Happy Times in Norway is a moving and delicately humorous picture of Undset’s own blissful home life before her nation fell to the Nazi occupation. Captured here is the excitement of a Norwegian Christmas, the Seventeenth of May, and summer in the idyllic mountains, as well as the chaotic adventure of raising two energetic boys. With vivid detail and illuminating descriptions of the landscape, Happy Times in Norway is infused with the wish that those cherished days could come again.
From A to Z, the Penguin Drop Caps series collects 26 unique hardcovers—featuring cover art by Jessica Hische It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet. In a design collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series features unique cover art by Hische, a superstar in the world of type design and illustration, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's recent film Moonrise Kingdom to Penguin's own bestsellers Committed and Rules of Civility. With exclusive designs that have never before appeared on Hische's hugely popular Daily Drop Cap blog, the Penguin Drop Caps series launches with six perennial favorites to give as elegant gifts, or to showcase on your own shelves. U is for Undset. Set in fourteenth-century Norway, The Wreath, the first volume of Undset’s medieval trilogy begins the life story of Kristin Lavransdatter. Starting with Kristin’s childhood and continuing through her romance with Erlend Nikulaussøn, a dangerously charming and impetuous man, Undset re-creates the historical backdrop in vivid detail, immersing readers in the day-to-day life, social conventions, and political undercurrents of the period. But the story she tells is a modern one, brought to life with clarity and lyrical beauty in this remarkable translation by Tiina Nunnally. Defying her parents and stubbornly pursuing her own happiness, Kristin emerges as a woman who loves with power and passion.
Jenny (1911) is a novel by Norwegian writer Sigrid Undset. Published during the author’s social realist phase, a period in which her writing focused on the lives of everyday Norwegians, Jenny is a moving portrait of idealism and ambition and a tragic tale of talent gone to seed. Although Undset’s later fiction—inspired by her conversion to Catholicism—won her the 1928 Nobel Prize in Literature, her earlier work has remained essential to her legacy. Finding herself uninspired in her native Norway, Jenny Winge, an idealistic and talented painter, moves to Rome in order to further her artistic career. There, she finds not only success, but a fiancé with whom she envisions sharing a life and family. Moved by hidden desires, however, Jenny strikes up an affair with the man’s father that leaves her pregnant, disgraced, and alone. Determined as ever despite being shaken from her path as an artist, Jenny determines to raise the child by herself, forsaking convention while simultaneously risking her life and the life of her baby. From artistic achievement to mere independence, Jenny is forced to drastically shift her ambitions, to remain unbroken in a world that seems intent on breaking every hope she holds. Jenny is a realist novel that takes an unsparing look at the role of women in society while illuminating the struggles a young artist faces on the path to success and independence. With a beautifully designed cover and professionally typeset manuscript, this edition of Sigrid Undset’s Jenny is a classic of Norwegian literature reimagined for modern readers.
In this heart-wrenching novel by Sigrid Undset, The Cross brings Kristin’s story to a close as the final years of her life are consumed by the Black Death, in the final installment in the well-known Norwegian trilogy, Kristin Lavransdatter. Kristin Lavransdatter has lost almost everything she loves. As the Black Death rapidly approaches Norway, she once again has to decide what is most important to her. Kristin grapples with her failing marriage and wavering faith while attempting to support eight sons. The once charmingly reckless characters are now facing their greatest challenge yet: the inevitability of their diminishing lives. Completing the trilogy, Sigrid Undset’s third Kristin Lavransdatter book was originally published in 1922. The author’s colourful depiction of 14th century Norway is continued in this final volume as she provides a fascinatingly accurate insight into medieval Scandinavia. Proudly republished by Read & Co. Books, this new edition of The Cross features an excerpt from Six Scandinavian Novelists by Alrik Gustafrom. An essential addition to the bookshelves of Kristen Lavransdatter fans, this volume is the perfect end to the classic Norwegian series.
Inspired by tales of the hero Vilmund Vidutan and his fellow knights, Sigurd Jonsson and his young friends Ivar and Helge set out to reenact these exploits on their medieval Norwegian farm. They carve swords and lances and spend hours making shields. With a little imagination, a pasture becomes a battlefield, an old boar their greatest foe, and they pass many hours jousting and dueling. But when the summer is nearly over, the three boys stumble into real trouble and must prove their courage in an adventure all their own. Written during Sigrid Undset’s time in New York, Sigurd and His Brave Companions will make medieval Norway come alive for young and old readers alike.
