What's "The Scoop on Ruth"? When you open the book you will enter my world and discover what I have been about. It is a tell all, an honest revelation. That world begins with "All in the Family' and the people and events where growing up happens. In "Sense and Nun-sense" you will be privy to some events even to this day hidden from Sister Superior- like "The Chocolate Cover-Up". Then "Along the Way" there are defining moments and people that ultimately influence us to become who we are.Yes, even when a good Catholic girl flunks Communion. The final section "The 'P' Source" began in the novitiate when no talent me was encouraged to write "gospels". My creative pen found other modes of expression, into writing prayers, greetings, or capturing events. And, there is room for your story to come alive here. It's because I was a copy cat. I borrowed Jesus' style. So, if the parable fits....
Reading trends change over the years. One of the now largely-forgotten genres of fiction was the "nurse novel"...which was itself a subset of the "doctor novel" and featured (what else?) the romantic adventures (usually with a doctor) of a nurse! Hundreds of nurse novels were published, with titles that sometimes stretched credulity. One of our contributors to this volume, Peggy Gaddis, seemed to specialize in nurses (she wrote dozens of books about them). Is it any wonder that authors sometimes had to stretch to find subjects that hadn’t already been covered? Titles like "Scandalous Nurse." "Future Nurse" (no, it’s not science fiction -- but it might have been!) "Nurse in the Tropics." "Resort Nurse." "Ozark Nurse." "Everglades Nurse." "Night Club Nurse." "Undercover Nurse." "Debutante Nurse." "Television Nurse." "Prison Nurse." "Poison Nurse." "Nurse Voodoo." "Hootenany Nurse." "The Nurse and the Pirate." The list goes on and on. Here are 4 classic nurse novels which will, I'm sure, whet your appetite for more: HOLLYWOOD NURSE, by Alice Brennan BAYOU NURSE, by Peggy Gaddis A NURSE FOR DR. STERLING, by Ruth MacLeod NAVY NURSE, by Rosie M. Banks If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 300+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more (even nurses!)
In nineteenth-century Britain, the effects of democracy in America were seen to spread from Congress all the way down to the personal habits of its citizens. Bringing together political theorists, historians, and literary scholars, this volume explores the idea of American democracy in nineteenth-century Britain. The essays span the period from Independence to the First World War and trace an intellectual history of Anglo-American relations during that period. Leading scholars trace the hopes and fears inspired by the American model of democracy in the works of commentators, including Thomas Paine, Mary Wollstonecraft, Alexis de Tocqueville, Charles Dickens, John Stuart Mill, Richard Cobden, Charles Dilke, Matthew Arnold, Henry James and W. T. Stead. By examining the context of debates about American democracy and notions of ’culture’, citizenship, and race, the collection sheds fresh light on well-documented moments of British political history, such as the Reform Acts, the Abolition of Slavery Act, and the Anti-Corn Law agitation. The volume also explores the ways in which British Liberalism was shaped by the American example and draws attention to the importance of print culture in furthering radical political dialogue between the two nations. As the comprehensive introduction makes clear, this collection makes an important contribution to transatlantic studies and our growing sense of a nineteenth-century modernity shaped by an Atlantic exchange. It is an essential reference point for all interested in the history of the idea of democracy, its political evolution, and its perceived cultural consequences.
First published in 1980. In this study of Shakespeare's ten early comedies, from The Comedy of Errors to Twelfth Night, the concept of a dynamic of comic form is developed; the Falstaff plays are seen as a watershed, and the emergence of new comic protagonists - the resourceful, anti-romantic romantic heroine and the Fool - as the summit of the achievement. The plays are explored from three complementary perspectives - theoretical, developmental and interpretative which lead to a further understanding of the powerful relation between the plays' formal complexity and their naturalistic verisimilitude.
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