The Broadway Body I lied about my height on my résumé the entire time I was a dancer, though in truth I don't think the extra inch ever actually made a difference. In the US, 5'6" still reads as short for a man no matter how you slice it. The reason for my deception was that height was often the reason I was disqualified: choreographers often wanted taller male dancers for the ensemble and listed a minimum height requirement (often 5'11" and up) in the casting breakdown. Being disqualified before I could even set foot in the audition because I possessed an unchangeable physical characteristic that often made me unemployable in the industry. I was learning an object lesson in Broadway's body politics-and, of course, had I not been a white cisgender nondisabled man, the barriers to employment would have been compounded even further. I wasn't alone in feeling caught in a catch-22. Not being cast because of your appearance, or "type" in industry lingo, is casting's status quo. The casting process openly discriminates based upon appearance. This truism even made its way into a song cut from A Chorus Line (1975) called "Broadway Boogie Woogie," which comically lists all of the reasons one might not be cast: "I'm much too tall, much too short, much too thin/Much too fat, much too young for the role/I sing too high, sing too low, sing too loud." Funny Girl (1964) put it even more bluntly: "If a Girl Isn't Pretty/Like a Miss Atlantic City/She should dump the stage/And try another route"--
Queer Approaches in Musical Theatre introduces readers to a facet of musicals often assumed but misunderstood: how queer approaches in musical theatre extend deeper than fabulosity. Queerness in musicals challenges their typical heteronormativity but also sometimes simultaneously reinforces it. Featuring four case studies centered around musicals such as The Book of Mormon, Cabaret, Fun Home, La Cage aux Folles and Rent, this concise study examines the stakes of representation in the theatrical genre most often presumed to be openly queer. Providing readers with an understanding of the historically-shifting terminology of queerness, this foundational book offers a brief overview of how queer studies informs the analysis of musicals themselves, and introduces histories of queerness in musicals as well as methods of how to examine the historical context, text, staging and reception of these works.
From the author of Women and Self-Esteem comes this supportive, practical guide to overcoming the inner obstacles that block intimacy. Love blocks, ingrained psychological patterns, prevent people from seeing themselves as worthy of love. Love Blocks identifies 15 of these patterns, and explains how to overcome them in order to find fulfillment in intimate relationships.
The Gospel is the story of God reaching down to save humanity out of love, for His glory. It's often talked about, but not often enough understood. This is a short explanation of the Good News of Jesus Christ, presented in a fun, creative, and compelling way.The Chewable Gospel is short, and it's a quick and easy read. Each chapter is "easily chewed" and understood. It's written to be helpful to those who do not yet believe and those who have believed for years. The hope is that, as a result of The Chewable Gospel, God will draw some to faith Jesus.
How can more of us protect and create waiwai, value, for coming generations? Culturally-rich education. Holistic health systems. Organic farming and aquaculture. Creative and conscious urban development. Caring for one another across difference. Telling our stories. Continuing the conversation of The Value of Hawai‘i: Knowing the Past, Shaping the Future, this new collection offers passionate and poignant visions for our shared futures in these islands. The fresh voices gathered in this book share their inspiring work and ideas for creating value, addressing a wide range of topics: community health, agriculture, public education, local business, energy, gender, rural lifestyles, sacred community, activism, storytelling, mo‘olelo, migration, voyaging, visual art, music, and the ‘āina we continue to love and mālama. By exploring connections to those who have come before and those who will follow after, the contributors to this volume recenter Hawai‘i in our watery Pacific world. Their autobiographical essays will inspire readers to live consciously and lead as island people. Contributors: Jeffrey Tangonan Acido, U‘ilani Arasato, Kamana Beamer, Makena Coffman, Donovan Kūhiō Colleps, Sean Connelly, Elise Leimomi Dela Cruz-Talbert, Noelani Goodyear-Ka‘ōpua, Consuelo Agarpao Gouveia, Tina Grandinetti, Hunter Heaivilin, Sania Fa‘amaile Betty P. Ickes, Kathy Jetnil-Kijiner, Bonnie Kahape‘a-Tanner, Kainani Kahaunaele, Joseph Keawe‘aimoku Kaholokula, Haley Kailiehu, Hi‘ilei Kawelo, Keone Kealoha, Emelihter Kihleng, James Koshiba, Derek Kurisu, Dawn Mahi, Brandy Nālani McDougall, Mailani Neal, Ryan Oishi, Jamaica Heolimeleikalani Osorio, Eri Oura, Faith Pascua, Mark Patterson, Prime/John Hina, No‘u Revilla, Hāwane Rios, Darlene Rodrigues, Cheryse Julitta Kauikeolani Sana, Dean Itsuji Saranillio, Lyz Soto, Innocenta Sound-Kikku, Cade Watanabe, Jill Yamasawa, Aiko Yamashiro, Matt N. Yamashita, Aubrey Morgan Yee.
