Gerard Comeau, a retiree living in rural New Brunswick, never thought his booze run would turn him into a Canadian hero. In 2012, after Comeau had driven to Quebec to purchase cheaper beer and crossed back into his home province, police officers participating in a low-stakes sting operation tailed and detained him, confiscated his haul, and levied a fine of less than $300. Countries routinely engage in trade wars and erect barriers to protect domestic industries from foreign competition. Comeau, however, was detained by the full force of the law for engaging in commerce with a Canadian business on the other side of a domestic border. With Comeau’s story as its starting point, Booze, Cigarettes, and Constitutional Dust-Ups tells the fascinating tale of Canadian interprovincial trade. Ryan Manucha examines the historical, political, and legal forces that gave rise to the regulation of interprovincial commerce in Canada, the trade-offs that come with liberalized domestic free trade, and Canada’s enduring pursuit of economic union. The pandemic laid bare the vulnerability of global supply chains, the fickleness of foreign trading partners, and the surprising slipperiness of domestic trade. In a global climate of increasingly isolationist geopolitics, the history and possibility of Canada’s economic union, quirks and all, deserve careful attention.
It is difficult to underestimate the significance of the story of the Rich Man and Lazarus in Luke 16:19-31 within the biblical tradition. Although hell occupies a prominent position in popular Christianrhetoric today, it plays a relatively minor role in the Christian canon. The most important biblical texts that explicitly describe the fate of the dead are in the Synoptic Gospels. Yet among these passages, only the Lukan tradition is intent on explicitly describing the abode of the dead; it is the only biblical tour of hell. Hauge examines the story of the Rich Man and Lazarus in Luke 16:19-31, uniquely the only 'parable' that is set within a supernatural context. The parables characteristically feature concrete realities of first-century Mediterranean life, but the majority of Luke 16:19-31 is narrated from the perspective of the tormented dead. This volume demonstrates that the distinctive features of the story of the Rich Man and Lazarus are the result of a strategic imitation, creative transformation, and Christian transvaluation of the descent of Odysseus into the house of hades in Odyssey Book 11, the literary model par excellence of postmortem revelation in antiquity.
A history of New Zealanders and the sports that we have made our own, from the Maori world to today's professional athletes.&‘. . . those two mighty products of the land, the Canterbury lamb and the All Blacks, have made New Zealand what she is in spite of politicians' claims to the contrary', wrote Dick Brittenden in 1954. &‘For many in New Zealand, prowess at sport replaces the social graces; in the pubs, during the furious session between 5pm and closing time an hour later, the friend of a relative of a horse trainer is a veritable patriarch. No matador in Madrid, no tenor in Turin could be sure of such flattering attention.' As Brittenden suggested, sport has played a central part in the social and cultural history of Aotearoa New Zealand throughout its history. This book tells the story of sport in New Zealand for the first time, from the Maori world to today's professional athletes. Through rugby and netball, bodybuilding and surf lifesaving, the book introduces readers to the history of the codes, the organisations and the players. It takes us into the stands and on to the sidelines to examine the meaning of sport to its participants, its followers, and to the communities to which they belonged. Why did rugby become much more important than soccer in New Zealand? What role have Maori played in our sporting life? Do we really &‘punch above our weight' in international sport? Does sport still define our national identity? Viewing New Zealand sport as activity and as imagination, Sport and the New Zealanders is a major history of a central strand of New Zealand life.
In Wise Heads, Wise Hearts In multiple conversations with school leaders throughout Australia, China, Hong Kong, Singapore and Thailand, Pam looks at their beliefs and values as 'wise heads', and the ways in which their thoughts and actions impact on the 'hearts' of their school: their students, colleagues and communities.
An anonymous letter, found at the bottom of a box of black-and-white pictures, reveals the first clues about the author's grandmother's family story, and soon those clues lead him to a country graveyard and a long-lost cousin. As one hint leads to the next, from the 19th century back into the 18th, he discovers his family's place in a people's tragic struggle.
