The Worlds of Jacob Eichholtz explores the life and times of an oft-overlooked figure in early American art. Jacob Eichholtz (1776&–1842) began his career in the metal trades but with much practice, some encouragement from his friend Thomas Sully, and a few weeks instruction from America&’s preeminent portraitist, Gilbert Stuart, he transformed himself into one of the nation&’s most productive portrait painters. Eichholtz worked primarily in the Middle Atlantic region from his homes in Lancaster and Philadelphia. While Stuart and Sully concentrated on the elite of American society, Eichholtz captured the images of a rising middle class with its craftsmen, merchants, doctors, lawyers, and their families. From a lifetime that spanned the American Revolution to the Industrial Revolution, and a career that produced more than 800 paintings, Eichholtz offers a collective portrait of early American culture in the first half of the nineteenth century. The Worlds of Jacob Eichholtz begins with four insightful essays by Thomas Ryan, David Jaffee, Carol Faill, and Peter Seibert that examine Eichholtz&’s life and work. The second part of the book&—a visual essay&—brings together for the first time more than 100 color reproductions of Eichholtz&’s work. These images include over 60 oil-on-canvas portraits, more than 30 profiles on panel, and seven of the landscape, historical, or biblical paintings he produced. Also illustrated are artifacts associated with Eichholtz and his family, examples of the tinsmith&’s and coppersmith&’s trade, and the work of artists who influenced his career. The Worlds of Jacob Eichholtz promises to be the finest color catalog of Eichholtz&’s oeuvre for years to come. This book, made possible by the Richard C. von Hess Foundation, accompanies a major three-part exhibition that will run concurrently at the Lancaster County Historical Society, the Heritage Center Museum of Lancaster County, and the Phillips Museum of Art at Franklin && Marshall College from April through December 2003.
The role of international law in global politics is as poorly understood as it is important. But how can the international legal regime encourage states to respect human rights? Given that international law lacks a centralized enforcement mechanism, it is not obvious how this law matters at all, and how it might change the behavior or preferences of state actors. In Socializing States, Ryan Goodman and Derek Jinks contend that what is needed is a greater emphasis on the mechanisms of law's social influence--and the micro-processes that drive each mechanism. Such an emphasis would make clearer the micro-foundations of international law. This book argues for a greater specification and a more comprehensive inventory of how international law influences relevant actors to improve human rights conditions. Substantial empirical evidence suggests three conceptually distinct mechanisms whereby states and institutions might influence the behavior of other states: material inducement, persuasion, and what Goodman and Jinks call acculturation. The latter includes social and cognitive forces such as mimicry, status maximization, prestige, and identification. The book argues that (1) acculturation is a conceptually distinct, empirically documented social process through which state behavior is influenced; and (2) acculturation-based approaches might occasion a rethinking of fundamental regime design problems in human rights law. This exercise not only allows for reexamination of policy debates in human rights law; it also provides a conceptual framework for assessing the costs and benefits of various design principles. While acculturation is not necessarily the most important or most desirable approach to promoting human rights, a better understanding of all three mechanisms is a necessary first step in the development of an integrated theory of international law's influence. Socializing States provides the critical framework to improve our understanding of how norms operate in international society, and thereby improve the capacity of global and domestic institutions to build cultures of human rights,
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