The initial volume in the Nobel Prize–winning author’s tumultuous, epic story of medieval Norway—the first new English translation in nearly a century As a child, Olav Audunssøn is given by his dying father to an old friend, Steinfinn Toressøn, who rashly promises to raise the boy as his foster son and eventually marry him to his own daughter, Ingunn. The two children, very different in temperament, become both brother and sister and betrothed. In the turbulent thirteenth-century Norway of Sigrid Undset’s epic masterpiece, bloodlines and loyalties often supersede law, and the crown and the church vie for power and wealth. Against this background and the complicated relationship between Olav and Ingunn, a series of fateful decisions leads to murder, betrayal, exile, and disgrace. In Vows, the first book in the powerful Olav Audunssøn tetralogy, Undset presents a richly imagined world split between pagan codes of retribution and the constraints of Christian piety—all of which threaten to destroy the lives of two young people torn between desires of the heart and the dictates of family and fortune. As she did when writing her earlier and bestselling epic Kristin Lavransdatter, Sigrid Undset immersed herself in the legal, religious, and historical documents of medieval Norway to create in Olav Audunssøn remarkably authentic and compelling portraits of Norwegian life in the Middle Ages. In this new English edition, renowned Scandinavian translator Tiina Nunnally again captures Undset’s fluid prose, conveying in an engaging lyrical style the natural world, complex culture, and fraught emotional territory of Olav and Ingunn’s dramatic story.
The acknowledged masterpiece of the Nobel Prize-winning Norwegian novelist Sigrid Undset, Kristin Lavransdatter has never been out of print in this country since its first publication in 1927. Its story of a woman's life in fourteenth-century Norway has kept its hold on generations of readers, and the heroine, Kristin—beautiful, strong-willed, and passionate—stands with the world's great literary figures. Volume 11, The Mistress of Husaby, tells of Kristin's troubled and eventful married life on the great estate of Husaby, to which her husband has taken her.
Sigrid Undset is among the great modern writers of the twentieth century and was an adult convert to Catholicism. This forgotten treasure from the Nobel Prize–winning author of Kristin Lavransdatter is a fascinating collection of saints’ lives, a prophetic critique of modernity, and a surprisingly contemporary take on being Catholic—in particular a Catholic woman—in a sometimes-hostile secular world. Stages on the Road is a series of essays about the relationship between the Church and the modern world. In the spirit of G. K. Chesterton and C. S. Lewis, Undset points to inconsistencies, hypocrisies, and blind spots of the modern secular mindset by introducing readers to the stories of somewhat-forgotten Catholic figures like St. Angela Merici and the English martyrs Margaret Clitherow and Robert Southwell—people who stood fast to their faith in the face of both intellectual and political hostility. Undset tackles such topics as religious freedom, Christian/Muslim relations, and the vocation of women.
Sigrid Undset (1882-1949) was a Norwegian novelist who was awarded the Nobel Prize for Literature in 1928. She was born in Kalundborg, Denmark, but her family moved to Norway when she was two. She fled Norway for the US in 1940 because of her opposition to Nazi Germany and the German invasion and occupation of Norway, but returned after the end of WW2 in 1945. Her best-known work is Kristin Lavransdatter (1920-22), a trilogy about life in Norway in the Middle Ages, portrayed through the experiences of a woman from her birth until death. Her early novels written between 1907-18 offer a realistic depiction of the lives of the inhabitants of contemporary Oslo (then Kristiania), with women and their loves being her main subject. Jenny (1911), which is considered her literary breakthrough, falls into this category. Set in Rome and later Norway, it is the story of a woman hoping to make a career as a painter who becomes the lover of her fiance's father, resulting in a child who dies shortly after birth. Suffering emotional turmoil and believing her life to be wasted, she eventually commits suicide. Reprinted from the English translation published by Knopf in the US in 1921.
Sigrid Undset (1882-1949) was a Norwegian novelist who was awarded the Nobel Prize in Literature in 1928. She fled Norway for the United States in 1940 because of her opposition to Nazi Germany and the German occupation, but returned after World War II ended in 1945. Her best-known work is Kristin Lavransdatter, a modernist trilogy about life in Scandinavia in the Middle Ages. She took a one-year secretarial course and got a job as secretary with an engineering company. Sigrid was no more than 16 years old when she made her first hesitant attempt at writing a novel set in the Nordic Middle Ages. At the age of 25, Sigrid Undset made her literary debut with a short, realistic novel set against a contemporary background. During the years up to 1919, Undset published a number of novels set in contemporary Kristiania. This realistic period culminated in the novels Jenny in 1911 and Vaaren in 1914. Amongst her other works are Korset (1922) and The Bridal Wreath (1923).
