having a 'Fatal Impact', the authors of these essays are further able to demonstrate that the Pacific Islanders were not only victims but also played an active role in the cross-cultural events they were party to and in shaping their own destinies. Examples of the role of translation in effecting change - for better or for worse - abound in the history of the nations of the Pacific. These stories are told here in order to bring this region into the mainstream scholarly attention of postcolonial and translation studies.

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265

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Routledge

Published Date

ISBN 10

131764056X

ISBN 13

9781317640561

Effects of Context-oriented Learning on Student Interest and Achievement in Chemistry Education

By: Sabine Fechner

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Effects of Context-oriented Learning on Student Interest and Achievement in Chemistry Education

By: Sabine Fechner

Der Chemieunterricht sieht sich nicht erst seit PISA mit dem Anspruch konfrontiert, einerseits die Lernenden von der Relevanz des Faches zu uberzeugen und andererseits zu gewahrleisten, dass sie genug vernetztes Konzeptwissen erwerben, um eine naturwissenschaftliche Berufslaufbahn wahlen zu konnen. An diesem Spannungsfeld setzt die vorgestellte Studie an: anhand eines experimentellen Designs wird der Erwerb von Wissen in lebensweltlichen im Gegensatz zu fachlichen Kontexten evaluiert. Funf Experimentierphasen dienen als Grundlage, um die Effizienz der jeweiligen Kontexte in Verbindung mit wiederholenden Vernetzungsmassnahmen zu untersuchen. Die gewahlten Messinstrumente ermoglichen hierbei eine detaillierte Beschreibung der Effekte der Interventionsmassnahmen beim kooperativen Arbeiten im Chemieunterricht. Especially since the weak results of German students in large-scale assessments like PISA, chemistry education has been challenged: It is supposed to bridge the gap between making it relevant to the learner and ensuring that learners acquire enough content knowledge to cope with university demands. The presented study emanates from this ambiguity by evaluating the acquisition of content knowledge in different contexts. By means of an experimental design, student learning gains in tasks with a real life problem situation are compared to a laboratory setting. A one-week intervention serves as a basis to assess the effects of such contexts in a collaborative and inquiry-based learning environment. The selected test instruments offer the possibility to shed light on differentiated effects of contexts with relation to learner prerequisites.

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260

Publisher

Logos Verlag Berlin GmbH

Published Date

ISBN 10

383252343X

ISBN 13

9783832523435

Sound Or Silence, Loss Or Gain?

By: Sabine Buchholz

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Sound Or Silence, Loss Or Gain?

By: Sabine Buchholz

Essay from the year 2005 in the subject Communications - Media History, grade: 1,3, University of Southampton (University of Southampton - School of Humanities: Film Studies), course: Image, Sound and Narrative in Late Weimar Cinem, 15 entries in the bibliography, language: English, abstract: "Put speech into films, and you will get speech plus film but you will not get a film." Although, initially, sound films were considered to be only a temporary phenomenon that would never replace the silent picture, the transition to talkies proceeded more and more in Weimar cinema of the late 20's, and, in 1931/32, the sound film completely replaced its predecessor, which had gone out of fashion finally. Yet, the new invention unmistakably evoked numerous debates about whether the addition of sound to cinema pictures rather should be seen as a pro- or regress within the evolution of film art. In view of that, this essay discusses the advantages and drawbacks of silent as well as of sound films. [...]

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GRIN Verlag

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ISBN 10

3638906248

ISBN 13

9783638906241

Student-Centered Learning Environments in Higher Education Classrooms

By: Sabine Hoidn

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Student-Centered Learning Environments in Higher Education Classrooms

By: Sabine Hoidn

This book aims to develop a situative educational model to guide the design and implementation of powerful student-centered learning environments in higher education classrooms. Rooted in educational science, Hoidn contributes knowledge in the fields of general pedagogy, and more specifically, higher education learning and instruction. The text will support instructors, curriculum developers, faculty developers, administrators, and educational managers from all disciplines in making informed instructional decisions with regard to course design, classroom interaction, and community building and is also of relevance to educators from other formal and informal educational settings aside from higher education.

