Valerie Patrick is a stunt model working on a movie being filmed in the Smokey mountains. She subs for the star when the routines become hazardous. In college she was on the gymnastics team. A superb athlete, she nearly made the 2004 Olympic Squad. For her, it was a natural transition from gymnastics to stunt work. A mob boss hired a hitman to murder his major competitor. Although Valerie was in the next room while they were planning the hit, she could not hear any of the details. When the murder was announced on the national news, the mob boss became worried that she may remember the meeting and tell the authorities about it. To remove her as a potential witness, he hired the same hitman to rub her out. The plan was to make her death appear accidental. Because of her athleticism and dexterity, she avoided the initial attempts to kill her. The assassin decided to forget the subtle approach and resort to a more direct tactic, firearms, or explosives.
Valerie Patrick is a stunt model working on a movie being filmed in the Smokey mountains. She subs for the star when the routines become hazardous. In college she was on the gymnastics team. A superb athlete, she nearly made the 2004 Olympic Squad. For her, it was a natural transition from gymnastics to stunt work. A mob boss hired a hitman to murder his major competitor. Although Valerie was in the next room while they were planning the hit, she could not hear any of the details. When the murder was announced on the national news, the mob boss became worried that she may remember the meeting and tell the authorities about it. To remove her as a potential witness, he hired the same hitman to rub her out. The plan was to make her death appear accidental. Because of her athleticism and dexterity, she avoided the initial attempts to kill her. The assassin decided to forget the subtle approach and resort to a more direct tactic, firearms, or explosives.
Timothy C. F. Stunt has gathered a range of his essays, both published and unpublished in a collection of largely biographical studies. His subjects range from discontented Quakers hesitating over their identity, to respectable Anglicans who were fascinated with the charismatic phenomena of tongue speaking and healing. Some of the characters with whom he is concerned can be described as "mavericks" on account of their strikingly individualist inclinations. Occasionally their unpredictability takes on a quasi-comic identity, which could even qualify them to be described as "loose cannons." On the other hand, some of them like Edward Irving, Norris Groves, and John Darby played a crucial part in the development of nineteenth-century evangelicalism. In their quest for the ideal church of their dreams, they were often disappointed but one cannot but admire the single-mindedness of their quest.
A major study of the impact of the Swiss RTveil (Awakening) on British evangelicals in the 1820s. This book provides an important synthesis of a variety of tendencies and movements which have usually been treated and understood as separate. By resisting the temptation to read back into the 1820s the partisan labels of later decades, Timothy Stunt rediscovers the common ground which was shared by a wide spectrum of Christians who were later seen as mutually hostile. The author considers the influence of the Awakening on radical attitudes to mission and ecclesiastical radicalism in Ireland, pre-Tractarian Oxford, and Scotland. In dealing with the reluctant movement towards secession from the established church, Stunt illuminates and reinterprets the origins of the early Catholic Apostolic Church and the Brethren.
This book sheds light on the career of Samuel Prideaux Tregelles, and in doing so touches on numerous aspects of nineteenth-century British and European religious history. Several recent scholars have celebrated the 200th anniversary of the German textual critic Tischendorf but Tregelles, his contemporary English rival, has been neglected, despite his achievements being comparable. In addition to his decisive contribution to Biblical textual scholarship, this study of Tregelles’ career sheds light on developments among Quakers in the period, and Tregelles’s enthusiastic involvement with the early nineteenth-century Welsh literary renaissance usefully supplements recent studies on Iolo Morganwg. The early career of Tregelles also gives valuable fresh detail to the origins of the Plymouth Brethren, (in both England and Italy) the study of whose early history has become more extensive over the last twenty years. The whole of Tregelles’s career therefore illuminates neglected aspects of Victorian religious life.
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