“[Sigrid Undset] should be the next Elena Ferrante.” —Slate A Penguin Classic Kristin Lavransdatter interweaves political, social, and religious history with the daily aspects of family life to create a colorful, richly detailed tapestry of Norway during the fourteenth-century. The trilogy, however, is more than a journey into the past. Undset's own life—her familiarity with Norse sagas and folklore and with a wide range of medieval literature, her experiences as a daughter, wife, and mother, and her deep religious faith—profoundly influenced her writing. Her grasp of the connections between past and present and of human nature itself, combined with the extraordinary quality of her writing, sets her works far above the genre of "historical novels." This new translation by Tina Nunnally—the first English version since Charles Archer's translation in the 1920s—captures Undset's strengths as a stylist. Nunnally, an award-winning translator, retains the natural dialog and lyrical flow of the original Norwegian, with its echoes of Old Norse legends, while deftly avoiding the stilted language and false archaisms of Archer's translation. In addition, she restores key passages left out of that edition. Undset's ability to present a meticulously accurate historical portrait without sacrificing the poetry and narrative drive of masterful storytelling was particularly significant in her homeland. Granted independence in 1905 after five hundred years of foreign domination, Norway was eager to reclaim its national history and culture. Kristin Lavransdatter became a touchstone for Undset's contemporaries, and continues to be widely read by Norwegians today. In the more than 75 years since it was first published, it has also become a favorite throughout the world. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Following the story of a strong-willed heroine Kristin and her attempt to rebuild her life in the wake of the Black Death, Undset interlaces the political, social, and religious past, with day-to-day familial life - in order to present a vibrant and profound illustration of fourteenth-century Norway. This fantastic trilogy is highly recommended...
In the turbulent thirteenth-century Norway of Sigrid Undset's epic masterpiece, bloodlines and loyalties often supersede law, and the crown and the church vie for power and wealth. Vows, the first book in the ... Olav Audunss2n tetralogy, presents a richly imagined world split between pagan codes of retribution and the constraints of Christian piety--all of which threaten to destroy the lives of two young people torn between desires of the heart and the dictates of family and fortune."--Publisher's description.
“I have been unfaithful to my husband.” Marta Oulie’s opening line scandalized Norwegian readers in 1907. And yet, Sigrid Undset had a gift for depicting modern women “sympathetically but with merciless truthfulness,” as the Swedish Academy noted in awarding her the Nobel Prize for Literature in 1928. At the time she was one of the youngest recipients and only the third woman so honored. It was Undset’s honest story of a young woman’s love life—“the immoral kind,” as she herself bluntly put it—that made her first novel an instant sensation in Norway. Marta Oulie, written in the form of a diary, intimately documents the inner life of a young woman disappointed and constrained by the conventions of marriage as she longs for an all-consuming passion. Set in Kristiania (now Oslo) at the beginning of the twentieth century, Undset’s book is an incomparable psychological portrait of a woman whose destiny is defined by the changing mores of her day—as she descends, inevitably, into an ever-darker reckoning. Remarkably, though Undset’s other works have attracted generations of readers, Marta Oulie has never before appeared in English translation. Tiina Nunnally, whose award-winning translation of Undset’s Kristin Lavransdatter captured the author’s beautifully clear style, conveys the voice of Marta Oulie with all the stark poignancy of the original Norwegian.
