Populere Afrikaanse musiekkunstenaars het sover goed gedoen in post'apartheid Suid-Afrika en geniet die entoesiastiese ondersteuning van lojale volgelinge. Hierdie ondersteuning word aangevuur deur 'n komplekse stel emosies wat verband hou daarmee "e;om Afrikaans te wees"e; in 'n kultureel pluralistiese samelewing. In Plate en Politiek ondersoek Van der Merwe die interaksie tussen populere musiek en die ontvouing van 'n Afrikaanse kultuurpolitiek vanaf die begin van die twintigste eeu tot die hede. Dit sluit 'n soektog in na die eerste opgeneemde Afrikaanse liedere en dokumenteer die daaropvolgende fases van musiekontwikkeling wat die agentskap van ordinere mense - kunstenaar en luisteraar - weerspieel teen die agtergrond van fundamentele sosiale en politieke verandering. Dit besin oor beide die musiekhoofstroom en meer alternatiewe musiek, en ontbloot onder andere, historiese voorbeelde van die akkommodering van, en verset teen, die meesternarratief van die Afrikanernasionalistiese ideologie, pogings van kulturele entrepreneurs om beheer uit te oefen oor populere Afrikaanse kultuur, klassespanning, blywende rasse-eksklusiwiteit, protes en sensuur, en die post'apartheid oproeping van Afrikaner nostalgie en wit slagofferskap. Uiteindelik bied Plate en Politiek 'n on-onderbroke weergawe van , en 'n kritiese blik op, meer as 'n eeu van opgeneemde Afrikaanse musiek.
Much focus in research on alphabetic writing systems has been on correspondences between graphemes and phonemes. The present study sets out to complement these by examining the linguistic denotation of markers of word division in several ancient Northwest Semitic (NWS) writing systems, namely, Ugaritic, Phoenician, Moabite, and Hebrew, as well as alphabetic Greek. While in Modern European languages words on the page are separated on the basis of morphosyntax, I argue that in most NWS writing systems words are divided on the basis of prosody: ‘words’ are units which must be pronounced together with a single primary accent or stress, or as a single phrase. After an introduction providing the necessary theoretical groundwork, Part I considers word division in Phoenician inscriptions. I show that word division at the levels of both the prosodic word and of the prosodic phrase may be found in Phoenician, and that the distributions match those of prosodic words and prosodic phrases in Tiberian Hebrew. The latter is a source where, unlike the rest of the material considered, the prosody is well represented. In Part II, word division in Ugaritic alphabetic cuneiform is analyzed. Here two-word division strategies are identified, corresponding broadly to two genres of text: viz, literary, and administrative documents. Word division in the orthography of literary and of some other texts separates prosodic words. By contrast, in many administrative (and some other) documents, words are separated on the basis of morphosyntax, anticipating later word division strategies in Europe by several centuries. Part III considers word division in the consonantal text of the Masoretic tradition of Biblical Hebrew. Here word division is found to mark out ‘minimal prosodic words’. I show that this word division orthography is also found in early Moabite and Hebrew inscriptions. Word division in alphabetic Greek inscriptions is the topic of Part IV. Whilst it is agreed that word division marks out prosodic words, the precise relationship of these units to the pitch accent and the rhythm of the language is not so clear, and consequently this issue is addressed in detail. Finally, the Epilogue considers the societal context of word division in each of the writing systems examined, to attempt to discern the rationales for the prosodic word division strategies adopted. Contexts of and Relations between Early Writing Systems (CREWS) is a project funded by the European Research Council under the European Union’s Horizon 2020 research and innovation program (grant agreement No. 677758), and based in the Faculty of Classics, University of Cambridge.
The Structure of Rare-Earth Metal Surfaces introduces the concepts of surface crystallography and surface-structure determination, outlines the principles of the most widely used experimental techniques and theoretical simulations, and reviews their application to the surfaces of rare-earth metals. In particular, the results of quantitative low-energy electron-diffraction experiments and multiple-scattering calculations are covered in some depth. The book is aimed at science graduates with an interest in surface crystallography.
ÿ Popular Afrikaans music artists have done well in post-apartheid South Africa and enjoy the enthusiastic support of loyal fans. This support is fuelled by a complex set of emotions linked to ?being Afrikaans? in a culturally pluralistic society. In On Record, van der Merwe investigates the interplay between popular music and the unfolding of Afrikaans culture politics from the start of the twentieth century to the present. It includes a search for the earliest recorded Afrikaans songs and documents subsequent phases of music development that reflect the agency of ordinary individuals - artists and listeners - against a background of fundamental societal and political change. It regards both the music mainstream and the alternative, and reveals, among other things, historical cases of compliance and resistance regarding the master narrative of Afrikaner nationalist ideology, the attempts by cultural entrepreneurs to establish authority over popular Afrikaans culture, class tension, lasting racial exclusivity, protest and censorship, and the post-apartheid invocation of Afrikaner nostalgia and white victimhood. Ultimately, On Record provides an uninterrupted account, and a critique, of the entire history of recorded popular Afrikaans music up to the present.
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