Every place has its unique sensibility; a flavour that makes it special. Whether one is going somewhere new or discovering the secrets that make the familiar seem foreign, where you are matters as much as when you’re there. The stories in this fifth collection from Plan B Magazine occur at the intersection of the familiar and the strange, the rise of the unexpected and the twist in the road. Let’s take a journey to the unknown. Table of Contents: "Honeymoon Sweet" by Craig Faustus Buck "Broad Daylight" by Eve Fisher "This Land of the Strange" by Math Bird "Please Wait" by Robert Dawson "Fill In The Blanks" by Stephen D. Rogers "The Double Iron Cross" by William E. Wallace "Red Bait" by Edd Vick & Manny Frishberg "Broken Hearts" by Laird Long "Intimate Knowledge" by Suzanne Baginskie "The Asshat Fund" by Todd Morr "Mysterious Private Investigations" by Peter DiChellis "Coffee and Killings" by Simon Maltman "The Good Neighbor" by Lawrence Buentello
An ambitious exploration of the making of the Victorian Age—and the Victorian mind—by a master historian. Britain in the 1840s was a country wracked by poverty, unrest, and uncertainty; there were attempts to assassinate the queen and her prime minister; and the ruling class lived in fear of riot and revolution. By the 1880s it was a confident nation of progress and prosperity, transformed not just by industrialization but by new attitudes to politics, education, women, and the working class. That it should have changed so radically was very largely the work of an astonishingly dynamic and high-minded group of people—politicians and philanthropists, writers and thinkers—who in a matter of decades fundamentally remade the country, its institutions and its mindset, and laid the foundations for modern society. High Minds explores this process of transformation as it traces the evolution of British democracy and shows how early laissez-faire attitudes to the fate of the less fortunate turned into campaigns to improve their lives and prospects. The narrative analyzes the birth of new attitudes in education, religion, and science. And High Minds shows how even such aesthetic issues as taste in architecture collided with broader debates about the direction that the country should take. In the process, Simon Heffer looks at the lives and deeds of major politicians; at the intellectual arguments that raged among writers and thinkers such as Matthew Arnold, Thomas Carlyle, and Samuel Butler; and at the "great projects” of the age, from the Great Exhibition to the Albert Memorial. Drawing heavily on previously unpublished documents, he offers a superbly nuanced portrait into life in an extraordinary era, populated by extraordinary people—and show how the Victorians’ pursuit of perfection gave birth to the modern Britain we know today.
AD 848.Bernwyn of Lythe, the young daughter of an ealdorman, spurns marriage and chooses to remain a virgin dedicated to Christ. When she is found murdered in the chapel where she kept her nightly vigils, it is thought that she has fallen victim to the Viking raiders who are ravaging the country and the butterflies found resting on her body are taken to be a sign from God. But what if Bernwyn was not all she seemed? Could the saintly deeds attributed to her have been carried out by someone else and the people have set up a shrine to a false virgin? Throughout the ages, St Bernwyn comes to be regarded as the patron saint of those suffering from skin diseases, and many are drawn on pilgrimage to her shrines. But from a priory in Wales to the Greek island of Sifnos, it seems that anywhere that St Bernwyn is venerated, bitter rivalry breaks out. So when a famous poet is inspired to tell the story of the saint, perhaps it is little wonder that he finds himself writing a satirical piece on the credulity of man.
In his national bestseller, Soccernomics, Simon Kuper pioneered a new way of looking at soccer, the world’s most popular game, through his witty and meticulous use of data. In Soccer Men, Kuper explores the heart and soul of the sport by getting up close and personal with soccer’s greatest players and coaches. An inquiry into the genius and hubris of the modern game, Soccer Men details the lives of international stars such as Arsène Wenger, Jose Mourinho, Josep Guardiola, Lionel Messi, Wayne Rooney, and David Beckham, describing their upbringings, the soccer cultures they grew up in, the way they play or coach, and the baggage they bring to their relationships at work. In this updated edition, Kuper profiles Hope Solo, Raymond Domenech, Andrea Agnelli, Robin van Persie, Carlo Ancelotti, and more. He also provides a brilliant comparison of two tales of immigrant life: Philip Roth’s Portnoy’s Complaint and the autobiography of Swedish striker Zlatan Ibrahimovic.
