E' la prima agenda di filosofia a vignette. L' homo philosophus e la "sapiens familia" si trovano ad Atene.Il protagonista ci presenta alcuni elementi della filosofia di Socrate.Lo sfondo delle vignette è costituito da bellissime foto con licenza GPU tratte da Wikipedia.
L'Homo Philosophus ci parla dei presocratici. L'agenda presenta ogni mese una vignetta con una frase che si riferisce ad un filosofo. Gli sfondi delle vignette sono scenari astratti o rielaborazioni grafiche di foto scattate dagli autori in diversi luoghi d'Italia.L'agenda termina con brevi schede del pensiero filosofico dei presocratici.
The first historical appraisal of the astonishing life and times of a controversial twentieth-century saint Padre Pio is one of the world's most beloved holy figures, more popular in Italy than the Virgin Mary and even Jesus. His tomb is the most visited Catholic shrine anywhere, drawing more devotees than Lourdes. His miraculous feats included the ability to fly and to be present in two places at once; an apparition of Padre Pio in midair prevented Allied warplanes from dropping bombs on his hometown. Most notable of all were his stigmata, which provoke heated controversy to this day. Were they truly God-given? A psychosomatic response to extreme devotion? Or, perhaps, the self-inflicted wounds of a charlatan? Now acclaimed historian Sergio Luzzatto offers a pioneering investigation of this remarkable man and his followers. Neither a worshipful hagiography nor a sensationalist exposé, Padre Pio is a nuanced examination of the persistence of mysticism in contemporary society and a striking analysis of the links between Catholicism and twentieth-century politics. Granted unprecedented access to the Vatican archives, Luzzatto has also unearthed a letter from Padre Pio himself in which the monk asks for a secret delivery of carbolic acid—a discovery which helps explain why two successive popes regarded Padre Pio as a fraud, until pressure from Pio-worshipping pilgrims forced the Vatican to change its views. A profoundly original tale of wounds and wonder, salvation and swindle, Padre Pio explores what it really means to be a saint in our time.
E' la prima agenda di filosofia a vignette. L' homo philosophus e la "sapiens familia" si trovano ad Atene.Il protagonista ci presenta alcuni elementi della filosofia di Socrate.Lo sfondo delle vignette è costituito da bellissime foto con licenza GPU tratte da Wikipedia.
L'Homo Philosophus ci parla dei presocratici. L'agenda presenta ogni mese una vignetta con una frase che si riferisce ad un filosofo. Gli sfondi delle vignette sono scenari astratti o rielaborazioni grafiche di foto scattate dagli autori in diversi luoghi d'Italia.L'agenda termina con brevi schede del pensiero filosofico dei presocratici.
A brilliant young historian follows the odyssey of Mussolini's body in an original exploration of the history and legacy of Italian Fascism Bullet-ridden, spat on, butchered bloody: this was the fate of Il Duce, strung up beside his dead mistress in a Milan square, as reviled in death as he was adored in life. With Italy's defeat in World War II, the cult of Benito Mussolini's physical self was brought to its grotesque denouement by a frenzied, jeering crowd of thousands-one eerily similar to the cheering throngs that had once roared their approval beneath Il Duce's balcony. In this groundbreaking work, Sergio Luzzatto traces the fortunes of the Fascist dictator's body: from his charisma, virility, and magnetic domination of Fascist parades, to his humiliating execution, the ugly display of his remains, and beyond. Buried, exhumed, stolen, and hidden for ten years, Il Duce's corpse was finally laid to rest, a shrine for fanatical followers. Through this pursuit, Luzzatto shows how in a totalitarian state the body of the ruler comes to incarnate the nation. And from the indignities visited on Mussolini's corpse, Luzzatto crafts a subtle social and intellectual history of a country struggling to become a republic and free itself from the thrall of Fascism. Elegantly written and stunningly conceived, alive with never-before-published letters, diaries, and reports, The Body of Il Duce cuts a new and compelling path through twentieth-century history.
The studies in this book focus on Italian twentieth-century architecture, in particular design and construction techniques. The descriptions of the worksites and building processes provide a much better and clearer picture of the different modernist styles that existed in Italy; they also reveal the ‘thin red line' that characterised an univocal construction method: mixed masonry enriched (and not replaced) by reinforced concrete – a technique well suited to small artisanal worksites. This was a mild version of modern construction, in line with the role construction played in slowing down an industrialisation process which in Italy was, in itself, slow. Each chapter illustrates a specific aspect of the history of construction and highlights several new issues involving architecture in general: the important tectonic similarities which one way or another link the Littorio style and the several different kinds of rationalisms in the thirties; the continuity between the autarchic experimentation and the techniques used in reconstruction; the connection between the large-scale works designed by engineers and the architectures of the fifties and sixties, which now appear to be one of the mainstays of the unique Italian Style.
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