“[Sigrid Undset] should be the next Elena Ferrante.” —Slate A Penguin Classic Kristin Lavransdatter interweaves political, social, and religious history with the daily aspects of family life to create a colorful, richly detailed tapestry of Norway during the fourteenth-century. The trilogy, however, is more than a journey into the past. Undset's own life—her familiarity with Norse sagas and folklore and with a wide range of medieval literature, her experiences as a daughter, wife, and mother, and her deep religious faith—profoundly influenced her writing. Her grasp of the connections between past and present and of human nature itself, combined with the extraordinary quality of her writing, sets her works far above the genre of "historical novels." This new translation by Tina Nunnally—the first English version since Charles Archer's translation in the 1920s—captures Undset's strengths as a stylist. Nunnally, an award-winning translator, retains the natural dialog and lyrical flow of the original Norwegian, with its echoes of Old Norse legends, while deftly avoiding the stilted language and false archaisms of Archer's translation. In addition, she restores key passages left out of that edition. Undset's ability to present a meticulously accurate historical portrait without sacrificing the poetry and narrative drive of masterful storytelling was particularly significant in her homeland. Granted independence in 1905 after five hundred years of foreign domination, Norway was eager to reclaim its national history and culture. Kristin Lavransdatter became a touchstone for Undset's contemporaries, and continues to be widely read by Norwegians today. In the more than 75 years since it was first published, it has also become a favorite throughout the world. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The fourth and final volume in the Nobel Prize–winning writer’s epic of one man’s fateful life in medieval Norway Set in thirteenth-century Norway, a land racked by political turmoil, bloody family vendettas, and rising tensions between secular powers and an ascendant church, Sigrid Undset’s spellbinding masterpiece now follows the fortunes of Olav Audunssøn to the final, dramatic chapter of his life as it unfolds in Winter, the last volume of the tetralogy. When the orphaned Olav and his foster sister Ingunn became betrothed in their youth, a chain of events was set in motion that eventually led to violence, banishment, and a family separation lasting years. The consequences fracture their marriage and threaten the lineage for generations. Now, at the end of his life, Olav continues to grapple with the guilt of his sins as he watches his children, especially Eirik, make disastrous choices and struggle to find their rightful place in a family haunted by the past. With its precise details and sweeping vision, Olav Audunssøn summons a powerful picture of Northern life in medieval times, as noted by the Swedish Academy in awarding Undset the Nobel Prize in 1928. Conveying both the intimate drama and the epic proportions of Olav’s story at its conclusion, Winter is a moving and masterly recreation of a vanished world tainted by bloodshed and haunted by sin and retribution—yet one that might still offer a chance for redemption. As with Kristin Lavransdatter, her earlier medieval epic, Sigrid Undset wrote Olav Audunssøn after immersive research in the legal, religious, and historical writings of the time to create an astoundingly authentic and compelling portrait of Norwegian life in the Middle Ages. And as in her translation of Kristin Lavransdatter, Tiina Nunnally does full justice to Undset’s natural, fluid prose—in a style by turns plainspoken and delicately lyrical—to convey the natural world, the complex culture, and the fraught emotional territory against which Olav’s story inexorably unfolds.
The initial volume in the Nobel Prize-winning author's tumultuous, epic story of medieval Norway--the first new English translation in nearly a century As a child, Olav Audunssøn is given by his dying father to an old friend, Steinfinn Toressøn, who rashly promises to raise the boy as his foster son and eventually marry him to his own daughter, Ingunn. The two children, very different in temperament, become both brother and sister and betrothed. In the turbulent thirteenth-century Norway of Sigrid Undset's epic masterpiece, bloodlines and loyalties often supersede law, and the crown and the church vie for power and wealth. Against this background and the complicated relationship between Olav and Ingunn, a series of fateful decisions leads to murder, betrayal, exile, and disgrace. In Vows, the first book in the powerful Olav Audunssøn tetralogy, Undset presents a richly imagined world split between pagan codes of retribution and the constraints of Christian piety--all of which threaten to destroy the lives of two young people torn between desires of the heart and the dictates of family and fortune. As she did when writing her earlier and bestselling epic Kristin Lavransdatter, Sigrid Undset immersed herself in the legal, religious, and historical documents of medieval Norway to create in Olav Audunssøn remarkably authentic and compelling portraits of Norwegian life in the Middle Ages. In this new English edition, renowned Scandinavian translator Tiina Nunnally again captures Undset's fluid prose, conveying in an engaging lyrical style the natural world, complex culture, and fraught emotional territory of Olav and Ingunn's dramatic story.