Joseph Arthur Simon’s The Greatest of All Leathernecks is the first comprehensive biography of John Archer Lejeune (1867–1942), a Louisiana native and the most innovative and influential leader of the United States Marine Corps in the twentieth century. As commandant of the Marine Corps from 1920 to 1929, Lejeune reorganized, revitalized, and modernized the force by developing its new and permanent mission of amphibious assault. Before that transformation, the corps was a constabulary infantry force used mainly to protect American business interests in the Caribbean, a mission that did not place it as a significant contributor to the United States defense establishment. The son of a plantation owner from Pointe Coupee Parish, Lejeune enrolled at Louisiana State University in 1881, aged fourteen. Three years later, he entered the U.S. Naval Academy, afterward serving for two years at sea as a midshipman. In 1890, he transferred to the Marines, where he ascended quickly in rank. During the Spanish-American War, Lejeune commanded and landed Marines at San Juan, Puerto Rico, to rescue American sympathizers who had been attacked by Spanish troops. A few years later, he arrived with a battalion of Marines at the Isthmus of Panama—part of Colombia at the time—securing it for Panama and making possible the construction of the Panama Canal by the United States. He went on to lead Marine expeditions to Cuba and Veracruz, Mexico. During World War I, Lejeune was promoted to major general and given command of an entire U.S. Army division. After the war, Lejeune became commandant of the Marine Corps, a role he used to develop its new mission of amphibious assault, transforming the corps from an ancillary component of the U.S. military into a vibrant and essential branch. He also created the Marine Corps Reserve, oversaw the corps’s initial use of aviation, and founded the Marine Corps Schools, the intellectual planning center of the corps that currently exists as the Marine Corps University. As Simon masterfully illustrates, the mission and value of the corps today spring largely from the efforts and vision of Lejeune.
Are national galleries different from other kinds of art gallery or museum? What value is there for the nation in a collection of international masterpieces? How are national galleries involved in the construction national art? National Galleries is the first book to undertake a panoramic view of a type of national institution – which are sometimes called national museums of fine art – that is now found in almost every nation on earth. Adopting a richly illustrated, globally inclusive, comparative view, Simon Knell argues that national galleries should not be understood as ‘great galleries’ but as peculiar sites where art is made to perform in acts of nation building. A book that fundamentally rewrites the history of these institutions and encourages the reader to dispense with elitist views of their worth, Knell reveals an unseen geography and a rich complexity of performance. He considers the ways the national galleries entangle art and nation, and the differing trajectories and purposes of international and national art. Exploring galleries, artists and artworks from around the world, National Galleries is an argument about how we think about and study these institutions. Privileging the situatedness of each national gallery performance, and valuing localism over universalism, Knell looks particularly at how national art is constructed and represented. He ends with examples that show the mutability of national art and by questioning the necessity of art nationalism.
The Center Holds provides an intimate look at who the Supreme Court justices are, how they have made critical decisions, and why, ultimately, the Rehnquist Revolution failed. Focusing on four key areas of civil rights and liberties—racial discrimination, abortion, criminal law, and First Amendment freedoms—The Center Holds provides an in-depth look at the Supreme Court documents that illustrate the battle between the old liberal order and emerging conservative majority, beginning in the early 1980s. James F. Simon, a former Time correspondent and contributing editor, ex-dean of New York Law School, and nationally recognized scholar of constitutional law, examines key decisions on civil rights and civil liberties in a readable, intimate look at some key Supreme Court Cases and includes absorbing descriptions of confidential memos and drafts gleaned from sources from within the court.
