Anna still finds it hard to believe that Seth loves her and has vowed to suppress her powers, no matter what. But magic - like love - is uncontrollable and soon, Anna is being hunted. Abe wants Anna to embrace her power, while Seth is pushing Anna to accept that his feelings are real. She finally does ... a moment too late. Suddenly, it's like the Salem witch trials all over again: burnings, torture and faceless judgements. In the face of the ultimate betrayal, who will save her? The second novel in the Winter trilogy, this follows the critically acclaimed debut A WITCH IN WINTER.
Where do you go when your heart has been ripped out? For Anna there is only one answer; into her past, where the truth about her mother, her power, and her real identity lie hidden. But as Anna delves deeper into her history, she begins to fear that the truth about what set her mother running may be darker than she ever suspected. With the witches of the world on the brink of war, the love of her life, Seth, gone and her closest friend, Abe, wanting more from her than she can possibly give, Anna is in crisis. Ultimately she will have to choose between friends, family and rival tribes of witches and - at the last - between love and magic.
London, 1880, and eighteen-year-old Luke Lexton is about to endure his initiation into the Malleus Maleficorum - the secretive brotherhood devoted to hunting witches, and the organisation that will help Luke take revenge on the witch who murdered his parents. His final test is to pick a name at random from the Book of Witches, a name he must track down and kill within a month, or face death himself. Luke picks out sixteen-year-old Rosa Greenwood, a witch-girl living in rapidly fading grandeur on the west side of town. She's the last bargaining chip in her family's struggle to avoid bankruptcy and is about to be married off to the handsome, cruel, grotesquely rich Sebastian Knyvet - a powerful member of the Ealdwitan. As Rosa and Luke get to know each other, Luke realises it will be impossible for him to kill Rosa, just as Rosa knows she will bring disgrace on her family if she does not marry Knyvet. But Knyvet is hiding dark secrets - including the key which will unlock the mystery of Luke's murdered parents. Torn between appeasing their elders and their growing affection for each other, Rosa and Luke must each make their choice between life and death. 'Gorgeously romantic.' Amanda Craig, The Times
Anna Winterson doesn't know she's a witch and would probably mock you for believing in magic, but after moving to the small town of Winter with her father, she learns more than she ever wanted to about power. When Anna meets Seth, she is smitten, but when she enchants him to love her, she unwittingly amplifies a deadly conflict between two witch clans and splits her own heart in two. She wants to love Seth, to let him love her - but if it is her magic that's controlling his passion, then she is as monstrous as the witch clan who are trying to use her amazing powers for their own gain.
Bring Hope, Faith, and Love to Your Relationships. The biblical character of Ruth was striking in her capacity to bring life to her relationships. Even in the midst of tragedy and difficulty, her presence blessed and influenced friends and strangers in her community, the man she grew to love, her children, and her in-laws. This six-week Fisherman Bible Studyguide uses Ruth's story to help you reflect on your own relationships and the ways in which God might be inviting you to move different ways--ways that will lead you into life-giving patterns of relating with others. Fisherman Bible Studyguides offer: * Penetrating questions that generate discussion * Flexible format for group or individual needs * Helpful leader’s notes * Emphasis on daily application of Bible truth
Bring Hope, Faith, and Love to Your Relationships. The biblical character of Ruth was striking in her capacity to bring life to her relationships. Even in the midst of tragedy and difficulty, her presence blessed and influenced friends and strangers in her community, the man she grew to love, her children, and her in-laws. This six-week Fisherman Bible Studyguide uses Ruth's story to help you reflect on your own relationships and the ways in which God might be inviting you to move different ways--ways that will lead you into life-giving patterns of relating with others. Fisherman Bible Studyguides offer: * Penetrating questions that generate discussion * Flexible format for group or individual needs * Helpful leader’s notes * Emphasis on daily application of Bible truth
In the early nineteenth century, body snatching was rife because the only corpses available for medical study were those of hanged murderers. With the Anatomy Act of 1832, however, the bodies of those who died destitute in workhouses were appropriated for dissection. At a time when such a procedure was regarded with fear and revulsion, the Anatomy Act effectively rendered dissection a punishment for poverty. Providing both historical and contemporary insights, Death, Dissection, and the Destitute opens rich new prospects in history and history of science. The new afterword draws important parallels between social and medical history and contemporary concerns regarding organs for transplant and human tissue for research.
What does it mean to live “in covenant” with the Living God? Woman of Wisdom guides you to discover the answer to that question. Ruth Coghill and Alma Petersen utilize the book of Ruth to emphasize covenant’s practical application for today. You’ll be drawn into God’s eternal purpose for us to enter into an intimate relationship with Him. Expect to be transformed as you enter into a profound and life-changing covenant relationship with the Lord God Almighty through this WOW study of His Word. — Lisa Elliott, inspirational speaker and award-winning author of The Ben Ripple and Dancing in the Rain
Literary Historicity explores how eighteenth-century British writers considered the past as an aspect of experience. Mack moves between close examinations of literature, historiography, and recent philosophical writing on history, offering a new view of eighteenth-century philosophies of history in Britain. Such philosophies, she argues, could be important literarily without being focused, as has been assumed, on questions of fact and fiction. Eighteenth-century writerslike many twentieth-century philosophersoften used literary form not in order to exhibit a work's fictional status but in order to consider what the relation between the past and present might be. Literary Historicity portrays a British Enlightenment that both embraces the possibility of historical experience and interrogates the terms for such experience, one deeply engaged with historical consciousness not as an inevitability of the modern world, but as something to be understood within it.