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Page Count

460

Publisher

Springer

Published Date

ISBN 10

1349949418

ISBN 13

9781349949410

Delphi Collected Works of Sabine Baring-Gould (Illustrated)

By: Sabine Baring-Gould

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Delphi Collected Works of Sabine Baring-Gould (Illustrated)

By: Sabine Baring-Gould

The Reverend Sabine Baring-Gould was a late Victorian novelist, antiquarian and eclectic scholar. He is remembered particularly as a writer of famous hymns, notably, ‘Onward, Christian Soldiers’. He was a prolific author of diverse subjects, producing over 200 books by the time of his death at the age of ninety. Among his most enduring works are his seminal ghost stories, revealing the author’s interest in occult studies. This comprehensive eBook presents Baring-Gould’s collected works, with numerous illustrations, many rare texts digitised for the first time, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Baring-Gould’s life and works * Concise introductions to the novels and major texts * 26 novels, with individual contents tables * Features many rare novels appearing for the first time in digital publishing * Images of how the books were first published, giving your eReader a taste of the original texts * Includes the original illustrations accompanying the works * Excellent formatting of the texts * Wide selection of Baring-Gould’s non-fiction and songs * Features a bonus biography – discover Baring-Gould’s intriguing life * Ordering of texts into chronological order and genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Novels Through Flood and Flame (1868) Mehalah (1880) John Herring (1883) Court Royal (1886) Red Spider (1887) Eve (1888) The Pennycomequicks (1889) Grettir the Outlaw (1889) Arminell (1890) Urith (1891) In the Roar of the Sea (1892) Through all the Changing Scenes of Life (1892) Cheap Jack Zita (1893) Kitty Alone (1894) The Icelander’s Sword (1894) Noémi (1895) The Broom Squire (1890) Perpetua (1897) Guavas the Tinner (1897) Bladys of the Stewponey (1897) Domitia (1898) Pabo the Priest (1899) Winefred (1900) The Frobishers (1901) Miss Quillet (1902) In Dewisland (1904) The Shorter Fiction Jacquetta and Other Stories (1890) In a Quiet Village (1900) A Book of Ghosts (1904) The Songs Songs of the West (1890) Selected Hymns The Non-Fiction The Book of Were Wolves (1865) Post-Mediaeval Preachers (1865) Curious Myths of the Middle Ages (1866) The Lives of the Saints (Volumes I-III) (1872) Yorkshire Oddities, Incidents and Strange Events (1874) The Vicar of Morwenstow (1876) Historic Oddities and Strange Events (1889) Old Country Life (1890) In Troubadour Land (1891) Strange Survivals (1892) An Old English Home and its Dependencies (1898) A Book of Dartmoor (1900) Brittany (1902) A Book of North Wales (1903) A Book of the Riviera (1905) A Book of the Cevennes (1907) A Book of the Pyrenees (1907) Devonshire Characters and Strange Events (1908) Cornish Characters and Strange Events (1909) A History of Sarawak under its Two White Rajahs (1909) Cliff Castles and Cave Dwellings of Europe (1911) A Book of Folk Lore (1913) The Biography The Rev. Sabine Baring-Gould’s Memoirs (1923) by Stewart M. Ellis Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks

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13316

Publisher

Delphi Classics

Published Date

ISBN 10

1913487539

ISBN 13

9781913487539

All Power to the Imagination!

The West German Counterculture from the Student Movement to the Greens

By: Sabine Von Dirke

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All Power to the Imagination!

The West German Counterculture from the Student Movement to the Greens

By: Sabine Von Dirke

?All Power to the Imagination!? is a history of the counterculture?s immensely influential role in West German cultural and political life. Sabine von Dirke opens with an examination of nascent countercultural movements in West Germany during the 1950s. She then moves to a nuanced account of the student movement of the 1960s, describing its adaptation of the theories of Marcuse, Adorno, and Benjamin, then recounting its attack on ?bourgeois? notions of the autonomy of art and culture. She next examines the subsequent development of a radical aesthetic and the effects of left-wing terrorism on Germany?s political climate. Later chapters focus on die tageszeitung, the ecology movement, and the rise of the Green Party. ø Von Dirke concludes by asking whether the evolution that this book traces?from Marxist-influenced critiques of culture and society to more diverse, less doctrinaire left-wing positions?represents progress or a betrayal of radical ideals. An ambitious study of the German left, this book is an important contribution to our understanding of postwar European history.

