The Early Masters of American Blues series provides the unique opportunity to study the true roots of modern blues. Stefan Grossman, noted roots-blues guitarist and musicologist, has compiled this fascinating collection of 14 songs, transcribed exactly as performed by legendary blues masters Rev. Gary Davis, Lonnie Johnson, Blind Boy Fuller, and Mississippi John Hurt. In addition to Stefan's expert transcriptions, the book includes a recording containing the original artist recordings so you can hear the music as they performed it.
This comprehensive book has 260 pages and over 50 fingerpicking guitar solos in notation and tablature in country blues, Delta blues, ragtime blues, Texas blues and bottleneck styles. An extremely comprehensive blues solo collection.Includes access to online audio
This comprehensive text covers the spectrum of fingerpicking technique and styles. Performance and stylistic notes, fingerstyle guitar solos and a listening guide are presented for each section of the book. Sections include: Folk Songs; Gospel Songs; Country Blues; RagtimeBlues; Rags and Dances; Appalachian Fiddle Tunes; Celtic Airs; Jigs and Reels; Classic Rags; Fingerstyle Jazz Guitar & Fingerstyle Guitar Duets. All solos are in notation and tablature and are written by noted fingerpicking guitarists Stefan Grossman, Elizabeth Cotten, DeanSires, Ton VanBergeyk, David Laibman, Rev. Gary Davis, Duck Baker, Seth Austen, Steve Tilston, John Morris, Sid Percy, Tom O'Farrell, JimMcLennan, Leo Wijnkamp Jr., Lasse Johansson and Claes Palmqvist.
The first instruction guide exclusively about this major innovator and stylist. It reveals Gary Davis' style of playing and hints about playing in Davis' own words. More than 20 tunes, including Cocaine Blues, Candyman, and Lost Boy In The Wilderness.
A collection of 16 hot, intermediate-level flatpicking guitar solos from five of the leading exponents of this technique. David Bromberg is known as the leader of one of the most successful acoustic bands of the 1970's and 1980's. The Kitchen Girl, a fine Kentucky tune, is an example of Bromberg's good taste in choosing material. Dick Fegy is a master picker of fiddle tunes and is the most heavily-featured player in the collection. San Francisco Bay area favorite Eric Thompson crosses old-time with traditional Irish playing. Michael Aumen contributes three tunes associated with Clarence White and a very interesting version of Soldier's Joy, with a flair that pushes the limits of the hot country style. Richard Lieberson is a fine bluegrass picker who has developed a convincing swing jazz style with exciting results, and a touch of humor. Written in notation and tablature. Includes access to online audio featuring performances of all the tunes in the book.
John Fahey was a pioneer in composing and arranging guitar solos in open tunings. In this lesson series for the intermediate guitarist, John teaches a wide variety of techniques, musical textures and styles. The book includes the notation and tablature for the lessons plus 3 compact discs featuring phrase-by-phrase instruction. LESSON ONE: Open G tuning: On the Sunny Side of the Ocean, Spanish Two Step and It Came Upon A Midnight Clear. St.Louis Blues played in a dropped D tuning. LESSON TWO: In this lesson John explores the possibilities of playing in an open C tuning. The Union Pacific has a distinct blues quality, Requiem For John Hurt has an Eastern feel. Simplicity often creates beauty and John does this with his version of Auld Lang Syne. LESSON THREE: This lesson concentrates on John's slide guitar playing. Steamboat Gwine Round The Bend played in open G demonstrating many of John's unique technical ideas. The Christmas carol Silent Night is presented in the slide style. John's popular arrangement of Poor Boy A Long Way From Home played in open D tuning finishes the series.
This book is a collection of seven pieces written with the fingerpicking guitarist in mind. Each piece makes use of an open tuning either DGDGBD or DGDGBbD and is presented in both standard notation and tablature. Includes an extensive 3-CD set of instructional and performance-based recordings.