The great footballers and coaches are rarely glimpsed from up close. They shield themselves from the tabloids, hide their personalities behind professionalism, and in the words of the cliché, 'do their talking on the pitch'. This book gets up close to them. The Football Menis not a series of celebrity profiles, and it doesn't attempt to unearth secrets in the players' private lives. Rather, it portrays these men as three-dimensional human beings. It describes their upbringings, the football cultures they grew up in, the way they play, and the baggage that they bring to their relationships at work. This multimillion-pound, multinational world is mostly inhabited by ordinary men. The profiles in this book are sometimes funny, but never breathless or sensational. Some of the profiles in this book are based on interviews; others are the results of time the author spent with that person; sometimes the profile is a story of a country. All are fascinating and shed light on their subject to reveal things you wouldn't expect. From one of the great sports writers of our time this is a penetrating and surprising collection of articles on the figures that have defined the modern sporting world.
Is directing an art? Do directors need to be trained? What do directors actually do? These questions and more are answered in this accessibly written survey of the art of theatre direction. Its broad scope ranges across the theatres of both America and Europe, looking at practices from Stanislavski up to the present day.
The Troubles may have developed into a sectarian conflict, but the violence was sparked by a small band of leftists who wanted Derry in October 1968 to be a repeat of Paris in May 1968. Like their French comrades, Northern Ireland's 'sixty-eighters' had assumed that street fighting would lead to political struggle. The struggle that followed, however, was between communities rather than classes. In the divided society of Northern Ireland, the interaction of the global and the local that was the hallmark of 1968 had tragic consequences. Drawing on a wealth of new sources and scholarship, Simon Prince's timely new edition offers a fresh and compelling interpretation of the civil rights movement of 1968 and the origins of the Troubles. The authoritative and enthralling narrative weaves together accounts of high politics and grassroots protests, mass movements and individuals, and international trends and historic divisions, to show how events in Northern Ireland and around the world were interlinked during 1968.
In Northern Ireland, The United States and the Second World War, Simon Topping analyses the American military presence in Northern Ireland during the war, examining the role of the government at Stormont in managing this 'friendly invasion', the diplomatic and military rationales for the deployment, the attitude of Americans to their posting, and the effect of the US presence on local sectarian dynamics. He explores US military planning, the hospitality and entertainment provided for American troops, the renewal and reimagining of historic links between Ulster and the United States, the importation of 'Jim Crow' racism, 'Johnny Doughboys' marrying 'Irish Roses', and how all of this impacted upon internal, transatlantic and cross-border politics. This study also draws attention to influential and understudied individuals such as Northern Ireland's Prime Minister Sir Basil Brooke and offers a reassessment of David Gray, America's minister to Dublin. As a result, it provides a comprehensive examination of largely overlooked aspects of the war and Northern Ireland more generally, and fills important gaps in the history of both. Northern Ireland, The United States and the Second World War is essential for students and scholars interested in the history of Northern Ireland, American-Irish relations, the Second World War on the UK home-front, and wartime transatlantic diplomacy.
“The only history of pop music you’ll ever have to read.”— Huffington Post Let legendary rock manager Simon Napier-Bell take you inside the (dodgy) world of popular music – not just a creative industry, but a business that has made people rich beyond their wildest dreams. This book describes the evolution of the music industry from 1713 – the year parliament granted writers ownership over what they wrote – to today, when a global, 100 billion pound industry is controlled by just three major players: Sony, Universal and Warner. Inside you will uncover some little-known facts about the industry, including: how a formula for writing hit songs in the 1900s helped create 50,000 of the best-known songs of all time; how Jewish immigrants and black jazz musicians dancing cheek-to-cheek created a template for all popular music that followed; and how rock tours became the biggest, quickest, sleaziest and most profitable ventures the music industry has ever seen. Through it all, Napier-Bell balances seductive anecdotes – pulling back the curtain on the gritty and absurd side of the industry – with an insightful exploration of the relationship between creativity and money.
Spirits in the Bush surveys the art of Gippsland, from the colonial to the contemporary. This expansive, original and illuminating compendium leads readers on a journey through artistic and provincial history, interweaving the lives of residents and visitors. Collectively, it presents a vivid account of the influence of place on the cultural imagination. A fascinating cast of characters includes some of Australia’s best-known and most-loved artists, including Eugène von Guérard, Jessie Traill, Arthur Streeton, Clarice Beckett, Sidney Nolan, Arthur Boyd, Fred Williams, and Jeffrey Smart. Readers will discover also a host of new names destined for recognition. Spirits in the Bush reveals how artists have grappled with a region that is in equal measures beautiful and brutal, and which has provided the stage for many of the key battles in Australian art history. Bound by geographical camaraderie, and with the spectre of Gippsland’s past as an unwavering presence, the stories of their art unfold in a unique dialogue. This publication was made possible through the generous support of the Gordon Darling Foundation.