We reached out to a bunch of our favorite creators with one mission in mind--to bring original, unconventional characters and stories to life. THE MIX TAPE is an eclectic collection of stories based on characters that are anything but your average lot. Talking hamburgers, misunderstood ghosts, and punk rock grandmas are just the tip of these stories that are best described as “off the beaten track.”
This is the first full-length study of the life and work of novelist Gerald O’Donovan (1871–1942), a Catholic priest and social and cultural activist who, having abandoned the priesthood, became a writer and publisher. As a priest in Loughrea, Co. Galway, he was a very public figure in Irish life in several different areas. He was friendly with W. B. Yeats, Lady Gregory and George Moore and actively promoted the ‘Celtic Revival’. He was also a friend of Douglas Hyde and Sir Horace Plunkett and, for a number of years, he was a national figure in their respective organizations, the Gaelic League and the Co-operative Movement. After his marriage to Beryl Verschoyle, he moved to England and subsequently published six novels, the best-known and most controversial of which was Father Ralph (1913), a portrait of the artist as a priest. He also spent time working in the British Department of Propaganda under Lord Northcliffe, where H.G. Wells was one of his colleagues. This biography of an important and strangely neglected figure allows us new insights into a whole range of interesting cultural moments in twentieth-century Irish life, including the beginnings of literary modernism, the flourishing of the Irish literary revival and the emergence of a dissident strand within the Catholic clergy. Based on a rich and previously untapped array of archival material in Ireland, Britain and the US, the book provides both a much-needed reassessment of O'Donovan's work and also a history of Irish writing during those early decades of the twentieth century that saw the development of a new and powerful national literature.
An estate haunted by over a hundred years of tragedy and Donovan Black stood at the heart of it. Like Darkwood Manor, Donovan was an utter mystery. An FBI sharpshooter who couldn't break away from his past, he only wanted to make sure that history didn't repeat itself especially now that the manor had a lovely new owner. Isabella Ross had either discovered the perfect vacation spot or her final resting place. Now her only hope for survival is a man who doesn't want her around a man she can't seem to resist. But the secrets in his family's attic threaten to consume them both, and something or someone won't rest until the manor house is empty.
This is the first full-length study of the life and work of novelist Gerald O’Donovan (1871–1942), a Catholic priest and social and cultural activist who, having abandoned the priesthood, became a writer and publisher. As a priest in Loughrea, Co. Galway, he was a very public figure in Irish life in several different areas. He was friendly with W. B. Yeats, Lady Gregory and George Moore and actively promoted the ‘Celtic Revival’. He was also a friend of Douglas Hyde and Sir Horace Plunkett and, for a number of years, he was a national figure in their respective organizations, the Gaelic League and the Co-operative Movement. After his marriage to Beryl Verschoyle, he moved to England and subsequently published six novels, the best-known and most controversial of which was Father Ralph (1913), a portrait of the artist as a priest. He also spent time working in the British Department of Propaganda under Lord Northcliffe, where H.G. Wells was one of his colleagues. This biography of an important and strangely neglected figure allows us new insights into a whole range of interesting cultural moments in twentieth-century Irish life, including the beginnings of literary modernism, the flourishing of the Irish literary revival and the emergence of a dissident strand within the Catholic clergy. Based on a rich and previously untapped array of archival material in Ireland, Britain and the US, the book provides both a much-needed reassessment of O'Donovan's work and also a history of Irish writing during those early decades of the twentieth century that saw the development of a new and powerful national literature.