Mel Bay Publications, Inc. is proud to present this new series of lessons as part of Stefan Grossman's Guitar Workshop Audio Series. This book offers an extensive compilation of finger- picking guitar lessons. Lessons address: finger strengthening exercises, the hammer-on and pull- off, single-string runs, and counterpoint lines, blues vibrato, and syncopated bass and rhythmic licks; plus walking bass lines, chromatic runs, hot licks and end tags. Written in standard notation and tablature with a complete explanation of the tab system. Includes 3 CD's.
A tribute to the innovators and an analysis of the unique guitar fingerstyles and techniques developed in Great Britain. Presents guitar instrumentals by Davey Graham, Burt Jansch, and John Renbourn - over 20 solos in notation and tablature. the stereo CD features each solo as performed by the respective British composer/guitarist, and contains all but four of the songs in the book. the CD does not contain the following songs: Carolan's Concerto, Mrs. O'Rourke, Lord Inchiquin (arr. by John Renbourn) and Lament for Charles MacCabe.
Now available with online audio, this classic book is the perfect introduction to fingerstyle solo guitar. It features 21 popular country-blues and ragtime songs set by Stefan Grossman, Happy Traum, Dave Van Ronk and John Fahey in entry-level fingerpicking arrangements. Includes: Delia * Death Comes Creepin' * John Henry * St. James Infirmary * Silent Night * Just a Closer Walk with Thee and more. In standard notation and tablature.
The ancient Celtic repertoire offers the fingerstyle guitarist a tantalizingly wide range of moods and emotions from sad laments to lyrical ballads to vibrant dancerhythms. This collection presents a vast array of fingerpicking guitar solos settingson timeless airs, hornpipes, reels, planxties, set dances, jigs, slip jigs, marches, songs and compositions by the renowned 17th century blind Irish bard, Turlough O'Carolan. The solos are in varied guitar tunings and are presented in notation and tablature. Performance notes and suggested listening guides are also included. Comes with access to online audio with 27 songs from this book.
This book is a collection of six pieces written with the fingerpicking guitarist in mind. Each piece is arranged in both standard notation and tablature. An extensive 3-CD set of instructional and performance-based recordings accompanies the manuscript.
Tunings that differ from the standard EADGBE pattern have along and honorable history. From the pioneer blues-men to Bob Dylan, Joni Mitchell and Bert Jansch, creative guitarists using unconventional tunings have been able to create unusual sounds, difficult or impossible in standard tuning. Until recently it was assumed that standard tuning was best for the beginner. But as Stefan Grossman points out, there are many other tunings which have special advantages: for example, there are open tunings, in which the strings are tuned to produce a complete chord, making the work of the left hand significantly easier. There are many that can immediately help the beginner feel more at home with the instrument. Whether you are an all-thumbs beginner, or an advanced guitarist looking for new scope, in The Book of Tunings Stefan Grossman shows you how to make the guitar’s adaptability work for you. The tunings are presented with right-hand fingerpicking techniques, and the songs are a wide assortment of blues, ballads, bottleneck dance tunes, and medieval instrumentals. The book includes a discography and bibliography, and a special theory section by Larry Sandberg.
A unique biography and instruction book featuring the influential blues and roots talents of Rev. Gary Davis, in standard music notation and tablature with discography and photographs. Learn the secrets to the great blues player's techniques, and the distinctive harmonies that characterise the sound of this magical bygone era. Includes Two Step Candyman and Death Don't Have No Mercy.
There are many intellectual curiosities about the blues. It has always seemed a phenomenon that the guitar styles that came out of the South during the twenties and thirties could be differentiated by their regional characteristics. On hearing a strange new artist, one can almost pinpoint his city of origin through his guitar technique. The Mississippi Delta produced a sound distinct from that of Texas. Atlanta had a very popular style that seems to have been confined to that city. The music of Louisiana has a weird voodoo texture, while the Carolinas produced another totally different sound. Music is quite a powerful tool. Words of explanation can never express the impact of a musical experience. I am going to attempt to teach the music of some great guitar bluesmen. It is not going to be isolated and picked apart, but presented with its historical value as well as personal and emotional value. Words will not be my tools for this venture; instead I will incorporate photographs and interview to describe these feelings.