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1902 Excerpt: ...earth. r' = radius of moon, or other body. P = moon's horizontal parallax = earth's angular semidiameter as seen from the moon. f = moon's angular semidiameter. Now = P (in circular measure), r'-r = r (in circular measure);.'. r: r':: P: P', or (radius of earth): (radios of moon):: (moon's parallax): (moon's semidiameter). Examples. 1. Taking the moon's horizontal parallax as 57', and its angular diameter as 32', find its radius in miles, assuming the earth's radius to be 4000 miles. Here moon's semidiameter = 16';.-. 4000::: 57': 16';.-. r = 400 16 = 1123 miles. 2. The sun's horizontal parallax being 8"8, and his angular diameter 32V find his diameter in miles. ' Am. 872,727 miles. 3. The synodic period of Venus being 584 days, find the angle gained in each minute of time on the earth round the sun as centre. Am. l"-54 per minute. 4. Find the angular velocity with which Venus crosses the sun's disc, assuming the distances of Venus and the earth from the sun are as 7 to 10, as given by Bode's Law. Since (fig. 50) S V: VA:: 7: 3. But Srhas a relative angular velocity round the sun of l"-54 per minute (see Example 3); therefore, the relative angular velocity of A V round A is greater than this in the ratio of 7: 3, which gives an approximate result of 3"-6 per minute, the true rate being about 4" per minute. Annual ParaUax. 95. We have already seen that no displacement of the observer due to a change of position on the earth's surface could apparently affect the direction of a fixed star. However, as the earth in its annual motion describes an orbit of about 92 million miles radius round the sun, the different positions in space from which an observer views the fixed stars from time to time throughout the year must be separated ...
Set in medieval Norway, The Snake Pit follows Olav and Ingunn, who, though raised as brother sister, have become lovers in a world caught between the fading sphere of pagan worship and vendettas and the expansion of Christianity.
Set in 13th-century Norway, The Axe is the first volume in Undset's epic tetralogy, The Master of Hestviken. In it, we meet Olav Audunsson and Ingunn Steinfinnsdatter, who were betrothed as children and raised as brother and sister. In the heedlessness of youth, they become lovers, unaware that their ardor will forge the first link in a chain of murder, exile, and disgrace. Undset's novel is also a meticulous re-creation of a world split between pagan codes of retribution and the rigors of Christian piety--a world where law is a fragile new invention and manslaughter is so common that it's punishable by a fine."Undset reproduces medieval Norway in all the rich pageantry of color and form...she can transport us eight centuries and several thousand miles more effectively than most writers can take us into the house next door."--The Nation
A masterful tale of betrayal and violence in a tight-knit community in Northern Ireland during the last days of the Troubles, from an acclaimed Irish writer making their US debut . . . 1994, the summer leading up to the ceasefire between Britain and the IRA. In the Northern Irish border town of Cross, after decades of violent activity protesting British rule, a community plays out its end game. Francie, a hardened yet troubled IRA man, has authorized the murder of a policeman by two teenaged henchmen. The Widow Donnelly protests in the town square because her son has gone missing. Young Cathy Murphy, a Protestant, is trying to find her place among a people who ignore her. And pathological Handy Byrnes, whose marksmanship makes him a valuable weapon, is out of control. Meanwhile, paranoia is growing because operations are beginning to go wrong. The townsfolk suspect a tout, but no one is willing to accept the evidence before their eyes. Cross is a complex tale of betrayal and brutality at the height of the Troubles, a powerful, moving, and empathetic lament for a community that has lost its way in its battle for the nation.
In Kristin Lavransdatter (1920-1922), Sigrid Undset interweaves political, social, and religious history with the daily aspects of family life to create a colorful, richly detailed tapestry of Norway during the fourteenth-century. The trilogy, however, is more than a journey into the past. Undset's own life-her familiarity with Norse sagas and folklore and with a wide range of medieval literature, her experiences as a daughter, wife, and mother, and her deep religious faith-profoundly influenced her writing. Her grasp of the connections between past and present and of human nature itself, combined with the extraordinary quality of her writing, sets her works far above the genre of "historical novels." This new translation by Tina Nunnally-the first English version since Charles Archer's translation in the 1920s-captures Undset's strengths as a stylist. Nunnally, an award-winning translator, retains the natural dialog and lyrical flow of the original Norwegian, with its echoes of Old Norse legends, while deftly avoiding the stilted language and false archaisms of Archer's translation. In addition, she restores key passages left out of that edition. Undset's ability to present a meticulously accurate historical portrait without sacrificing the poetry and narrative drive of masterful storytelling was particularly significant in her homeland. Granted independence in 1905 after five hundred years of foreign domination, Norway was eager to reclaim its national history and culture. Kristin Lavransdatter became a touchstone for Undset's contemporaries, and continues to be widely read by Norwegians today. In the more than 75 years since it was first published, it has also become a favorite throughout the world.
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