Finalist for the Irish Book Award for Crime Fiction Book of the Year, a Classic Cozy Big-House Mystery Haunted by the Specters of World War One—For Readers of Agatha Christie and Simone St. James Winter 1917. As the First World War enters its most brutal phase, back home in England, everyone is seeking answers to the darkness that has seeped into their lives. At Blackwater Abbey, on an island off the Devon coast, armaments manufacturer Lord Highmount has arranged a spiritualist gathering to contact his two sons, both of whom died at the front. Among the guests, two have been secretly dispatched from the intelligence service: Kate Cartwright, a friend of the family who lost her beloved brother at the Somme and who, in the realm of the spiritual, has her own special gift; and the mysterious Captain Donovan, recently returned from Europe. Top secret plans for weapons developed by Lord Highmount’s company have turned up in Berlin, and there is reason to believe enemy spies will be in attendance. As the guests arrive, it becomes clear that each has something they would rather keep hidden. Then, when a storm descends, they find themselves trapped on the island. Soon one of their number will die. For Blackwater Abbey is haunted in more ways than one . . . . An unrelenting, gripping mystery, packed with twists and turns and a kindling of romance, A House of Ghosts is the perfect cold-weather read.
Blue Dream is the firsthand story of how Ryan Luttrell spent his days in class at the University of Memphis and his nights researching and influencing the school’s next basketball team. At the time Blue Dream started, Ryan was working on a master’s degree in sports commerce, and what a perfect time, as the Memphis Tigers were ranked #1, a dream come true from his childhood. He religiously followed the team and one day decided to attend a practice with his 7-year-old son, Carter. Overnight, he became friends with the new recruits and assistant coaches, and as a result, he was privy to the most intimate secrets of how Calipari and his staff worked and maneuvered in the underworld of recruiting. Ryan seemed to be the only outsider allowed into this world, and the information was flowing so frequently that he began reporting for several local news outlets, including one that became an ESPN affiliate. After completing his master’s, he enrolled in law school and dived headfirst into the Tigers’ world, calling and texting with boosters to name the next head coach of the university, Josh Pastner. Ryan had moved from being a fan to being an insider to now being an influencer of the entire program and began having daily meetings at Pastner’s new office. Then the NCAA changed everything, as it seemed convinced that Ryan coerced athletes from his tournaments to commit to Memphis. Over the course of three separate investigations (all of which he was cleared in), NCAA coaches stopped talking to Ryan, and his relationship with Pastner and his staff became more than strained. At the same time, Ryan began to see the effects that his involvement in this recruiting world were having on everyone around him, especially his now-11-year-old son, Carter, who was intertwined in the world of basketball, right in front of Ryan. Ryan began to realize that he wasn’t going to change the way that recruiting works for college basketball programs. He had to find a way out. He needed to wake up from this Blue Dream…
Murder is cold… especially when it involves a strawberry sundae. Much to Anna’s delight, Ava Grant, a childhood friend of Bella’s, and her husband purchase a home across the street from Mile Long Beach. As the renovations get underway, the job superintendent slips to his death on one of the jetties at the cove. It looks like an accident, but Anna suspects foul play. Anna, Jeremy, and Joe also dig deeper into the disappearance of Rebecca Crenshaw and discover critical information they hope will help solve the case and bring Bella home. If you love coastal New England towns, endearing characters, page-turner mysteries, and ice cream parlors, you’ll love the Seaside Ice Cream Shop Mysteries. Grab your copy of Whipped Crime now!
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