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288

Publisher

U of Nebraska Press

Published Date

ISBN 10

0803246633

ISBN 13

9780803246638

Grosser Lernwortschatz Deutsch als Fremdsprache

Deutsch-Englisch

By: Monika Reimann,Sabine Dinsel

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Grosser Lernwortschatz Deutsch als Fremdsprache

Deutsch-Englisch

By: Monika Reimann,Sabine Dinsel

Thesaurus of German for all levels, presented by theme. Example sentences, mini-dialogues, idioms, regional variants, useful tips, etc. Suitable for self-study, building vocabulary, and developing grammar skills.

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Page Count

542

Publisher

Hueber Verlag

Published Date

ISBN 10

3190074720

ISBN 13

9783190074723

Topographies of Class

Modern Architecture and Mass Society in Weimar Berlin

By: Sabine Hake

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Topographies of Class

Modern Architecture and Mass Society in Weimar Berlin

By: Sabine Hake

In Topographies of Class, Sabine Hake explores why Weimar Berlin has had such a powerful hold on the urban imagination. Approaching Weimar architectural culture from the perspective of mass discourse and class analysis, Hake examines the way in which architectural projects; debates; and representations in literature, photography, and film played a key role in establishing the terms under which contemporaries made sense of the rise of white-collar society. Focusing on the so-called stabilization period, Topographies of Class maps out complex relationships between modern architecture and mass society, from Martin Wagner's planning initiatives and Erich Mendelsohn's functionalist buildings, to the most famous Berlin texts of the period, Alfred Döblin's city novel Berlin Alexanderplatz (1929) and Walter Ruttmann's city film Berlin, Symphony of the Big City (1927). Hake draws on critical, philosophical, literary, photographic, and filmic texts to reconstruct the urban imagination at a key point in the history of German modernity, making this the first study---in English or German---to take an interdisciplinary approach to the rich architectural culture of Weimar Berlin. Sabine Hake is Professor and Texas Chair of German Literature and Culture at the University of Texas at Austin. She is the author of numerous books, including German National Cinema and Popular Cinema of the Third Reich. Cover art: Construction of the Karstadt Department Store at Hermannplatz, Berlin-Neukölln. Courtesy Bildarchiv Preeussischer Kulturbesitz / Art Resource, NY

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Page Count

332

Publisher

University of Michigan Press

Published Date

ISBN 10

0472025198

ISBN 13

9780472025190

Passions and Deceptions

The Early Films of Ernst Lubitsch

By: Sabine Hake

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Passions and Deceptions

The Early Films of Ernst Lubitsch

By: Sabine Hake

A collaborator with Warner Brothers and Paramount in the early days of sound film, the German film director Ernst Lubitsch (1892-1947) is famous for his sense of ironic detachment and for the eroticism he infused into such comedies as So This Is Paris and Trouble in Paradise. In a general introduction to his silent and early sound films (1914-1932) and in close readings of his comedies, Sabine Hake focuses on the visual strategies Lubitsch used to convey irony and analyzes his contribution to the rise of classical narrative cinema. Exploring Lubitsch's depiction of femininity and the influence of his early German films on his entire career, she argues that his comedies represent an important outlet for dealing with sexual and cultural differences. The readings cover The Oyster Princess, The Doll, The Mountain Cat, Passion, Deception, So This Is Paris, Monte Carlo, and Trouble in Paradise, which are interpreted as part of an underlying process of negotiation between different modes of representation, narration, and spectatorship--a process that comprises the conditions of production in two different national cinemas and the ongoing changes in film technology. Drawing attention to Lubitsch's previously neglected German films, this book presents the years until 1922 as the formative period in his career.

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