Jackie Kennedy compared him to Cellini, the Duchess of Windsor said he was today's Fabergé, and The New Yorker described him as "the new meteor around town." David Webb was the go-to jeweler in the 1960s and 1970s, and David Webb: The Quintessential American Jeweler is the official survey of this important designer. His devoted clientele have included Lee Radziwill, Diane von Furstenberg, Elizabeth Taylor, Barbra Streisand, and Gwen Stefani. This elegantly designed volume--filled with original photography of the jewelry, Webb's own sketches and drawings, and more than sixty images from leading fashion magazines--will become the definitive reference book for collectors, dealers, and curators, and those who swoon at all that glitters.
The Art of David Webb celebrates the designer’s dedication to artistry over more than seven decades. When David Webb came to New York at the age of 17, he was captivated by the museums, architecture, and fashions of the day. By the time he opened shop in 1948, the city had become his muse. In his only published article, “Why Not Hang Gems?,” of 1963, he wrote that jewelry deserved to be regarded as art and collected by museums. That conviction fuels The Art of David Webb. Here is jewelry shown as art in more than 120 images—all specially photographed for this book—that speak to the variety of artistic and cultural periods that inspired David Webb and the company he founded. Examples include David Webb's enameled and diamond Mondrian Bracelet, an homage to Piet Mondrian’s Broadway Boogie Woogie and Yves Saint Laurent’s 1960s sheath dress with its famed color blocking; a gemstone-rich dragon brooch taken from a Scythian animal pommel; and a scored rock crystal and diamond bracelet that updates art deco classics. Throughout, work by painters, sculptors, photographers, architects, and couturiers form a visual dialogue with the sumptuous David Webb jewelry. The imaginative pairings, in-depth descriptive captions, and elegantly designed publication are resounding proof that jewelry is both art and culture.
I am not my breast, and I am not cancer; they are only pieces of who I am. What is my heart like, am I kind, strong, loving, compassionate. . . . Those are the things that count." I Am Not My Breast Cancer gathers the warm, loving, frank, and informed voices of more than 800 women—from every state in the nation and from continents as far away as Australia and Africa—who reveal their fears, trade advice, share experiences, and express their deepest, most intimate concerns. Nothing before this groundbreaking book has captured the real experience of breast cancer. It is essential reading for any woman with this diagnosis. I Am Not My Breast Cancer offers women the companionship of other women dealing with this disease. Ruth Peltason, who has twice undergone treatment for breast cancer, has woven their stories together while maintaining the authenticity of their voices. These are ordinary women dealing with this cancer and its many ramifications. They range in age from their early twenties to their late seventies. They are the collective face of breast cancer today. Their comments are moving, sometimes funny, always honest. They speak out on every topic, from lovemaking and intimacy to losing their hair, from juggling the day-to-day realities of being a patient, mother, wife, and coworker to the overwhelming worries about their own mortality. Remarkably, they emerge with grace and optimism and a determination not to be defined by disease. Taking the reader chronologically through the stages of diagnosis, treatment, recovery, and self-discovery, I Am Not My Breast Cancer offers women a deeper understanding of themselves and living with cancer. As Peltason writes in her introduction, "My greatest wish for this book is that it offer comfort to any woman living with breast cancer and to those who care about her. If this book is kept on the bedside table, then I hope its need is brief and its impact lasting. I Am Not My Breast Cancer speaks of courage, heroism in deeds small and large, and incredible faith and fortitude." "You can live without a breast. You cannot say the same for the human heart.
I Am Not My Breast Cancer gathers the warm, loving, frank, and informed voices of more than eight hundred women—from every state in the nation and from continents as far away as Australia and Africa—who reveal their fears, trade advice, share experiences, and express their deepest, most intimate concerns. Essential reading for any woman with this diagnosis, it offers the companionship of other women dealing with this disease. Taking the reader chronologically through the stages of diagnosis, treatment, recovery, and self-discovery, I Am Not My Breast Cancer offers women a deeper understanding of themselves and living with cancer.
Simply Brilliant presents 120 pieces by 50 leading makers of jewelry in the 1960s and '70s, drawn from the Klosterman collection in Cincinnati. Most, if not all, of the individual makers of this era thought of themselves as artists first, jewelers second, and this magnificent new volume is full of stunning one of a kind pieces which reflect the inventive, ground-breaking attitudes of the era. The book explores the 1961 Goldsmiths Hall exhibition in London and its influence on contemporary jewelry designers such as John Donald, Arthur King, Andrew Grima and Gilbert Albert. The 1961 exhibition brought a new direction in jewelry design to the fore, influencing others--including the major jewelry houses such as Cartier, Bulgari, Chopard and Van Cleef and Arpels--paving the way for an international movement in fashion and design. These jewelry designers created unique pieces,often for individual clients, using non-traditional materials and unusual forms.
A unique photographic book unto itself from the commanding archives of Turner Classic Movies, "In the Picture" collects 150 disarming and fascinating documentary images, imparting the delight of vintage Hollywood as well as a wealth of details for all movie lovers. 150 tritone/duotone images.
Since its opening on the Place Vend�me in 1906, the jeweler Van Cleef & Arpels has played a leading role in setting style and design trends in luxury jewelry. Set in Style explores the historical significance of the firm's contributions to jewelry design in the 20th century. The book features more than 250 of Van Cleef & Arpels' most celebrated works from museum and private collections worldwide, including jewels, timepieces, fashion accessories and objets d'art and is published to accompany a major exhibition at the Smithsonian Institution, New York City, opening in February 2011. Six accessible essays accompanied by nearly 300 photographs, including previously unpublished design drawings from the Van Cleef & Arpels archives, examine the precious pieces through the lenses of innovation, transformation, nature, exoticism, fashion and celebrity. Among the objects illustrated are a tiara worn by Grace Kelly; Elizabeth Taylor's amethyst, coral and diamond bracelet and pendant earrings; a bracelet and necklace owned by Eva Peron; and the 'Jarreti�re' bracelet owned by Marlene Dietrich, worn in the film Stage Fright.
What's "The Scoop on Ruth"? When you open the book you will enter my world and discover what I have been about. It is a tell all, an honest revelation. That world begins with "All in the Family' and the people and events where growing up happens. In "Sense and Nun-sense" you will be privy to some events even to this day hidden from Sister Superior- like "The Chocolate Cover-Up". Then "Along the Way" there are defining moments and people that ultimately influence us to become who we are.Yes, even when a good Catholic girl flunks Communion. The final section "The 'P' Source" began in the novitiate when no talent me was encouraged to write "gospels". My creative pen found other modes of expression, into writing prayers, greetings, or capturing events. And, there is room for your story to come alive here. It's because I was a copy cat. I borrowed Jesus' style. So, if the parable fits....
A creative handbook for needlepointers introduces twenty colorful projects inspired by objects from the American Folk Art Museum, with needlepoint patterns for a variety of skill levels that are accompanied by photographs of the original folk art piece, detailed instructions, and tips on techniques, thread and canvas selection, and project preparation. 12,500 first printing.
A unique photographic book unto itself from the commanding archives of Turner Classic Movies, "In the Picture" collects 150 disarming and fascinating documentary images, imparting the delight of vintage Hollywood as well as a wealth of details for all movie lovers. 150 tritone/duotone images.
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