ᅠHow long do we have on this Earth and can anyone be sure there is anything afterwards? Caleb McDonough had concerns about how people spent their only guaranteed time within consciousness. He wasn't convinced that people were meant to toil their lives away. He did know one thing for sure. He was alive and he was going to learn what it means to be human. But striving for emotional wealth soon brings him face-to-face with death. Now he needs to make a decision. Should he continue on his unconventional journey or finally learn what it means to live a simple life?
Theatre History Studies" is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre. THS is a member of the Council of Editors of Learned Journals and is included in the MLA Directory of Periodicals. THS is indexed in Humanities Index, Humanities Abstracts, Book Review Index, MLA International Bibliography, International Bibliography of Theatre, Arts & Humanities Citation Index, IBZ International Bibliography of Periodical Literature, and IBR International Bibliography of Book Reviews. Full texts of essays appear in the databases of both Humanities Abstracts Full Text as well as SIRS From published reviews “This established annual is a major contribution to the scholarly analysis and historical documentation of international drama. Refereed, immaculately printed and illustrated . . . . The subject coverage ranges from the London season of 1883 to the influence of David Belasco on Eugene O’Neill.”—CHOICE “International in scope but with an emphasis on American, British, and Continental theater, this fine academic journal includes seven to nine scholarly articles dealing with everything from Filipino theater during the Japanese occupation to numerous articles on Shakespearean production to American children’s theater. . . . an excellent addition for academic, university, and large public libraries.”—Magazines for Libraries, 6th Edition
In The Gaithers and Southern Gospel, Ryan P. Harper examines songwriters Bill and Gloria Gaither's Homecoming video and concert series--a gospel music franchise that, since its beginning in 1991, has outperformed all Christian and much secular popular music on the American music market. The Homecomings represent "southern gospel." Typically that means a musical style popular among white evangelical Christians in the American South and Midwest, and it sometimes overlaps in style, theme, and audience with country music. The Homecomings' nostalgic orientation--their celebration of "traditional" kinds of American Christian life--harmonize well with southern gospel music, past and present. But amidst the backward gazes, the Homecomings also portend and manifest change. The Gaithers' deliberate racial integration of their stages, their careful articulation of a relatively inclusive evangelical theology, and their experiments with an array of musical forms demonstrate that the Homecoming is neither simplistically nostalgic, nor solely "southern." Harper reveals how the Gaithers negotiate a tension between traditional and changing community norms as they seek simultaneously to maintain and expand their audience as well as to initiate and respond to shifts within their fan base. Pulling from his field work at Homecoming concerts, behind the scenes with the Gaithers, and with numerous Homecoming fans, Harper reveals the Homecoming world to be a dynamic, complicated constellation in the formation of American religious identity.
The heart-stopping, action-packed sequel to GLOW. Onboard the Empyrean - Seth is mysteriously released from his cell in the brig when an explosion rocks the ship. Kieran accuses Seth of causing the explosion but it has in fact been caused by a saboteur - a stowaway from the New Horizon - who is using Seth to cover his tracks. Waverly agrees to help Seth on his mission to find the stowaway, but is punished by Kieran for colluding with Seth. How will the thorny, passionate love triangle between Waverly, Seth and Kieran resolve itself?
Does God really exist? Or is He just a grandiose delusion passed down through the millennia to help us deal with our nagging need to find a purpose for our existence? The author grew up in a believing household, never questioning the existence of God, but as he grew older and more interested in his faith, he developed a driving need to know whether or not his faith was justified. A totally blind faith, one that couldn't be supported with any hard evidence, just wouldn't do. If God was real, then He must have left a trail of evidence for a rational thinker to follow. But if there wasn't any trail to follow, then all faith would be blind, and any faith would do as it would become little more than a set of guidelines to follow in an attempt to lead a spiritual and moral life. The author began his exploratory journey with a set of questions that needed to be answered. Do any of the world's religious scriptures reveal information that has parallels in scientific discovery? Do any of the world's religious scriptures offer specific prophesies that have unfolded in recorded history? And lastly, did any of the world's religious scriptures provide a blueprint for living that could drastically change one's life from the inside out? As he sought answers to these questions, he discovered an overwhelming amount of supporting evidence, but it came with a catch: it all pointed in one decisive direction. KELLY RYAN HARRIGER lives in Pennsylvania. He spent most of his working career in Los Angeles, California, as a professional writer in the world of advertising, marketing and entertainment before returning to his boyhood home in Pennsylvania, where he now works as a marketing and advertising consultant for small businesses and non-profit groups.
The city of Seattle burned down in 1889. When it was rebuilt, much of the old city remained, buried beneath the modern streets. Nobody really knows what's down there any more... Now a suspected psycho and the eight-year-old girl he has taken hostage during a bungled heist are about to find out, when they crash through the floor of an abandoned warehouse into a street no one has walked down for a hundred years. Pursued by an ex-Vietnam Tunnel Rat brought in by the Seattle PD - a man with one or two mental problems of his own - Hilton Badcock has no choice but to drag young Ali further into the underground maze in search of a way out. But the deeper they go into this strange, secret world, the weirder and more dangerous things get...
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