Starting from the late Renaissance, efforts to make vocal music more expressive heightened the power of words, which, in turn, gave birth to the modern semantics of musical expression. As the skepticism of seventeenth-century science divorced the acoustic properties from the metaphysical qualities of music, the door was opened to dicern the rich links between musical perception and varied mental faculties. In Tuning the Mind, Ruth Katz and Ruth HaCohen trace how eighteenth century theoreticians of music examined anew the role of the arts within a general theory of knowledge. As the authors note, the differences between the physical and emotional dimensions of music stimulated novel conceptions and empirical inquiries into the old aesthetic queries. Tracing this development, their opening chapter deals with seventeenth-century epistemological issues concerning the artistic qualities of music. Katz and HaCohen show that painting and literature displayed a comparable tendency toward "musicalization," whereby the dynamic of forms-the modalities specific to each artistic medium-rather than subject matter was believed to determine expression. Katz and HaCohen explore the ambiguities inherent in idealization of an art form whose mimetic function has always been problematic. They discuss the major outlines of this development, from Descartes to Vico through Condillac. Particular emphasis is placed on eighteenth-century British thinkers, from Shaftesbury to Adam Smith, who perceived these problems in their full complexity. They also explore how the French and the Germans dealt differently with questions that preoccupied the British, each nation in accordance with their own past tradition and tendencies. The concluding chapter summarizes the parallel development of abstract art and basic hypotheses concerning the mind and explores basic theoretical questions pertaining to the relationship between perception and cognition. In addressing some of the most complex problems in musical aesthetics, Katz and HaCohen provide a unique historical perspective on the ways their art creates and develops coherent worlds, and, in so doing, contribute to our understanding of the workings of the mind.
Dignity in the care of patients and clients of all ages, whether in hospital or community settings, is an area of increasing national and international importance and concern. However, a comprehensive, accessible resource for nurses and midwives on the theory and practice of dignity in care has until now been lacking. Dignity in Healthcare provides a practical approach, underpinned by up-to-date theory, to this crucial issue for those providing care to people in all stages of life, including those with mental illnesses or learning disabilities. Care in areas such as maternity, community, palliative and acute care and others is explored in depth. Approaches to education and practice development for promoting dignity in care are also outlined clearly and accessibly, with each chapter combining an evidence-based theoretical underpinning with practical application through scenarios. Pre-registration nursing and midwifery students and their teachers will find this book essential reading, but it will also be of interest to practising nurses, midwives and other health professionals seeking clear insights into the principle of care that is central to all healthcare professions.
When the chairperson of the prestigious Knapper-Warburton Literary Prize dies in suspicious circumstances, Robert Amiss (the token sane member of the judging panel) wastes no time in summoning Baroness "Jack" Troutbeck to step into the chair. Speculation that a killer may be targeting the judges does not worry the baroness in the slightest - it's the prospect of immersing herself in modern literature that fills her with dread. But noblesse must oblige, even when it means joining the ranks of the superciliati sitting in judgment of the literati. With the baroness at the helm, the judges resume the task of whittling away at the shortlist. But the killer, too, has resumed work and is whittling away at the judges one by one....
This Element offers the first detailed study of Catharine Trotter Cockburn's philosophy and covers her contributions to philosophical debates in epistemology, metaphysics, moral philosophy, and philosophy of religion. It not only examines Cockburn's view that sensation and reflection are the sources of knowledge, but also how she draws attention to the limitations of human understanding and how she approaches metaphysical debates through this lens. In the area of moral philosophy, this Element argues that it is helpful to take seriously Cockburn's distinction between questions concerning the metaphysical foundation of morality and questions concerning the practice of morality. Moreover, this Element examines Cockburn's religious views and considers her understanding of the relation between morality and religion and her religious views concerning the resurrection and the afterlife.
An “emotion-filled story of family dynamics and self-discovery . . . brimming with interesting characters” from the bestselling author of The Liverpool Trilogy (Booklist). The members of the eccentric Compton-Milnes household act more like strangers than family. Despite having multiple sclerosis, the elder matriarch, Hermione, controls the household and insists on a Tuesday morning family breakfast. Her son, Gus, a reclusive but brilliant professor, and daughter-in-law Lisa, a foolishly promiscuous cosmetic surgery addict, remain married, but without much of a relationship. Their two grown children, Ben and Harriet, are also under the same roof, yet miles apart from the rest of the family. Ben’s OCD keeps him from facing the world, while his sister Harriet sacrifices her own desires in order to take care of him. Lisa’s series of poorly chosen affairs finally catches up to her when she accidentally becomes friends with her latest lover’s wife. When he turns on her, the family is forced to pull together for the very first time if they are to survive with any degree of sanity.
What's "The Scoop on Ruth"? When you open the book you will enter my world and discover what I have been about. It is a tell all, an honest revelation. That world begins with "All in the Family' and the people and events where growing up happens. In "Sense and Nun-sense" you will be privy to some events even to this day hidden from Sister Superior- like "The Chocolate Cover-Up". Then "Along the Way" there are defining moments and people that ultimately influence us to become who we are.Yes, even when a good Catholic girl flunks Communion. The final section "The 'P' Source" began in the novitiate when no talent me was encouraged to write "gospels". My creative pen found other modes of expression, into writing prayers, greetings, or capturing events. And, there is room for your story to come alive here. It's because I was a copy cat. I borrowed Jesus' style. So, if the parable fits....
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.