Americanness: Inquiries into the Thought and Culture of the United States analyzes several core themes that connect Americans because of, and despite, their pronounced diversity. The book investigates shared ideas and ideals, such as individualism, mobility, materialism, and future-orientation, that drive an overarching American worldview. Simon J. Bronner begins with ideas of space and time as they formed and changed through the history of the United States, before moving to the emergence of modern American culture. He examines reasons America is characterized as having a "victory culture" that extends to the American legal, military, and business complexes. This victory culture is further analyzed by looking at the country’s relationship with the game of football—a sport that thrives in America but has not caught on in other countries. Finally, the volume probes American consumerism driven by a desire for individual prosperity in a supposedly egalitarian society. Using interdisciplinary approaches drawn from psychology, sociology, ethnology, and history, Bronner seeks explanations for people invoking, and evoking, ideas that they perceive as American. This book would be an invaluable addition to courses on American history, sociology, cultural studies, and American studies.
From 1940 to 1942, French secret agents arrested more than two thousand spies working for the Germans and executed several dozen of them—all despite the Vichy government’s declared collaboration with the Third Reich. A previously untold chapter in the history of World War II, this duplicitous activity is the gripping subject of The Hunt for Nazi Spies, a tautly narrated chronicle of the Vichy regime’s attempts to maintain sovereignty while supporting its Nazi occupiers. Simon Kitson informs this remarkable story with findings from his investigation—the first by any historian—of thousands of Vichy documents seized in turn by the Nazis and the Soviets and returned to France only in the 1990s. His pioneering detective work uncovers a puzzling paradox: a French government that was hunting down left-wing activists and supporters of Charles de Gaulle’s Free French forces was also working to undermine the influence of German spies who were pursuing the same Gaullists and resisters. In light of this apparent contradiction, Kitson does not deny that Vichy France was committed to assisting the Nazi cause, but illuminates the complex agendas that characterized the collaboration and shows how it was possible to be both anti-German and anti-Gaullist. Combining nuanced conclusions with dramatic accounts of the lives of spies on both sides, The Hunt for Nazi Spies adds an important new dimension to our understanding of the French predicament under German occupation and the shadowy world of World War II espionage.
The war of 1812 is over, but for the inmates at Dartmoor Prison, peace—like home—is still a long way away.On New Year’s Eve 1814, the American sailors of the Eagle finally arrive at Dartmoor prison, bedraggled, exhausted, but burning with hope. They’ve only had one thing to sustain them during the har- rowing voyage—a snatched whisper overheard along the way. The war is finally over.Joe Hill thought he’d left the war outside these walls but it’s quickly clear that there’s a different type of fight to be had within. The seven prison blocks surrounding him have been segregated; six white and one black.Inspired by true events, this novel recounts the remarkable story of the first ever all-black Shakespeare production, staged by segregated American prisoners of war. It is a story of hope and freedom, of loss and suffering. It is a story about how sometimes, in our darkest hour, it can be the most unlikely of things that see us through.
A collection of more than 150 devotions on such topics as daily activities, the Ten Commandments, and holidays. Includes interactive discussion questions, Bible verses, and prayers.
A collection of more than 150 devotions on such topics as daily activities, the Ten Commandments, and holidays. Includes interactive discussion questions, Bible verses, and prayers.
The terrifying, nail-biting, and grossly intriguing sequel toThe Devouring. It's been six months since Reggie first discovered and fought against the Vours, malicious and demonic beings that inhabit human bodies on the eve of the Winter Solstice. The Vours still haunt Reggie, but only in her dreams-until one night, when an unexpected visitor turns her nightmares into reality. The battle against evil continues in Soulstice, the second book in the thrilling The Devouring series, which School Library Journal called, "Comparable to books by R. L. Stine and Stephen King....A must-have for horror fans.
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