The same folk process that gave birth to the blues and ragtime guitar styles is at work today. In this book, Stefan Grossman shows what has been happening among today's innovative guitarists—and gives you a glimpse of where it all might lead. It begins with some original blues compositions, much in the spirit of his monumental Country Blues Guitar Series, then goes on to deal with the art of adapting fiddle tunes and classic piano rags to the guitar. It introduces you to a whole new range of tunings and chord positions, which are simply not to be found in any ordinary guitar instruction book. Songs and compositions by such outstanding modern guitarists as Dave Laibman, Eric Schoenberg, Eric Kaz, Marc Silber, and others make this book unique among today's guitar guides. Stefan Grossman is the author of numerous books on the blues guitar, including Country Blues Guitar, Delta Blues Guitar, and Ragtime Blues Guitarists, all published by Oak. He is also a guitarist's guitarist, veteran of concerts, personal appearances, and recording sessions in the U.S. and beyond.
In this book, six of Rev. Davis' Holy Blues are presented-- gospel songs with a taste of the blues. The accompanying three CDs of lessons teach these arrangements phrase by phrase as well as presenting the original recordings. These lessons are for the intermediate to advanced fingerstyle guitarist. All of the music is in notation and tablature. LESSON ONE: Rev. Davis played many gospel songs with a blues feel. These are referred to as "Holy Blues." Death Don't Have No Mercy is an excellent example of a Holy Blues in the key of Em. Let Us Get Together follows, and is played in the key of G. This is a difficult arrangement illustrating Rev. Davis's control over his right hand. LESSON TWO: Rev.Gary Davis's religious arrangements in the key of C: I Belong to the Band and Tryin' to Get Home. LESSON THREE: For ragtime playing Rev. Davis would approach his guitar as if it were a piano. For gospel songs the guitar takes on the role of a full Baptist church! In this lesson we study two gospel arrangements, Pure Religion and I Am the Light of the World. Both are played in the key of C and have become popular in today's pop world.
Rev. Gary Davis was a musical giant. His ideas spanned a wide range of techniques and styles. His repertoire featured blues, rags, show instrumentals and gospel songs. He played with his thumb and index finger to pick out complex melodies, rhythmic licks and lightning fast single-string runs. In this book, seven of Rev. Davis's blues are presented. These arrangements have been performed and recorded by a host of great artists including Bob Dylan, Taj Mahal, Hot Tuna, David Bromberg, John Renbourn, Bert Jansch and many others. These lessons are for the intermediate to advanced fingerstyle guitarist. The accompanying three CD lessons teach these arrangements phrase by phrase as well as presenting the original recordings. LESSON ONE: Our first lesson highlights two of Rev. Davis's most popular blues arrangements. Hesitation Blues is played in the key of C. Baby, Let Me Follow You Down is played in the key of G. LESSON TWO: The key of C was a favorite for Rev. Davis. In this lesson we explore the party tune Sally Where'd You Get Your Liquor From (made popular by Hot Tuna). Rev. Davis used to joke that he could play Candyman so many different ways that he would be able to play it nonstop for at least 8 hours without repeating himself! We look at two versions of this very popular folk blues with the regular Candyman followed by the Two-Step Candyman. LESSON THREE: Raggin' the blues was a great part of Rev. Davis's repertoire. His Walkin' Dog Blues is a tour de force in a blues in C. All fourteen verses are transcribed here, and we study how this arrangement develops. Buck Rag is a fascinating rag played in the key of C. Single-string runs, counterpoint lines, rhythmic variations and syncopated bass patterns are featured.
The Early Masters of American Blues series provides the unique opportunity to study the true roots of modern blues. Stefan Grossman, noted roots-blues guitarist and musicologist, has compiled this fascinating collection of 14 songs, transcribed exactly as performed by legendary blues masters Rev. Gary Davis, Lonnie Johnson, Blind Boy Fuller, and Mississippi John Hurt. In addition to Stefan's expert transcriptions, the book includes a recording containing the original artist recordings so you can hear the music as they performed it.
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