Bringing together heritage studies and literary studies, this book examines heritage as a ubiquitous trope in contemporary Britain, a seemingly inescapable figure for relations to the past. Inheritance has been an important metaphor for characterizing cultural and political traditions since the 1970s, but one criticized for its conservatism and apparent disinheritance of "new" Britons. Engaging with contemporary literary and cinematic texts, the book interrogates metaphoric resonances: that bestowing past, receiving present, and transmitted bounty are all singular and unified; that transmission between past and present is smooth, despite heritage depending on death; that the past enjoins the present to conserve its legacy into the future. However, heritage offers an alternative to modern market-driven relations, transactions stressing connection only through a momentary exchange, for bequest resembles gift-giving and connects past to present. Consequently, heritage contains competing impulses, subtexts largely unexplored given the trope’s lapse into cliché. The volume charts how these resonances developed, as well as charting more contemporary aspects of heritage: as postmodern image, tourist industry, historic environment, and metaculture. These dimensions develop the trope, moving it from singular focus on continuity with the past to one more oriented around different lines of relation between past, present, and future. Heritage as a trope is explored through a wide range of texts: core accounts of political theory (Locke and Burke); seminal documents within historic conservation; phenomenology and poststructuralism; film and television (Merchant-Ivory, Downton Abbey); and a broad range of contemporary fiction from novelists including Zadie Smith, Julian Barnes, Hilary Mantel, Sarah Waters, Alan Hollinghurst, Peter Ackroyd, and Helen Oyeyemi.
Bringing together heritage studies and literary studies, this book examines heritage as a ubiquitous trope in contemporary Britain, a seemingly inescapable figure for relations to the past. Inheritance has been an important metaphor for characterizing cultural and political traditions since the 1970s, but one criticized for its conservatism and apparent disinheritance of "new" Britons. Engaging with contemporary literary and cinematic texts, the book interrogates metaphoric resonances: that bestowing past, receiving present, and transmitted bounty are all singular and unified; that transmission between past and present is smooth, despite heritage depending on death; that the past enjoins the present to conserve its legacy into the future. However, heritage offers an alternative to modern market-driven relations, transactions stressing connection only through a momentary exchange, for bequest resembles gift-giving and connects past to present. Consequently, heritage contains competing impulses, subtexts largely unexplored given the trope's lapse into cliché. The volume charts how these resonances developed, as well as charting more contemporary aspects of heritage: as postmodern image, tourist industry, historic environment, and metaculture. These dimensions develop the trope, moving it from singular focus on continuity with the past to one more oriented around different lines of relation between past, present, and future. Heritage as a trope is explored through a wide range of texts: core accounts of political theory (Locke and Burke); seminal documents within historic conservation; phenomenology and poststructuralism; film and television (Merchant-Ivory, Downton Abbey); and a broad range of contemporary fiction from novelists including Zadie Smith, Julian Barnes, Hilary Mantel, Sarah Waters, Alan Hollinghurst, Peter Ackroyd, and Helen Oyeyemi.
LA SÉRIE RECKLESS & REAL (triptyque) de Lexi Ryan, dont l'action se situe à New Hope (Indiana), une petite ville de province américaine en proie à des luttes politiques et familiales, raconte l'histoire d'amour tourmentée de Liz célibataire de 24 ans et Sam, son ex-boyfriend qu'elle fuit mais dont elle est toujours amoureuse. Sur fond de campagne électorale, une passion que tout le monde s'emploie à briser dans une ville où tout se sait et où tout le monde se connaît. Cette série épicée plonge le lecteur dans un monde de faux-semblants, de sexe, de trahisons et de scandales en tout genre.
Bringing together heritage studies and literary studies, this book examines heritage as a ubiquitous trope in contemporary Britain, a seemingly inescapable figure for relations to the past. Inheritance has been an important metaphor for characterizing cultural and political traditions since the 1970s, but one criticized for its conservatism and apparent disinheritance of "new" Britons. Engaging with contemporary literary and cinematic texts, the book interrogates metaphoric resonances: that bestowing past, receiving present, and transmitted bounty are all singular and unified; that transmission between past and present is smooth, despite heritage depending on death; that the past enjoins the present to conserve its legacy into the future. However, heritage offers an alternative to modern market-driven relations, transactions stressing connection only through a momentary exchange, for bequest resembles gift-giving and connects past to present. Consequently, heritage contains competing impulses, subtexts largely unexplored given the trope’s lapse into cliché. The volume charts how these resonances developed, as well as charting more contemporary aspects of heritage: as postmodern image, tourist industry, historic environment, and metaculture. These dimensions develop the trope, moving it from singular focus on continuity with the past to one more oriented around different lines of relation between past, present, and future. Heritage as a trope is explored through a wide range of texts: core accounts of political theory (Locke and Burke); seminal documents within historic conservation; phenomenology and poststructuralism; film and television (Merchant-Ivory, Downton Abbey); and a broad range of contemporary fiction from novelists including Zadie Smith, Julian Barnes, Hilary Mantel, Sarah Waters, Alan Hollinghurst, Peter Ackroyd, and Helen Oyeyemi.
Scott C. Ryan investigates divine conflict motifs in select Jewish literature and places the findings in dialogue with Paul's Letter to the Romans. Paul emerges as a writer who participates in Jewish divine conflict traditions even as he modifies the motifs in light of the Christ-event." --
LA SÉRIE RECKLESS & REAL (triptyque) de Lexi Ryan, dont l'action se situe à New Hope (Indiana), une petite ville de province américaine en proie à des luttes politiques et familiales, raconte l'histoire d'amour tourmentée de Liz célibataire de 24 ans et Sam, son ex-boyfriend qu'elle fuit mais dont elle est toujours amoureuse. Sur fond de campagne électorale, une passion que tout le monde s'emploie à briser dans une ville où tout se sait et où tout le monde se connaît. Cette série épicée plonge le lecteur dans un monde de faux-semblants, de sexe, de trahisons et de scandales en tout genre.
Defense planning faces significant uncertainties. This report applies robust decision making (RDM) to the air-delivered munitions mix challenge. RDM is quantitative, decision support methodology designed to inform decisions under conditions of deep uncertainty and complexity. This proof-of-concept demonstration suggests that RDM could help defense planners make plans more robust to a wide range of hard-to-predict futures.
Johnnie is the product of humble and simple beginnings, but the life that lay ahead of him after leaving home is anything but. Johnnie endures an unimaginable series of events, and struggles to cope with the hand that he has been dealt by the universe. It seems that it may all be too much for Johnnie, but some unlikely saviors are waiting for him.
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