Making use of the theoretical tools of Marxist critical sociology, Ruy Braga proposes an innovative reading of the social history of Brazil – from Fordist populism to the Lulista hegemony – using the ‘politics of the Precariat’ as an analytical vector.
Making use of the theoretical tools of Marxist critical sociology, Ruy Braga proposes an innovative reading of the social history of Brazil – from Fordist populism to the Lulista hegemony – using the ‘politics of the Precariat’ as an analytical vector.
Ruy Castro delves into the past and present of Rio, where even in periods of comparative calm there has always been a palpable excitement in the air - the feeling of a city on fire. In this spellbinding fifth entry in Bloomsbury's The Writer and the City series, Rio de Janeiro's vibrant history unfolds. While stiff-collared poets flirted with prim young ladies in coffeehouses during the belle époque, revolts were being plotted that almost destroyed the city. We learn how the iconic wave-patterned mosaics of Copacabana pavements were baptized with blood, and how more than a hundred years before the girl from Ipanema passed by, the girls from Ouvidor Street adopted French chic - and never really gave it up. From what is arguably the most breathtakingly beautiful city in the world, the people of Rio - the Cariocas - tell their stories: of cannibals charming European intellectuals; of elegant slaves and their shabby masters; of how a casual chat between two people drinking coffee on Avenida Rio Branco could affect world coffee markets; of an awe-inspiring beach life; of favelas, drugs, police, carnival, football, and music. With his own Carioca good humor and great storytelling gifts, Ruy Castro brings the reader thrillingly close to the flames.
Bossa nova is one of the most popular musical genres in the world. Songs such as “The Girl from Ipanema” (the fifth most frequently played song in the world), “The Waters of March,” and “Desafinado” are known around the world. Bossa Nova—a number-one bestseller when originally published in Brazil as Chega de Saudade—is a definitive history of this seductive music. Based on extensive interviews with Antonio Carlos Jobim, Jo+o Gilberto, and all the major musicians and their friends, Bossa Nova explains how a handful of Rio de Janeiro teenagers changed the face of popular culture around the world. Now, in this outstanding translation, the full flavor of Ruy Castro’s wisecracking, chatty Portuguese comes through in a feast of detail. Along the way he introduces a cast of unforgettable characters who turned Gilberto’s singular vision into the sound of a generation.
The Art of the Game of Chess is the first English translation of Fr. Ruy López’s 1561 book about chess, Libro de la invención liberal y arte del juego del ajedrez. López was a priest who served as King Philip II’s confessor and royal advisor. As a connoisseur of chess, King Philip II promoted the game in his court, and it did not take long for López to become known as Spain’s and one of Europe’s greatest chess players. López is widely acclaimed as one of the most influential chess thinkers of all time whose theories of chess are an integral part of how chess is played today. Academics, including historians, linguists, sociologists, and Hispanists, as well as non-academics, especially chess enthusiasts, will appreciate this translation, which opens with a Foreword by Andrew Soltis, who is a Grandmaster and a United States Chess Hall of Fame Inductee, and includes a critical introduction and more than 275 footnotes.
Copies of the original are very rare yet the work covers an historically significant period, describing the operations leading up to the capture from the Portuguese of Ormuz, in the Persian Gulf, by an Anglo-Persian force.
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