Achieve excellence on the automated flight deck! The first practical guide that shows professional pilots how to safely transition to the automated flight deck Today's remarkable aircraft require remarkable airmanship skills. Automation Airmanship is a breakthrough book that helps pilots master these skills by introducing Nine Principles for Operating Glass Cockpit Aircraft. The nine principles were derived from over a decade of fi eldwork with organizations worldwide that have successfully transitioned to advanced aircraft fleets. Each principle provides a building block for a simplifi ed, straightforward, and disciplined approach to operating increasingly complex aircraft safely and effectively in demanding operational environments. Written by experienced airline captains who have trained others through the glass cockpit transition, this book presents ideas useful to both veteran glass cockpit pilots and those new to the twenty-first century flight deck. More than a simple list of skills, this powerful resource draws on real-life examples, providing the roadmap you need to successfully transition from steam to glass--and maintain a performance edge for your entire career. Features: In-flight experience of experts Success stories and lessons learned from across the industry Real-world accident investigations to underscore the importance of these principles Powerful tools to avoid errors or to resolve them when issues arise A guide to fundamentals of automated flight deck architecture Principles and practices for all phases of flight operations
The Green Lantern Corps continue their missions, led by John Stewart, including Teen Lantern Keli Quintela and Far Sector star Sojourner "Jo" Mullein! The mystery of the Dark Sector begins to unravel. To rescue Kilowog and his squad of surviving Lanterns, John enters the realm of the Golden Centurions and their mysterious master, the Lightbringer! Meanwhile on Oa, Keli lies in a coma, while Jo’s team closes in on those responsible for the destruction of the power battery, but a surprise arrival takes a key investigator off the board! And with trillions of lives in peril, John battles the DEISTORM and the challenge of its FUTURE STATES! Meanwhile, Jo Mullein solves the mystery of the Battery's destruction in time to see the rise of a new and ancient enemy. Is this the final end of Oa and the Green Lanterns?! Then in the incredible annual...once an agoraphobic scared to even leave her room, Jessica Cruz overcame her fear to become a Green Lantern and face the darkest and deadliest threats in the universe. But now, Jessica’s gone from overcoming fear to using it as a weapon. When Yellow Lanterns attacked the Green Lantern Sector House she took refuge in when the Central Power battery was destroyed, Jessica turned the tables on them, giving them something to be afraid of, as she beat them one-by-one. But now that she’s been offered a place in the Sinestro Corps, will she accept? This volume collects Green Lantern #7-12 and Green Lantern 2021 Annual #1!
Ancient Egypt, with its spectacular temples and tombs, its history, gods, and legends, has enticed the human imagination for centuries. This fascination—and the irresistible drive to unearth the buried secrets of a lost civilization—have been the life work of archaeologist Donald P. Ryan. Beneath the Sands of Egypt is the gripping first-person account of a real-life “Indiana Jones” as he recalls a career spent delving into the remains of Egypt’s past—including his headline-making rediscovery of a lost tomb in the Valley of the Kings containing the mummy of the famous female pharaoh Hatshepsut. Infused with the irrepressible curiosity and the incomparable wonder of discovery that have fueled Ryan’s lifelong journey, Beneath the Sands of Egypt is the extraordinary story of a man who has always embraced adventure whenever—and wherever—he finds it.
Between Images proposes a unique theory of montage a technique of relation: a means of fundamentally rethinking and reshaping how humans relate-to ourselves and each other, to the material world, to the planet and its nonhuman inhabitants. Historically, film criticism has cast montage in one of several roles: as narrative's invisible executor of spatiotemporal continuity to maintain the viewer's investment in the story-world; as an agent of disorder that confounds conventions of storytelling and realism and prompts the viewer's intellectual engagement; and as an expressionistic device for augmenting the duration and combination of shots to affect viewers at a sensory level. While not exactly abandoning such accounts, this study tries to move closer to the heart of montage by distinguishing the space between images as itself a powerful source of ideas, feelings, and forms. Venturing into an "expanded field of montage" beyond the limited purview of a given film's "editing," Between Images traces the cut and the splice across photographic and cinematic media in a range of material, conceptual, and political contexts. In all of this, the space between images becomes a setting for navigating and renegotiating the terms of relation, of the "being-with" that connects all forms of life. Between Images brings together a diverse cast of experimental filmmakers, including Harun Farocki, Hito Steyerl, Steve McQueen, and Cauleen Smith, Daïchi Saito, and Ja'Tovia Gary, and in doing so, situates the cinematic"--
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