This is the story of two young people and their friends who have a wonderful job in the Wind River Mountain Area of Wyoming on a large guest ranch. The two trail guides have a past, each different; one more dangerous than the other. But when one incident starts a chain reaction. When old friends show up at the ranch, emotions appear and their very friendship comes into jeopardy. There is horses, music, adventure, danger and evil. But also, love. Can their new found feelings withstand the unfolding of the past and will it promise a future?
This story is about a young woman who gives up everything she loves, because she thought she had found her true love. Then when the wedding day comes; no groom and no maid of honor. With the pain of betrayal all she wants to do is get away from everyone, so while on a flight to California she reads an article for employment in Australia. The one place she had always wanted to visit. So she goes for it. The job is on a Outback cattle station named GetAway. She finds intrigue, passion, greed, a handsome rancher, friendship and danger. And possibly, love?...a true love?
Since the earliest era of archaeological discovery on Crete, vivid renderings of animals have been celebrated as defining elements of Minoan culture. Animals were crafted in a rich range of substances and media in the broad Minoan world, from tiny seal-stones to life-size frescoes. In this study, Emily Anderson fundamentally rethinks the status of these zoomorphic objects. Setting aside their traditional classification as 'representations' or signs, she recognizes them as distinctively real embodiments of animals in the world. These fabricated animals-engaged with in quiet tombs, bustling harbors, and monumental palatial halls-contributed in unique ways to Bronze Age Aegean sociocultural life and affected the status of animals within people's lived experience. Some gave new substance and contour to familiar biological species, while many exotic and fantastical beasts gained physical reality only in these fabricated embodiments. As real presences, the creatures that the Minoans crafted artfully toyed with expectation and realized new dimensions within and between animalian identities.
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